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Fonds contains records created and collected primarily by Alexander H. Leighton, with some by Jane Leighton Murphy. Documents span from Leighton's studies at Princeton, Cambridge, and Johns Hopkins univerities, through his government employment in World War II, and his teaching career at Cornell, Dalhousie, and Harvard. The majority of records are related to the 1961 Cornell-Aro Mental Health Research Project and the 1963 Study on the Role of Women, both based in Nigeria, and the Stirling County Study, based in Nova Scotia. Record types include correspondence, manuscripts, grant applications, reports, photographs and slides, medical and academic records, method and guidebooks, reviews, offprints and publications, teaching and course materials, and surveys and interview transcripts.

A sous-fonds contains records documenting the migration of Alexander Leighton's parents from Ireland to the United States and their subsequent life in Philadelphia. The sous-fonds contains extensive correspondence between extended family members over the course of a century, as well as photographs, diaries, wills, family trees, memoirs, and Alexander Leighton's personal correspondence.

Fonds contains a selection of documents, drawings, material samples, and images collected by D'Arcy Wilson and Lisa Bouraly during a two-year research project focused on Thomas McCulloch and Andrew Downs. The fonds is part of an exhibition, the "Impossible Museum," curated by Lisa Bouraly and featuring works by D'Arcy Wilson and Amy Malbeuf. The exhibition is presented by Eyelevel Gallery in the Thomas McCulloch Museum in the Dalhousie University Life Sciences Centre from March 5 to April 30, 2020.

Material includes a selection of texts and notes tracing Bouraly's research while preparing the exhibition. These documents were selected by Wilson from Bouraly's collection. Fonds also includes an encapsulated drawing of Thomas McCulloch, material swatches linked to one of the works in the exhibition, scraps and drawings left over from a collage, photographs of works in progress, a copy of the exhibition essay, and other material related to the exhibition. Fonds also includes photocopies of several nineteenth century texts reviewed by Bouraly during her research.

The file box includes a pair of white gloves and a list of materials in the box.

The Archives of Oland and Son Limited consists of records created by Oland and Son Limited and its affiliated companies. Some of the companies changed names after Oland and Son sold its brewing assets to John Labatt Limited. Records for these companies are included as well. Records range from 1867 to 1989, but were predominiately created between 1950 and 1971.

The Archives of Oland and Son and Affiliated Companies include a wide variety of materials, including administrative records, financial records, correspondence, photographs, advertising and marketing materials, beer production files, sales records, and legal documents. Administrative records typically include meeting minutes, annual reports, memorandums, surveys, and studies or reports on various aspects of the brewing industry and the breweries operated by Oland and Son. Beer production files typically include brewing books, yeast log books, fermentation schedules, production reports, and other records that document the beer production process. The Archives contains a large amount of correspondence between Oland and Son and its affiliated companies and various businesses, government agencies, associations, and individuals from across the Maritimes and around the world. Financial records typically include financial statements, cost reports, comparative statements, general ledgers, valuations, audit reports, and other records documenting the financial position of the various companies. Extensive advertising and marketing files exist, including advertising contracts and schedules, proofs and sketchs, reports and proposals, and budgets. The Archives also has extensive sales records documenting the sale of beer across the Maritimes, Quebec, and parts of the United States and the Caribbean. The Archives also contains hundreds of photographs and blueprints of the factories, factory equipment, and the Bluenose II.

Materials are in English, French, German, and Czech. See individual Series descriptions for detailed scope and content notes.

Fonds contains Nova Scotia Association of Garden Clubs history updates from 1954 to 2014, and a NSAGC handbook. Also included are job advertisements,n organizational chart for the Horticulture and Biology Services Division of the Nova Scotia Department of Agriculture and Marketing, and 'Cultivating garden friends : history of gardening in Nova Scotia 1850-2000' by Barbara Morton published by the Nova Scotia Association of Gardening Clubs.

The Nova Scotia Association of Garden Clubs became an entity in 1954 as the result of the work of the Rural Beautification Project Committee. In 1944, the Rural Beautification Committee was appointed by the Honorable John A. MacDonald, minister of Agriculture, to come up with a plan for rural beautification projects. Mr. Nick Jankov, a Landscape Specialist, began working with the Agricultural Representatives, Women’s Institutes, Home and School Associations and Service Clubs, to begin formulating a long term plan for Rural Beautification around the province.

The Nova Scotia Association of Garden Clubs (NSAGC) is made up of garden clubs and horticultural societies from all areas of Nova Scotia. The NSAGC is the coordinating body for organized gardening groups in the province and is guided by an elected board of directors, whose members come from the different districts of Nova Scotia. The district representative, also known as the district director, serves as the link between the individual clubs and the NSAGC board.

The main objective of the NSAGC is to promote the general landscape beautification of the Province of Nova Scotia, by promoting community beautification and encouraging the formation of horticultural groups (garden clubs) which will procure interest in all phases of home gardening and ornamental horticulture in their areas.

The Joyce Barkhouse fonds consists of published and unpublished manuscripts of books, short stories, articles, and other writings, as well as photocopies and clippings of published materials, personal and professional correspondence, photographs, newspaper clippings, promotional material, and other material collected and created by Joyce Barkhouse.

This fonds consists of nine series: Articles and other writings, Books, Short stories, Associations, Awards, Biographical materials and other documents, Correspondence, Personal documents, and Promotional material.

Fonds consists of records created by Symphony Nova Scotia in the course of its regular business activities. The majority of the records were created during the process of concert-planning, including special concerts, annual concerts, tours, and concert series. These records include artist contracts, marketing and development documents, internal memos, and correspondence with artists and sponsors.

Records also consist of internal management records, including personnel records, office management files, and the files of the Board of Directors, Executive Director, and Chief Executive Officer. The financial administration of the Symphony is documented though budgets, statements, ledgers, and tickets sales data.

The fonds also contains concert programs and promotional material such as posters, advertisements, flyers, newsletters, and other publications. The final section of the fonds consists of audiovisual and graphic material. There are audio recordings of performances and interviews of Symphony personnel as well as video recordings of advertisements and performances. The graphic material includes promotional photographs and photographs of the orchestra.