File contains drafts of program notes by Anthony Pugh pertaining to works by Richard Wagner and Anton Webern. The file also includes three complete programs (with notes by Pugh) from Atlantic Symphony Orchestra concerts and a complete program from a Walter Baker Memorial Concert with the Canadian Chamber Ensemble.
File contains a program for a Brunswick String Quartet performance at the University of New Brunswick, featuring Hugo Wolf's "Italian Serenade." The program notes are by Anthony Pugh.
File contains drafts of program notes by Anthony Pugh pertaining to string quartets by Ludwig van Beethoven, Wolfgang Amadeus Mozart, and Franz Joseph Haydn.
File contains drafts of program notes by Anthony Pugh and research material pertaining works by the following composers: Violet Archer, Wolfgang Bottenberg, Derek Healey, Francis Chaplin, Irving Glick, Jacques Hetu, Bruce Mather, Rodolphe Mathieu, Roger Matton, Pierre Mercure, Michael Miller, Francois Morel, Oskar Morawetz, Clermont Pepin, Andre Prevost, Godfrey Ridout, R. Murray Schafer, Robert Turner, Richard Gibson, Ann Southam, Healey Willan, F.R.C. Clarke, Alasdair MacLean, and Janis Kalnins. The file also includes programs from concerts at the University of New Brunswick (UNB) and Christ Church Cathedral in Fredericton, and correspondence sent to the board members for the Summer Chamber Music Festival at UNB.
File contains drafts of program notes by Anthony Pugh pertaining to works by Sergei Prokofiev and two programs, one used in Pugh's research from an Orchestre de Paris concert, and the other from the 8th Annual Summer Festival of Chamber Music at the University of New Brunswick (1973).
File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Ottorino Respighi, Nikolai Rimsky-Korsakov, Gioachino Rossini, Albert Roussel, Franz Reizenstein, and Max Reger. The file also contains three programs that Pugh used in his research from the Théâtre des Champs-Élysées, the Edinburgh International Festival of Music and Drama, and the London Symphony Orchestra.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Maurice Ravel, as well as a complete program from a concert at the Fredericton Playhouse (with notes by Pugh) and a program from the London Philharmonic Orchestra, which was used in Pugh's research.
File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Arnold Schonberg, Jan Pieterszn Sweelinck, Alexander Scriabin, Bedřich Smetana, Johann Strauss, and Franz von Suppé. The file also contains two programs from the Liverpool Philharmonic Society and one from the Maine Center for the Arts, used in Pugh's research; and a complete program for a concert by Duo New Brunswick at the University of New Brunswick, with program notes by Anthony Pugh.
File contains drafts of program notes by Anthony Pugh pertaining to works by Domenico Scarlatti. The file includes Pugh's chronological analysis of Scarlatti's extant sonatas, annotated copies of the incipits for the sonatas, and correspondence with P. Joan Hymans of the British Broadcasting Corporation about the numbering of the Scarlatti sonatas.
File contains drafts of program notes by Anthony Pugh pertaining to works by Franz Schubert, and programs that Pugh either contributed to or used in his research. Complete programs included in the file are from the Royal Festival Hall, London, England, and the University of New Brunswick and Saint Thomas University Creative Arts committee.
File contains drafts of program notes by Anthony Pugh pertaining to works by Robert Schumann, as well as complete programs from concerts presented by the Creative Arts Committee of the University of New Brunswick and Saint Thomas University (for which Pugh regularly wrote program notes). The file also contains a program from a concert produced by Jeanine Roze, which Pugh used for his research.
File contains drafts of Anthony Pugh's program notes for Atlantic Symphony Orchestra (ASO) concerts an copies of the ASO's programs containing Pugh's notes.
File contains correspondence from Marc Sabat of the Tempest String Quartet (also including Sheila McDonald, Anthony Rapoport, and Katja Linfield) regarding their performances in Fredericton, New Brunswick. The file also includes a copy of the press release for their June 8, 1988 concert, and a copy of the program from the concert.
