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Brock University : The Rover

Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.

Nova Scotia Agricultural College development of a 'Training Program in Sustainable Agriculture' at the Universidad Francisco de Paula Santander (Columbia) project records

Subseries contains records that were created and used in the partnership project with the Nova Scotia Agricultural College (NSAC) and the Universidad Francisco de Paula Santander (Columbia) in the development of a 'Training Program in Sustainable Agriculture' at UFPS for both the undergraduate and graduate levels. The program ran between 1997 and 2002. The Universidad Francisco de Paula Santander (UFPS) was asked to play a key role in “El Salto Social”, the social leap forward, in the Santander region of Colombia. New curricula was to be introduced at UFPS, faculty being upgraded and new extension and outreach programs being established with the assistance of NSAC through this project. Other project partners were the Universidad de la Republica Uruguay (URU) of Uruguay and Saint Mary’s University (SMU). This was an Association of Universities and Colleges of Canada (AUCC) University Program for Cooperation in Development (UPCD) Tier 2 project led by NSAC. NSAC Personnel involved were Norman Goodyear, Bonnie Waddell, Sam Asiedu, and Leanne French.

Dalhousie Theatre : Grease

Files contains six set designs and 27 costume designs for Dalhousie Theatre's 1984 production of Grease. Photocopies of several of the costume designs are included and three of the costume designs are only present in photocopy form. Some of the costume designs have fabric swatches attached. Four envelopes of fabric swatches are also included.

Dalhousie Theatre : Happy End

File contains 17 costume designs for Dalhousie Theatre's 1989 production of Happy End. The sketches have all been torn into irregular shapes, mounted on corrugated cardboard, and spray painted with a brick pattern.

Dalhousie Theatre : The Lucky Chance

File contains thirteen watercolour sketches of costume designs for Dalhousie Theatre's 1994 production of the Lucky Chance. Each sketch shows a costume design for one character from the performance. Three of the sketches are covered by a clear plastic sheet which is attached on all four sides with masking tape.

Dalhousie Theatre : Shakespeare's Women

File contains 26 costume designs from Dalhousie Theatre's 1990 production of Shakespeare's Women. Six of them are watercolour sketches and the rest are pencil sketches. The file also contains two photocopies of one of the sketches and three pages of notes about the sketches. The first 18 sketches were drawn on the same pad of paper and are stored between the covers of that pad of paper. There are some drawings on the cover of the pad of paper. Some of the sketches have fabric swatches attached.

Dalhousie Theatre : St. Carman of the Main

File contains 21 costume designs for Dalhousie Theatre's 1990 production of St. Carman of the Main. The title of the play may actually be spelled "St. Carmen of the Main." Ten of the sketches are cut out and mounted on corrugated cardboard, with collages of newspaper articles in the background. The other eleven sketches are pencil and coloured pencil sketches on heavyweight paper.

Dalhousie Theatre : The Trojan Women

File contains fifteen costume design for Dalhousie Theatre's 1992 production of The Trojan Women. Twelve of the designs are watercolour sketches and three are pencil sketches.

Dalhousie Theatre : Love for Love

File contains fifteen watercolour sketches of costume designs for Dalhousie Theatre's 1989 production of Love for Love. Each sketch shows one character wearing their costume. The sketches are all cut out and mounted on dark orange matboards. Most of the sketches have a clear plastic sheet taped over them for protection.

Dalhousie Theatre : Mandragola

File contains nine costume designs for Dalhousie Theatre's production of Mandragola. The sketches show many mask designs for characters from the production as well as some full-body costume designs.

Dalhousie Theatre : Moliere

File contains sixteen watercolour and gouache sketches of costume designs for Dalhousie Theatre's production of Moliere. A collection of handwritten notes about the costumes is also included.

Red Deer College : The Bundle

Sub-series comprises seven watercolour costume sketches, rendered on light-weight paper, for Red Deer College's production of Edward Bond's The Bundle, or New Narrow Road To The Deep North. Some of the watercolours have measurement sheets attached.

Canadian Council on International Law

Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the Canadian Council on International Law. Subseries contains conference lists, conference proceedings, bulletins, correspondence, meeting minutes, administrative records, and other materials.

Ronald St. John Macdonald’s Dalhousie University records

Subseries consists of Ronald St. John Macdonald's records regarding his involvement with Dalhousie University as a professor and dean of Dalhousie University Law School. Subseries include records related to Dalhousie Faculty Association's strike in 1988, records related to Dalhousie University Law School centenary, records related to Dalhousie University Law School fire, records related to Ronald St. John Macdonald's lectures, meeting minutes, reports, correspondence, pamphlets, offprints, periodicals, and other materials.

Out the Meadow : A Cape Breton Love Story

Subseries contains records created and collected by Mary Vingoe in the course of directing Forerunner Playwrights Theatre's production of Bev Brett's play Out the Meadow, performed at Bus Stop Theatre in Halifax.

HIV/AIDS fundraisers and events

Sub-series contains records of fundraisers and other events hosted by CARAS and other Halifax-based organizations promoting causes related to HIV/AIDS. Materials include promotional materials, programs, pamphlets, memos, correspondence, and planning documents.

Churchmembers Assembled to Respond to Aids

Autographs

Subseries contains autographs of musicians, some of which are on concert programs. These concert programs also frequently contain annotations by J.D. Logan about the music performed. Most of the autographs would have been obtained from the musician directly by John Daniel Logan, with the exception of the autograph of the American pianist and composer Louis Morceau Gottschalk (1829-1869) and that of the French operatic soprano Marie Rôze Mapleson (1846-1926).

Canadian music and theatre programs

Subseries contains programs from concerts that John Daniel Logan attended in Canada, excluding Nova Scotia, predominantly at venues in Toronto and Montreal. Many of the programs include annotations by Logan.

International music and theatre programs

Subseries contains programs from concerts that John Daniel Logan outside of Canada, predominantly at venues in the United States and the United Kingdom. Many of the programs include annotations by Logan.
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