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Archival Description
North America Subseries
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Correspondence with friends and researchers

Subseries contains handwritten and typed correspondence sent to Kenneth Leslie, from his friends, supporters, and fellow researchers. Subseries also contains a few pieces of correspondence written by Leslie.

Film/Video

This sub series consists of 6 film reels, 5 VHS tapes, and 1 article regarding sheep. The motion picture material show exhibitions, documentaries, course material, and tours, between 1970-1996.

Raspberry

This sub-series contains 25 cm of textual material about wild blueberry, which includes production, marketing, management, harvesting, pathology, etc. These were published between 1950-1998.

Courses

This sub-series contains notebooks, examinations, and outlines of three courses that were offered at the Nova Scotia Agricultural College between 1937-1938.

Colombia project

This sub-series contains records that were created and used in the partnership project with the Nova Scotia Agricultural College and the Universidad Francisco de Paula Santander (Columbia) in the development of a Training Program in Sustainable Agriculture at UFPS both the undergraduate and graduate levels. The program ran between 1997 and 2002. The Universidad Francisco de Paula Santander (UFPS) has been asked to play a key role in “El Salto Social”, the social leap forward, in the Santander region of Colombia. New curricula will be introduced at UFPS, faculty will be upgraded and new extension and outreach programs established with the assistance of NSAC through this project. Other project partners are the Universidad de la Republica Uruguay (URU) of Uruguay and Saint Mary’s University (SMU). This is an Association of Universities and Colleges of Canada (AUCC) University Program for Cooperation in Development (UPCD) Tier 2 project led by NSAC. NSAC Personnel Involved: Norman Goodyear, Bonnie Waddell, Sam Asiedu, Leanne French

Course related

This sub-series contains hand written notes by Dr. Melville Cumming regarding the courses he taught at the Nova Scotia Agricultural Collage.

Dalhousie University School of Physiotherapy yearbooks: Dalhousie Physiotherapy; Physio; Dalhousie University Physiotherapy; and Dalhousie University School of Physiotherapy yearbook

Subseries contains the Dalhousie University School of Physiotherapy yearbooks covering the years 1982, 1984-1988, 1991-1996, 2000-2004, 2007-2009, 2011: The yearbook's title has varies over time and includes: Dalhousie Physiotherapy; Physio; Dalhousie University Physiotherapy; and Dalhousie University School of Physiotherapy yearbook.

Dalhousie University. School of Physiotherapy

Promotional materials

Subseries contains records relating to the promotional, fundraising, sponsorship, and marketing activities of the Upstream Music Association. Records include membership advertisements and surveys, correspondence with media outlets, and information brochures about the organization.

Nasca lines

Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.

The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.

Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.

Dalhousie Theatre : The Lucky Chance

File contains thirteen watercolour sketches of costume designs for Dalhousie Theatre's 1994 production of the Lucky Chance. Each sketch shows a costume design for one character from the performance. Three of the sketches are covered by a clear plastic sheet which is attached on all four sides with masking tape.

Dalhousie Theatre : Shakespeare's Women

File contains 26 costume designs from Dalhousie Theatre's 1990 production of Shakespeare's Women. Six of them are watercolour sketches and the rest are pencil sketches. The file also contains two photocopies of one of the sketches and three pages of notes about the sketches. The first 18 sketches were drawn on the same pad of paper and are stored between the covers of that pad of paper. There are some drawings on the cover of the pad of paper. Some of the sketches have fabric swatches attached.

Dalhousie Theatre : St. Carman of the Main

File contains 21 costume designs for Dalhousie Theatre's 1990 production of St. Carman of the Main. The title of the play may actually be spelled "St. Carmen of the Main." Ten of the sketches are cut out and mounted on corrugated cardboard, with collages of newspaper articles in the background. The other eleven sketches are pencil and coloured pencil sketches on heavyweight paper.

Dalhousie Theatre : The Trojan Women

File contains fifteen costume design for Dalhousie Theatre's 1992 production of The Trojan Women. Twelve of the designs are watercolour sketches and three are pencil sketches.

Brock University : The Rover

File also contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place Febreuary 14th-16th at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.

Dalhousie Theatre : Grease

Files contains six set designs and 27 costume designs for Dalhousie Theatre's 1984 production of Grease. Photocopies of several of the costume designs are included and three of the costume designs are only present in photocopy form. Some of the costume designs have fabric swatches attached. Four envelopes of fabric swatches are also included.

Dalhousie Theatre : Happy End

File contains 17 costume designs for Dalhousie Theatre's 1989 production of Happy End. The sketches have all been torn into irregular shapes, mounted on corrugated cardboard, and spray painted with a brick pattern.
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