Fonds consists of materials regarding the professional activities of Shirley A.M. Conover, including correspondence, studies, proposals for research and reports submitted to companies, research centres and government departments by MacLaren Plansearch Ltd., Plansearch Inc., MacLaren Atlantic Ltd., MacLaren Marex Inc., and Hardy Associates (1978) Ltd.
Collection comprises four teaching series produced in Atlantic Canada and hosted by Dalhousie University faculty, and includes series one (The Oceans); series two (The Structure of Sound); series three (20th Century Latin America: Why Revolution?); and series four (Textiles: Their Development and Effects).
Fonds contains research material and manuscripts created by historian Ian McKay when he resided in Halifax, Nova Scotia. Materials include a student essay on strikes in the Maritimes (1901-1914), a manuscript of McKay's undergraduate honours thesis, "The Working Class of Metropolitan Halifax," and 55 audio cassettes and accompanying notes from interviews with workers in the Springhill and Joggins coal mines.
Fonds consists of Marjorie Stone's records illustrating her professional involvement with the Dalhousie University English Department, Dalhousie University Graduate Faculty Review Committee, Dalhousie Women Faculty Organization, and the Women's Action Coalition of Nova Scotia. Record types include correspondence, meeting minutes and reports.
Fonds includes circulars issued by Dalhousie University to recruit members for the Canadian Union of Public Employees as well as circulars issued by the Canadian Union of Public Employees to the existing Dalhousie University members. Also included in the fonds is a poster highlighting guest speaker Grace Hartman.
Fonds contains materials documenting Catherine Banks' professional playwrighting career beginning with her first published play, Eula's Offer. Records include research notes and manuscripts (handwritten and typed), correspondence, contracts, production and publicity materials, a videocassette, a DVD, photographs, sketches, and a small selection of personal papers.
Fonds consists of records related to CCFA governance and activities. Record types include meeting minutes; committee and sub-committee agendas; membership lists; newsletters; correspondence; reference materials in multiple media; and a large collection of photographic slides, primarily featuring trips organized by the association.
Fonds contains minutes of the Dalhousie Association of Graduate Studies as well as photographs, correspondence and other records relating to the establishment and management of the first purpose-built graduate student social facility (the Grad House).
Fonds consists of newsletters and poetry publications from 1971-1979. Most of the publications feature poetry written by Velma Brown, but a number of other authors are also featured, including Sidney M. Parker, known as the blind poet of Truro, Nova Scotia.
This fonds consists of records that document the administrative and operational activities of IBEW Local 625. As the union which represents inside electrical workers across mainland Nova Scotia, Local 625 engages in a variety of activities which are represented in this fonds; these include employer negotiation, grievance administration, dues remittance, pension fund administration, labour advocacy, workers' training and education, strike coordination, recreational events, and membership advocacy. The records in this fonds were created by the union's office staff, business managers, executive board, elected officials, Board of Trustees, membership, and business associates.
International Brotherhood of Electrical Workers, Local 625 (Halifax).
Fonds contains material relating to the personal life and professional career of Bill Freedman (1950-2015), an environmental scientist based at Dalhousie University. Fonds includes research data, teaching materials, publications, manuscripts and draft manuscripts, correspondence, committee and meeting minutes, electronic records, analogue and digital photographs, thousands of 35 mm slides, video cassettes, and appointments and awards.
Fonds consists of information and material relating to courses taught by Hennigar-Shuh and his involvement at Dalhousie University, as well as correspondence, personal writings, and magazine articles relating to his life and work.
Fonds contains records created and collected by Jerome Barkow in the course of his research and teaching at Dalhousie University. Records types include course materials in anthropology, biology and sociology; university and departmental records, including meeting minutes, correspondence and reports; editorial correspondence and manuscript drafts of published papers; lecture and presentation manuscripts and slides.
Fonds comprises correspondence and questionnaires for merchant seamen completed by Leo Corkum and Harry Delah [?]. The questionnaires were completed in response to an appeal for research data in conjunction with Miller's project with the National Maritime Museum in Greenwich, England.
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.
Fonds consists of a wide range of records from both MOVE and MOVE coalition members, consisting of administrative records to material on social issues. Records include meeting minutes from the board and staff; material on operations; records on funding and finances; material on activities and participation of MOVE such as conferences, seminars, and workshops; various material on internal committees and external committees; various material on MOVE coalition member groups; resource and reference material that made up much of MOVE's library as well as research information they used for various publications for citizen awareness. In addition, the above records contain material that target many social issues such as environment, human rights, poverty, unemployment, city planning, and transit issues.
Fonds comprises records related to Raymond's investment in the Henry House restaurant, including correspondence, financial statements, menu designs, architectural drawings and construction records. Other records include Dalhousie Review poetry correpondence.
Collection consists of videos and photographs that document the administrative and operational activities of Dalhousie University’s MedIT, providing media services to the Dalhousie Faculty of Medicine. The collection also includes the card catalogue and register created and used by MedIT to organize their video and photograph libraries.
This collection consists of records pertaining to the management and the productions of the Dartmouth Players from 1967-1975. The records include administrative documents, financial statements, correspondence, programs, and newsletters.
Fonds contains records documenting Ian McAllister's work as an economist and professor between 1967 and 2010. Records include research materials and manuscripts about regional and international development and policy, foreign aid, disasters and development, and the role of universities as development contributors.
Fonds consists of records resulting from several projects and areas of research, including an employment trends survey for the information services professions; Public Policing in Nova Scotia; The Restructuration of the Faroese Economy; the crisis of the North Atlantic fisheries and the impact of fishing quotas on the fishing industry; and the Marginal Work World Project. Included in these records are correspondence, surveys, committee notes, interview notes, annual reports by committees and police departments, officer information sheets from various police departments, operation manuals, photographs, audio cassettes, newspaper clippings, and project papers.
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.
This fonds primarily consists of records of various actuarial organizations, including the Canadian Institute of Actuaries, the Society of Actuaries, the Actuarial Society of America, and the American Academy of Actuaries.
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.
Nova Scotia Folk Arts Council Fonds includes correspondence 1964-1973, financial documents 1966-1972, festival documentation 1964-1973, and administrative records 1966-72. The bulk of the records are from Nova Scotia folk art festivals in 1967 in relation to Canada’s centennial celebration.
Fonds consists of records regarding Robert Grant Dexter's professional activities in the 1960s, including his involvement with the Neptune Theatre in Halifax, Nova Scotia. Fonds contains correspondence, newspaper clippings and manuscripts.
Fonds comprises reports, publications, meeting notes and minutes, correspondence and general documentation illustrating the activities of the Community Planning Association of Canada, Nova Scotia Division.
Community Planning Association of Canada, Nova Scotia Division
Three letters from Thomas Raddall to Miss Margaret Martin at the Halifax Memorial Library regarding the details of his speaking engagement with the Young People's Section of the Canadian Library Association.