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The Impossible Museum fonds

  • Fonds
  • 2018-2020

Fonds contains a selection of documents, drawings, material samples, and images collected by D'Arcy Wilson and Lisa Bouraly during a two-year research project focused on Thomas McCulloch and Andrew Downs. The fonds is part of an exhibition, the "Impossible Museum," curated by Lisa Bouraly and featuring works by D'Arcy Wilson and Amy Malbeuf. The exhibition is presented by Eyelevel Gallery in the Thomas McCulloch Museum in the Dalhousie University Life Sciences Centre from March 5 to April 30, 2020.

Material includes a selection of texts and notes tracing Bouraly's research while preparing the exhibition. These documents were selected by Wilson from Bouraly's collection. Fonds also includes an encapsulated drawing of Thomas McCulloch, material swatches linked to one of the works in the exhibition, scraps and drawings left over from a collage, photographs of works in progress, a copy of the exhibition essay, and other material related to the exhibition. Fonds also includes photocopies of several nineteenth century texts reviewed by Bouraly during her research.

The file box includes a pair of white gloves and a list of materials in the box.

Wilson, D'Arcy

Eyelevel Gallery fonds

  • MS-3-35
  • Fonds
  • 1968-2019
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.

Eyelevel Gallery.

Photographs of artwork of Mary Celeste

File includes photographs of artwork of the Mary Celeste by Rudolph Ruzicka, Leslie Victor Smith, and John Worsley; a painting of the Amazon ship; and models of the Mary Celeste held at the Atlantic Companies, Mariners Museum, and Mystic Museum.

Centre for Art Tapes tape collection

  • MS-3-46
  • Collection
  • 1970-2013
Collection contains over 1,300 video and audio tapes created by members or affiliates of the Centre for Art Tapes in Halifax, Nova Scotia. The collection includes works created between 1975 and 2012.

Centre for Art Tapes

Henry Orenstein's records

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.

Joan and Henry Orenstein fonds

  • MS-2-774
  • Fonds
  • [194-?] - [before 2011]
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.

Orenstein, Henry, 1918-2008

Photographs of 20th Century Student

File contains four photographs taken by Peter Dykhuis of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."

Photograph of 20th Century Student sculpture

Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."

Photograph of 20th Century Student sculpture

Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."

Photograph of 20th Century Student sculpture

Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."

Photograph of 20th Century Student sculpture

Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."

Dalhousie Art Gallery fonds

  • UA-36
  • Fonds
  • 1953-2009
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.

Dalhousie University. Dalhousie Art Gallery

Where have all the radicals gone? / by Tanya Mars

Item is a poster for the public lecture by Tanya Mars as part of Eyelevel's lecture and exhibition series held on May 22, 2009, at the Nova Scotia College of Art and Design Bell Auditorium. Tanya Mars is a feminist performance and video artist who has been involved in the Canadian art scene since 1973.

On the periphery

Item is a poster for a public performance art series presented by Eyelevel Gallery from October 1-3, 2005. This performance art series showcases Canadian artists exploring voyeurism, surveillance, critical action, entertainment and subtle intervention, and the participating artists question nature and our use of public urban spaces. The event includes performances by the Halifax Scavenger Society (Dennis Hale, Adam Kelly, Dustin Pritchard and Will Robinson), Andrew Forster, Diane Borsato and Eleanor King.

Centre for Art Tapes fonds

  • MS-3-46
  • Fonds
  • 1979-2005
Fonds consists of records created and collected by the Centre for Art Tapes between 1977 and 2005. Materials reflect the artist-run centre's diverse functions and activities. Records include correspondence, meeting minutes, photographs, scholarship applications, funding applications, posters, programs, CDs, DVDs, audio cassettes, exhibition catalogues, reports, financial statements, public service announcements, news releases, blueprints, agreements, workshop materials and programming information.

Centre for Art Tapes

Photographs, invitations, and other material related to Eyelevel Gallery artists and programming

File contains photographs, invitations, and other documentation about Eyelevel Gallery artists and programming from the late 1970s and early 1980s. Artists documented in the file include Kenneth Coutts-Smith, Richard Robertson, Michael Fernandes, Jan Meyerowitz, James MacSwain, Rita McKeough, and others. File also includes small scrapes of paper and sticky notes with references to the original location of the documentation in the Gallery.

Alan Creighton fonds

  • MS-2-701
  • Fonds
  • 1845-2001

Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

Creighton, Alan

Henry Orenstein's drawings

File contains drawings—including one identified as "Jessie Dillard"—created with different mediums, including pencil, watercolour, oil, and pen & ink.

Exhibition slides

File contains 59 slides of Eyelevel Gallery exhibitions. Slides are not labelled.

Steve Walker's art for Wayves Magazine

File contains two copies of a pamphlet containing information about the visual artist Steve Walker, whose work features romantic images of gay men; one poster featuring images of Walker's art; and one page of accompanying correspondence.

Photographs of an exhibition on abortion

FIle contains 31 photographic slides of an exhibition on abortion at the Centre for Art Tapes' Alexandra Centre location in 1993. The exhibition featured wall-mounted newspaper clippings about abortion.

Photographic slides from exhibitions

File includes slides from exhibitions including Peggy's Cove Syndrome, Satire as Discontent, and Locations/National. Artists include Robert Bean, David Merritt, Rosemary Macaulay, Sean McQuay, and Barbara Lounder.
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