Fonds comprises records created and collected by Paul Cram that document his work as a composer and musician. Record types include primarily music scores and parts — printed and handwritten — composed by Paul Cram for orchestra, small ensemble, jazz quartet and solo instruments. There are also sound recordings (CD and cassette tape) and posters and programs.
Subseries contains 34 scores catalogued by the Canadian Music Centre ca. 2016. The scores in this subseries are listed in the order of the RSN (record series number) established by the CMC and descriptions contain corresponding call numbers. They were re-foldered along with the CNC envelopes in which they were maintained.
File contains scores for Paul Cram's Détente: Music from No Man's Land, including two copies of the part for voices (male and female) and one each of soprano sax, baritone sax, and percussion.
Item is an annotated composer's score of Paul Cram's Into the Ice for oboe, clarinet, bassoon, trumpet, soprano sax/flute, tenor sax/clarinet, string orchestra — 86442, marimba, timpani, guitar, piano, electric bass, drums.
Item is an annotated composer's score of Paul Cram's Into the Ice for oboe, clarinet, bassoon, trumpet, flute, clarinet, violin 1 & 2, viola, cello, bass, timpani, guitar, piano, bass, drums.
Item is Paul Cram's facsimile score for saxophone quartet and tape, performed June 1984. The first page comprises program notes describing the composition as a variation on the Icarus myth; the second page is a schemata for between movements.
Item is a revised concert score for Paul Cram's Hall of Mirrors for harp/synth, koto, shakuhachi, soprano sax, tenor sax, clarinet, cello, guitar, synth/piano, electric bass, and drums.
Item is a concert score for Paul Cram's Hall of Mirrors for koto, shakuhachi, soprano sax, tenor sax, bass clarinet, synthesizer/Irish harp, synthesizer/piano, and percussion. Koto tuning: C F G C# D E G# A B D# F# A# C.
Item is a composer's score of Paul Cram's The Tyranny of Interest—with eleven movements and a key to formings—for voice, soprano sax, alto sax 1 & 2, tenor sax, baritone sax, trumpet 1 & 2, trombone 1, 2 & 3, piano, guitar, cello. bass 1 & 2, and drums.
Item is a composer's score printed on one page divided into 12 numbered sections or movements that combine printed standard music notation and handwritten formation.
Item is the master of the score and parts for Beyond Benhazi, including: oboe, bassoon, piano, violin 1 & 2, viola, cello, bass, clarinet Bb, tenor Bb, trumpet, soprano/flute, timpani/marimba/vibes, harp/synth, guitar and drums.
Item is an annotated composer's score of Paul Cram's Fortress America for flute, clarinet, alto, baritone, trumpet 1 & 2, trombone 1 & 2, violin 1 & 2, viola, cello, guitar, piano, bass and drums.
Item is Paul Cram's score for trumpet, alto sax/flute, tenor sax/clarinet, bass clarinet, guitar, synthesizer/harp, piano/synthesizer, drums, and soloist.
Item is Paul Cram's score for trumpet, clarinet, tenor sax, alto sax, harp/synthesizer, guitar, synthesizer and drums. The handwritten title page has copyright as 1990, but the first page of the score indicates copyright 1992.
Item is an undated composer's score of Paul Cram's Corridors of Power for voice, flute, oboe, clarinet, bassoon, trumpet, alto sax, tenor sax, baritone, bass clarinet, accordion, piano, guitar, electric bass, drums, marimba, timpani, violin 1 & 2, viola, cello and contrabass.
Item is the master of a conductor's score for Paul Cram's The Point of Sympathy for Chamber Orchestra with Improvisor, which includes an instrumentation list on the title page: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 bassoons, 2 trumpets in Bb, 2 french horns, violin1 (8), violin 2 (6), viola (4), cello (4), contrabass (2), marimba, timpani, tenor saxophone, bass clarinet, soprano saxophone, electric cello, piano, accordion, guitar, electric bass, drums.
Item is a conductor's score for Beyond Benghazi, copyright in 1987 and revised in 1993. The score, which is annotated, is for oboe, sop /flute, clarinet, trumpet, ten/clar, bassoon, violins 1 and 2, viola, cello, percuss/timpani, Sandy, guitar, piano, bass and drums.
Item is a copy of Dal Magazine (Spring 2022), which features spotlight interviews with Dal alumni Brice Scheschuk (BCOMM '94), Jeremy Dutcher (BA '12), partners David Hodgson and Sara Fedullo (BENG '21), William (Bill) Stanish (MD '70), and Marriam Abou-El-Haj; an article about the research project "Home Food Gardening in Response to the COVID-19 Pandemic: Lessons for Food Security Considerations"; and a story about research in music, medicine and neuroscience.
Collection comprises digital video files of four teaching series produced for television in Atlantic Canada and hosted by Dalhousie University faculty, including: series one (The Oceans); series two (The Structure of Sound); series three (20th Century Latin America: Why Revolution?); and series four (Textiles: Their Development and Effects).
Item is lecture one of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Item is lecture two of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Item is lecture three of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Item is lecture four of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
