Fonds consists of materials created or collected by Dr. John F. Godfrey while he was a professor at Dalhousie University and President and Vice-Chancellor at the University of King’s College in Halifax, Nova Scotia. Material consists of correspondence, course material, lecture notes, videocassettes, shooting scripts and research for History 100 videos, manuscripts, notes, printed material of local history and locations, and meeting minutes and memos from committees, the Faculty of Arts and Science, and the History Department at Dalhousie University.
File contains a student essay titled, "A Search for Collective Bargaining : The Nova Scotia Government Employees Association Experience," written in 1979 by Kevin Reilly for a course on Canadian working class history taught by Dr. Gregory S. Kealey. The essay documents the history of the Nova Scotia Government Employees Association's collective bargaining experience.
Series consists of Janet M. Eaton's material regarding her involvement with the Continuous Learning Association of Nova Scotia. Series includes correspondence, programmes, pamphlets, meeting minutes, reports, and other textual records.
Fonds consists of records regarding a wide range of activities of the Halifax branch of the Engineering Institute of Canada, including administrative deliberations, recognition and management of members, meetings, educational initiatives and financial management. The fonds contains correspondences, minutes of meetings, administrative records, financial statements, photographs and others textual records.
Series consists of Dalhousie University Foundation's correspondence regarding a wide range of subjects, including donations to Dalhousie University Foundation, campaigns, internal correspondence, and others subjects.
Fonds consists of records pertaining to the administrative, operational, financial, and artistic activities of the ASO. Included are materials documenting the Board of Directors, box office operations (including ticket sales), financial affairs, fundraising, general administration, guest artists, orchestra members, public relations and publicity, and the union. Also included is the photograph series which presents a visual record of various aspects of the orchestra's activities, including performances and women's auxiliary events as well as publicity shots of musicians, conductors, staff, and guest artists.