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Nova Scotia Fiction
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Printed email correspondence between Jessica Kerrin and Sheila Barry regarding The Spotted Dog Last Seen

File contains primarily editorial feedback and personal correspondence with Sheila Barry, who left Kids Can Press in 2012 to join Groundwood Books as co-publisher. There is also production correspondence with various staff at Groundwood Books regarding promotional ideas, design, and copyedits, including Nan Froman, Kate McQuaid, Fred Horler, and Laura Meyer.

Joyce Barkhouse fonds

  • MS-2-646
  • Fonds
  • [1860-1899], 1906-2012

The Joyce Barkhouse fonds consists of published and unpublished manuscripts of books, short stories, articles, and other writings, as well as photocopies and clippings of published materials, personal and professional correspondence, photographs, newspaper clippings, promotional material, and other material collected and created by Joyce Barkhouse.

This fonds consists of nine series: Articles and other writings, Books, Short stories, Associations, Awards, Biographical materials and other documents, Correspondence, Personal documents, and Promotional material.

Barkhouse, Joyce Carmen

The spotted dog last seen : [synopsis]

File contains multiple copies of the first draft of the synopsis dated from April 9 - September 15, 2012, including the chapter summary, possible series, and character's relationships of The Spotted Dog Last Seen. The documents are marked with handwritten annotations and edits.

Ian Colford fonds

  • MS-2-751
  • Fonds
  • 1979 - 2010
Fonds contains Ian Colford's manuscripts and other records illustrating his work as an author.

Colford, Ian

Evidence / Ian Colford : [manuscript]

File contains a copy of the revised version submitted to Porcupine's Quill in August 2006. The manuscript contains editorial notes by Doris Cowan, a freelance editor.

Sophie's blood : the confessions of Joseph Blanchard / Ian Colford : [manuscript]

File contains a manuscript that won the 24th Atlantic Writing Competition award for unpublished novels. Ian Colford's competitions pseudonym (Packard Bell) appears on the title page. File also includes two reviews and a letter from Jane Buss, the executive director of the Writers' Federation of Nova Scotia, announcing the winner.

Alan Creighton fonds

  • MS-2-701
  • Fonds
  • 1845-2001

Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

Creighton, Alan

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