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Pullen, H.F. (Hugh Francis), 1905-1983
Young, William, Sir
MacMechan, Archibald McKellar
McLelan, Archibald Woodbury, 1824-1890
Joint Review Panel for the Whites Point Quarry and Marine Terminal Project.
Allen, W. Graham, 1909-1986
Almon, William, Bruce, Lt. Col.
Mercer, Charles, H.
Sewell, Jonathan, Justice, c. 1766-1839
Logan, Robert A., 1892-1992
Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.
Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.
Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.
Andrews, Alan Richard, 1935-
Waldren Photographic Studios
MacKay, W. Andrew
Aldous, John G.
Douglas, G. David, Dr.
Ecology Action Centre.
Canada-China Friendship Association.
Kaplan, J. Gordin
MacInnis, Daniel Finlayson, 1889-1973
Murchison, Alexander John, Dr.
Parker, Daniel McNeil, Dr., 1822-1907
Stewart, John, Lt. Col. Dr.
Corston, James R.
VanWart, Arthur F., Dr.
Fonds consists of one pharmacy notebook.
MacKintosh, Albert Scott
Howe, Joseph, 1804-1873
MacMillan, Carleton Lamont, Dr., 1903-1978
Welfare Council (Halifax-Dartmouth area).
Fonds consists of patient records, manuscripts, lecture notes, course material, correspondence, published articles, speeches, photographs, subject files, and papers of various professional associations, all created or collected by Dr. Jones during his career.
The materials in this fonds were generated primarily as a result of Dr. Jones' work as a Psychiatrist in Halifax and as a faculty member at Dalhousie University. Dr. Jones was a member of many associations and the bulk of this collection consists of meeting minutes and correspondence related to these associations.
Jones, Robert Orville
Meyerhof, George Geoffrey, 1916-2003
Collection includes 41 original pen and ink drawings by Arthur Lismer commissioned ca. 1919 by Dalhousie's Centenary Committee to illustrate its history of the university's first century: One hundred years of Dalhousie, 1818–1918, which was published in 1920. The collection includes the original and some unfinished and/or unpublished versions of all but one of the 26 illustrations used in the book, which features historic and contemporary Dalhousie figures and buildings. There are several portraits of President Arthur Stanley Mackenzie, which were rejected in favour of publishing a photographic image, as well as a rough sketch of Lismer's daughter, Marjorie. Also included in the collection are 22 reproductions, which are probably printer's proofs, given the poor quality of the paper.
Twelve of the Lismer images were also reproduced in the booklet titled simply Dalhousie University, which was produced by the Dalhousie Million Committee as part of the promotional literature supporting the university's 1920 Million Dollar Campaign and published shortly after the Centenary Committee's book.
There is little documentary evidence beyond these two publications regarding the precise date or other details of the Lismer commission; one of the drawings is marked "1 March 1920," and another "27 March 1920," on date-received stamps from the engraving department of Rous & Mann, the Toronto company that printed both publications. The existing archival correspondence between the university and the printer (UA-3, Box 621, Folder 6) is from the Million Committee file, and refers only peripherally to the Centenary Committee's book project. A letter dated 24 March 1920 from Rous & Mann advises that the cuts, or illustrations, proposed for use in the campaign booklet were "at present locked up for the printing of the other Book in course of preparation," while later correspondence indicates that the printing and delivery of the campaign booklet gained precedence over the commemorative history, and the first run of these booklets was shipped on 17 April. The history was printed shortly after that, although by 26 May it had already been reprinted, owing to the misspelling of George Stewart Campbell, whose middle name appears in the first printing as "Stuart." The existence of the misprinted copies is due to their purchase at a steep discount by the Million Committee, who wrote: "... if the price were attractive a way might be found to use them."
No correspondence or documents have been found in the Dalhousie University Archives regarding Lismer's actual commission: within the Million Committee's correspondence file exists a single telegram from President Mackenzie to Arthur Lismer, dated 3 April 1920, which expresses a need to rush the printing along with the instruction: "leave layout to your judgement," the sole reference to Lismer's role in either project.
Graham, Robert Henry
Class of 1931
Gordon, Terrence W.
Chapman, Cyril Gilbert Moran
Bell, Hugh Phillip
Dalhousie University. Faculty of Science.
Wamboldt-Waterfield Photography Limited