File contains nine drawings of the Dalhousie University mace created by R.L. de C.H. Saunders, a Dalhousie University Professor of Anatomy who designed the mace in 1949. The drawings illustrate details of various parts of the mace. The mace was carved by former Deputy Mayor of Halifax A.H. Macmillan. It is used during convocation ceremonies and stored in University Hall.
File contains 1 copy of the sketch of the University mace drawn by Professor R. L. de C. H. Saunders, 1 copy of a newspaper article regarding the mace and the dedication from the convocation program in 1950.
File contains cartoon on LGBT subjects collected by Ross Boutilier. Materials include one photocopy of the article "For better or worse, we're on this planet together" by Joe Murray; cartoons from the series For Better or For Worse, Dilbert, and Doonsbury; and a political cartoon by Bruce MacKinnon for the Chronicle Herald.
File consists of several newspaper articles collected by Ross Boutilier about Nova Scotia Member of Parliament Roseanne Skoke and her controversial remarks regarding homosexuality. File also contains political cartoons by Bruce Mackinnon for the Chronicle Herald and Theo Moudakis for the Daily News.
File includes an article about Mildred MacDonald's time at Dalhousie University, newspaper clippings of a poem by E. Anne Ryan and of an advertisement of the opening of the Park Lane building in Halifax, three art pieces regarding Canada's landscape, invitations, a Dalhousie University programme of a symposium on undergraduate education, and other materials.
File contains a photograph of the illustration for the front cover of "Cassandra's Driftwood" (illustrate by Terry Roscoe), a photocopy of the proposed front cover, and an envelope addressed to Lesley Choyce.
File contains correspondence regarding Budge Wilson's book "Harold and Harold," between Wilson and various people involved in its publication, including Lesley Choyce of Pottersfield Press, Terry Roscoe, the editor (including sketches of possible illustrations), and Sheila Dalton, Wilson's copy editor. The file includes incoming correspondence and copies of Wilson's outgoing correspondence.
File contains a incoming correspondence from Eugenie Fernandes, the illustrator for Budge Wilson's book "The Fear of Angelina Domino," and copies and drafts of Wilson's outgoing correspondence. The file also contains some of Fernandes' drawings and sketches for the book.
File includes a copy of Budge Wilson's response to the grade three class at Westmore Academy in Liverpool, Nova Scotia, and four drawings by the children of scenes from Wilson's books.
File contains two drafts of Budge Wilson's book "Duff's Monkey Business" and related correspondence with the publisher, Formac Publishing Company Limited, which include early proposed drawings by the illustrator Kim LaFave.
File consists of students drawings, from Lunenburg Academy, Lunenburg, Nova Scotia, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson.
File consists of students drawings, from the Halifax Grammar School, Halifax, Nova Scotia, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson.
File contains sketches produced by Henry Orenstein in the course of his creative process in the concept development of the Sudbury Industrial Landscape, a 1950s commission by the Mine, Mill and Smelter Workers of Sudbury for a mural on the local union hall.
File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.
Files includes two original artwork illustrations for MacMechan's Chap books, which were a series of 16 short publications, including travel guides, fiction and poetry.
File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).