File contains original handwritten scores for Paul Cram's "Hammer and Tongs," written for two altos, bass and drums, and "Down to Earth," written for soprano, tenor and bass.
File contains a facsimile handwritten score by Paul Cram for voice; violin, viola and cello; soprano, alto, tenor and baritone reeds; piano; electric bass; string bass; and percussion 1 and 2. The first page indicates a running time of 90 minutes. There is also an original handwritten score: Part II, "Spies," pages 34-37.
File is a audio reel containing sound recordings by Ron Doug Parks. The recordings were made at Solar Audio Recording Studio between September 20, 1985 and October 3, 1985. The recordings were produced by Ron Doug Parks and Barron. The recordings were commercially released by The Major Record Label (WRC3-4307) as a seven inch vinyl record.
File contains a draft of Budge Wilson's article on the Peterborough-based music group Tanglefoot, which she wrote for the CANSCAIP (Canadian Society of Children's Authors, Illustrators and Performers) newsletter.
Item is a poster for Audio By Artists Festival 1986, held in March 1986. The Audio By Artists Festival 1986 was organized and administrated by Alex Busby, Melodie Calvert, David Craig, Andy Dowden, Gordon Laurin, and Micah Lexier.
Item is a poster for an event held on June 13, 1987, at Eye Level Gallery. This event was part of Ear level by Eye Level music series 87 and featured Astrid Brunner, Ray Grant, Paul Moreau, Peter Moreau and Glen Walton.
Fonds consists of records pertaining to the administrative, operational, financial, and artistic activities of the ASO. Included are materials documenting the Board of Directors, box office operations (including ticket sales), financial affairs, fundraising, general administration, guest artists, orchestra members, public relations and publicity, and the union. Also included is the photograph series which presents a visual record of various aspects of the orchestra's activities, including performances and women's auxiliary events as well as publicity shots of musicians, conductors, staff, and guest artists.
Item is an original handwritten score for violin (amplified); clarinet in Bb/bass clarinet; trumpet in Bb; alto sax/soprano sax; tenor sax; baritone sax; trombone; cello (amplified); percussion (xylophone, marimba, timpani); guitar; keyboards; synthesizer/piano; bass (acoustic/electric); and drums. The title page indicates the running time is 13-14 minutes.
Item is a conductor's score for "Pluckstück," a concert work composed by Paul Cram for Upstream Orchestra. The piece debuted at Saint Mary's University on November 18, 1990 and was registered with SoCan in December 1990.
Item is a publicity poster for Upstream featuring a photograph of the ensemble: Paul Cram, Sandy Moore, Bob Bauer, Steve Tittle, Tom Roach, Don Palmer, Steven Naylor and Jeff Reilly. The poster also features a prominent graphic of an ear and a logo for Paiste 2000, a cymbal line.
Item is the 1989 conductor's score for "Beyond Benghazi" by Paul Cram, for clarinet; trumpet; alto sax; tenor sax; trombone; baritone; bassoon; cello, timpani; guitar; piano x 2; bass; and drums. The title page contains handwritten musical directions.
Item is a conductor's score for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble in 1990. The piece has a playing time of 15 minutes. The score includes a title page and an instrumentation list, which includes trumpet, clarinet, tenor saxophone, alto saxophone, harp or synthesizer, guitar, synthesizer, and drums.
Item is an annotated conductor's score for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble in 1990. The piece has a playing time of 15 minutes. Instrumentation includes alto saxophone, clarinet, trumpet, harp, tenor saxophone, synthesizer one, synthesizer two, guitar, and drums.
Item is an annotated conductor's score for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble in 1990. The score contains annotations in pen and pencil. Instrumentation includes alto saxophone, clarinet, trumpet, harp, tenor saxophone, synthesizer one, synthesizer two, guitar, and drums.
File contains a program for a concert by Symphony Nova Scotia, the Halifax Camerata Singers and the Cantabile Singers of Truro, conducted by Georg Tintner with Jeff Joudrey as the choral director. The file also contains a newspaper clipping of a review of the concert.
Item is a conductor's score for "The Naked Ear," a concert work composed by Paul Cram in 1991 for Upstream Ensemble, which debuted at Saint Mary's University in Halifax, Nova Scotia, on November 24, 1991.
File contains an eight-page annotated guitar part and a four-page annotated tenor part for Paul Cram's "Revolutions." There is also one page of graphic notation for insertion at bar 211.
File contains the order of carols for Halifax Camerata Singers' performance on CBC Information Morning as part of a special program for raising supplies and funds for the Food Bank. Twenty out of twenty-five members of the choir were in attendance.
File contains a program, flyer, and two posters for a concert by the Halifax Camerata Singers. The file also includes newspaper clippings of reviews of the concert.
File contains a program and a poster for a concert by the Halifax Camerata Singers in collaboration with the First Baptist Girls' Choir of Truro, Nova Scotia.
File contains a program for a concert by the Halifax Camerata Singers, performed in collaboration with the Cantabile Singers of Truro, members of Symphony Nova Scotia and guest soloists (Lorraine Thompson, Susan MacKay, Nancy Chisling, Douglas Rose, Ray Grant, Sue Doran, Christopher Francis, David Loughead and Gordon Murray). The file also includes a pamphlet for the Saint Cecelia 1992-1993 concert series and a newspaper clipping of a review of the concert.
Item is a sound recording of the Nova Scotia Mass Choir performance, "In Our Time."
Side A is a recording of "Life Every Voice," "Color Me Love," "Just a Closer Walk With Thee," "Everyone is You," "Let Us Break Bread Together," "Kumbaya," "We are a Family," "I Need You Lord," and "Learn to Dream." Side B is a recording of "Siyahumba."
Item is a sound recording of the Nova Scotia Mass Choir performing "In Our Time," music from African Canadians Achievement.
Side A is a recording of "Siyahumb'e," "Life Ev'ry Voice and Sing," "Color Me Love," "Just a Closer Walk With Thee," and "Let Us Break Bread Together." Side B is a recording of "Kum Ba Yah," "We are a Family," "I Need You Lord," "Learn to Dream," and "A Song of My Own."
File contains parts for "Revolutions," a concert work composed by Paul Cram for the Upstream Ensemble in 1992. Parts include trombone, drums, alto saxophone (reed one), tenor saxophone (reed two), bass clarinet (reed three), trumpet, cello, guitar, piano, and bass.
Item is a poster for the International Gospel Festival in Halifax, Nova Scotia. The festival featured performances by Etta James, Odetta, Walter Borden and God's Trombones, Martin Luther King III, and others.
File contains documents related to the Nova Scotia Mass Choir in 1992.
Documents include programs and newspaper clippings related to Gospel Festival, the Africville Geneological Society Annual Memorial Church Service, and the musical, "God's Trombones."
File contains photographs of the Nova Scotia Mass Choir at the Africville Reunion, which took place at Seaview Park in Halifax, Nova Scotia in 1992. File also contains photographs of the Nova Scotia Mass Choir at Gospel Festival in 1992.
Photographs feature members of the Nova Scotia Mass Choir as well as Almeta Speaks, Martin Luther King III, Kat Dyson, and Dutch Robinson.
File contains two programs for two performances of Handel's Messiah by Symphony Nova Scotia, conducted by Georg Tinter, with the Halifax Camerata Singers and Cantabile Singers of Truro, directed by Jeff Joudrey. The concerts took place at the DeCoste Entertainment Centre in Pictou, Nova Scotia and at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also contains two newspaper clippings of concert reviews.