File contains drafts of program notes by Anthony Pugh and research materials concerning the music of Richard Strauss. The file includes a notebook with handwritten excerpts (written by Pugh) from Strauss's Till Eulenspiegels lustige Streiche, Op.28.
File contains drafts of program notes by Anthony Pugh and research materials concerning the music of Igor Stravinsky. The file includes three programs, as part of Pugh's research material, from the BBC Symphony Orchestra, Liverpool Philharmonic Society, and Edinburgh International Festival.
File contains a draft of program notes by Anthony Pugh for String Quartet no. 2 by Michael Tippett. The file also includes a program from the Liverpool Philharmonic Society used in Pugh's research and a newspaper clipping with a profile article on Tippett.
File contains drafts of program notes by Anthony Pugh pertaining to the music of Ralph Vaughan Williams. The file also includes Pugh's analytical notes on the London Symphony and programs used in his research from the Liverpool Philharmonic Society, Cambridge University Musical Society, and "His Master's Voice" gramophone record. The file also includes two newspaper clippings about Vaughan Williams' performances.
File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of Giuseppi Verdi. The file also contains programs used in his research from the University of Bristol, Glyndebourne Festival, and the Hippodrome in Bristol. The file also includes a newspaper clipping about the Glyndebourne Opera Company's production of "Falstaff" by Giuseppi Verdi.
File contains drafts of Anthony Pugh's program notes for Atlantic Symphony Orchestra (ASO) concerts an copies of the ASO's programs containing Pugh's notes.
File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of William Walton. The file also contains programs used in his research from the Royal Liverpool Philharmonic Society.
File contains programs from the Vancouver Chamber Choir's performance in Fredericton, New Brunswick and that of Gregory MacLeod, sponsored by the Fredericton Committee of the Atlantic Symphony Orchestra and The New Brunswick Museum.
File contains research notes and drafts of program notes by Anthony Pugh pertaining to the works of Robert Schumann, Franz Schubert, Ludwig van Beethoven, Niccola Porpora, Joseph Haydn, Gioachino Rossini, Felix Mendelssohn, and Jean Sibelius. The file also contains programs used in his research, including those from the Biggar Music Club, Radio France, Orchestre de Paris, and the Atlantic Symphony Orchestra (includes program notes by Pugh).
File contains Anthony Pugh's handwritten analytical excerpts for the Manfred overture by Robert Schumann, Cariolan overture by Ludwig van Beethoven, Piano Concerto No.14 in E-flat major, K.449 by Wolfgang Amadeus Mozart, and an unidentified work by Johann Sebastian Bach. The file also includes programs for the Brunswick String Quartet and Valerie Tyron's Waater Baker Memorial Concert, both with program notes by Anthony Pugh.
File contains Anthony Pugh's handwritten analytical excerpts, research notes, and drafts of program notes for compositions by the following composers: E. Broughton, Sergei Rachmaninoff, Arthur Bliss, Ludwig van Beethoven, Charles Villiers Stanford, Maurice Ravel, Claude Debussy, Igor Stravinsky, Johann Strauss, Johannes Brahms, and Dmitry Sitkovesky. The file also contains a copy of a National Arts Centre program, which Pugh presumably used in his research, and a program from the 16th Annual Festival of Chamber Music and All that Jazz in Fredericton, New Brunswick. The file also contains a numerical coded index of composers and works, and a list of works and composers (also coded) that Anthony Pugh studied, listened to on his own records and borrowed records, heard on radio broadcasts, and heard on his own and borrowed tapes from 1980 to 1982.
File contains miscellaneous program notes by Anthony Pugh, written for individual pieces, i.e., not incorporated into the program notes for a complete concert. The works include Sonata No. 3 in E Major by Johann Sebastian Bach; Wozzeck by Alban Berg; String Quartet in A minor, op. 51, no. 2 by Johannes Brahms; Quintet in B minor for clarinet and strings, op. 115 by Brahms; Ballade no. 1 in G minor, op. 23 by Frederic Chopin; Symphony No. 103 in E-flat by Franz Joseph Haydn; Rhapsody on a Theme of Paganini by Sergei Rachmaninoff; Symphony No. 4 in D minor, op. 120 by Robert Schumann; Sonata in A minor for arpeggione with piano by Franz Schubert; String Quartet No. 8 in C minor, op. 110 by Dmitri Shostakovich; String Quartet in E minor by Bedřich Smetana; Die Meistersinger by Richard Wagner; and Konzertstück for piano and orchestra by Anton Weber.
