Fonds consists of correspondence to and from donors (1936-1945), student lists, and miscellaneous papers and receipts. Most of the donor correspondence relates to requests for donations, in particular for the Cape Breton Regional Scholarship and the Hebrew Prize in Pathology.
The fonds consists of records spanning the entire history of the Ecology Action Centre. The records document the organization's internal and external activities and include correspondence, annual reports, administrative records, committee files, subject files, and an extensive library of audiovisual materials on a variety of environmental and ecological topics.
Fonds consists of records created for and as a result of the performance activities of the Halifax Camerata Singers. Records include posters and programs from concerts\ and administrative and financial records from the Board of Directors of the not-for-profit society.
This fonds consists of records related to the governance of the association, meeting minutes, the activities of the various committees and sub-committees, membership lists, newsletters, and correspondence. It also includes program materials the CCFA used to promote knowledge and awareness about China; documents regarding the Communist Party of China; reference materials; a large collection of slides, primarily of two trips the association organized, one to China in 1975 and one to Asia in 1977; audiocassettes; and materials related to the lecture “How China Feeds 800 Million People” which includes a slide show, audiocassette, and transcription.
Item is a letter from Mary Kenny to Roger Savage written on July 2, 1974. In the letter, Kenny accepts an offer from Karl MacKeeman to serve on the Board of Directors of Eye Level Gallery. Kelly offers her services as a photographer or as coordinator of TELED's Media Resource Centre.
Item is a letter from Marina Stewart to Michael Fernandes regarding a deficit Stewart was alleged to have left at the end of the 1981 fiscal year. In the letter, Stewart asks Fernandes to bring up the matter at the first Eye Level Gallery meeting of the 1982-1983 gallery season.
Item is a letter from Julia Schmitt Healy to Ron Shuebrook concerning his omission from the Board of Directors of Eye Level Gallery. In the letter, Healy reveals that the selection process was "basically fascism prompted by our Catch-22 situation: To apply for the grant we had to have a board of directors yet we had no members who, under a true co-operative would elect the board." She invites Shuebrook to contribute a piece to the gallery's first show, Peggy's Cove Syndrome.