File contains miscellaneous program notes by Anthony Pugh and programs for concerts presented by the Creative Arts Committee of the University of New Brunswick and Saint Thomas University.
File contains miscellaneous program notes by Anthony Pugh and programs for concerts presented by the Creative Arts Committee of the University of New Brunswick and Saint Thomas University.
File contains the programme book from the 1957 Glyndebourne Festival Opera season, which Anthony Pugh attended. He likely kept the program for future reference and research.
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).
File contains an autographed program for a concert sponsored by the Halifax Community Concert Association at Capitol Theatre. Mischa Elman was accompanied by Carroll Hollister on the piano.
File contains an autographed program for a concert by the Italian coloratura soprano Amelita Galli-Curci. In addition to her signature, there are several annotations in pencil for each piece on the program by J.D. Logan.
File contains an autographed program by the Hambourg Trio (Geza de Kresz, violin; Reginald Stewart, piano; and Boris Hambourg, cello). The program is from a recital at Pythian Castle, Saint Join, New Brunswick. File also contains J.D. Logan's 1909-1910 season pass for the Massey Music Hall in Toronto, Ontario.
File contains an autographed program by the soprano Frieda Hempel. The program is for a concert that she gave with the Harvard Glee Club, conducted by Dr. Archibald T. Davison. The program includes pencil annotations by J.D. Logan. File also contains Logan's ticket stub from the concert.
File contains an autographed program by the violinist Fritz Kreisler. The program is from a concert he gave at the Pabst Theatre in Milwaukee, Wisconsin, sponsored by the Marion Andrews Concert Bureau. He was accompanied by Carl Lamson. The file also includes J.D. Logan's ticket stub from the concert.
File contains an autographed program by the tenor John McCormack. The program is from a recital McCormack gave at the Milwaukee Auditorium, accompanied by Lauri Kennedy (cello) and Edwin Schneider (piano). The program is annotated in pencil by J.D. Logan. The file also includes Logan's ticket stub from the concert.
File contains the autograph of the tenor Leo Slezak of the Metropolitan Opera Company, signed on a piece of letterhead from the Toronto Symphony Orchestra.
File contains an autographed program by Frederick Stock, the conductor of the Chicago Symphony Orchestra. The program is for a concert given by the Chicago Symphony Orchestra at the Pabst Theatre in Milwaukee, Wisconsin, presented by the Milwaukee Orchestral Association. The program contains annotations in pencil by J.D. Logan.
File contains an autographed program by Leopold Stokowski, the conductor of the Philadelphia Orchestra. The program is for a concert given by the Philadelphia Orchestra at the Milwaukee Auditorium. File also contains J.D. Logan's ticket stub from the concert.
File contains a booklet entitled "Tributes to F.H. Torrington," signed by Frederick Herbert Torrington (founder and conductor of various Toronto festivals, orchestras, choruses, and the Toronto College of Music). The booklet contains reprints of newspaper articles written about Torrington, a list of festivals in Toronto directed by Torrington, and a partial list of works performed in Toronto under his direction.
File contains a letter from Edna F. Anderson to John Daniel Logan about booking concerts in Nova Scotia venues and includes proposed programs for two Halifax concerts featuring the Boston Symphony Ensemble. The folder includes biographical information about the ensemble and its conductor, Augusto Vannini, and several concert programs for the Boston Symphony Ensemble.
Item is a program for a concert with soprano May Peterson, Metropolitan Opera Company, accompanied by Stuart Ross and the Boston Symphony Ensemble under the direction of Augusto Vannini.
Item is a concert program featuring Francesca Peralta, soprano; Julius Theodorowicz , violin; Georges Miquelle, violincello; Theodore Cella, harp; and Alfred De Voto, pianoforte, under the direction of Augusto Vannini.
