Showing 80 results

Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

This fonds consists of records created and accumulated by Dr. Samuel Ernest Sprott. Types of files include correspondence, class lecture notes and materials, reading lists, exams, notes and English department supplements, Library committee meeting minutes and reports and other committee papers Sprott was associated with, manuscripts and published journal articles and books and records from the Faculty of Arts and Science and Graduate Studies, such as events and meetings.

Series include Class Records ; Correspondence ; Dalhousie University Libraries ; Department of English ; Faculty of Arts and Science ; Faculty of Graduate Studies ; McGill University ; Microfilm ; Personal Papers ; Published Work ; and Slides

File consists of records related to a poetry reading by Fred Cogswell, held at Dalhousie Art Gallery on November 17, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and Fred Cogswell. File also includes interdepartmental memos, professional biography of Cogswell, and a copy of report to The Canada Council on the Public Reading.

File consists of records related to a poetry reading by John Ditsky, a professor in the Department of English at the University of Windsor, held at Dalhousie Art Gallery on October 6, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and John Ditsky. Many letters are handwritten. File also includes invoices and purchase orders, interdepartmental memos, an invitation card, and a blank form of a report to The Canada Council on the Public Reading.

File consists of records related to a poetry reading by Leona Gom, held at Dalhousie Art Gallery on October 27, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and Leona Gom. File also includes interdepartmental memos, invitation cards, and a copy of a report to The Canada Council on the Public Reading.

File contains fourteen draft typed manuscripts columns and handwritten letters, written by Brigadier-General Hugh B. Hester, a noted critic of American foreign policy, written in 1972 and 1973, submitted to numerous newspapers with copies (as well as a couple of personal handwritten letters) sent to Kenneth Leslie. The topics of the letters include the ongoing "disastrous mistake" of the Vietnam War, the "most ballyhooed" nuclear agreements between Nixon and Brezhnev, the 1972 Presidential Election (declaring that Americans "could not psychologically bring themselves to vote for McGovern because his election would have proven true all those crimes committed by Washington [against the Vietnamese people]" and the developing Watergate scandal.

File contains correspondence sent to the Charlotte Observer, the New York Times, the St. Louis Post-Dispatch, Senator Michael Mansfield (D-MT), The Nation Magazine, the Asheville Citizen, the Chicago Sun-Times, the Greenville News, and Meyer Robert Field.

The letter written to Leslie, dated July 4, 1973, expresses regret at not yet discussing Hester's recent trip to China, as well as demanding that Nixon should "be dismissed and tried" for his actions regarding the escalating Watergate scandal. The file also includes a draft manuscript of a letter "to the Editor" of Leslie's "New Man Magazine", dated November 27, 1972, responding to newspaper magnate John S. Knight proclamation that the "two-party system will continue to be strong and stable" being incorrect following McGovern's defeat, suggesting that "there were no 1972 presidential elections in any meaningful sense".

File contains seven letters (three typed and four hand-written), written between 1972 and 1973, by David B. Lord (from Jacksonville, FL). Five of the letters are addressed to Kenneth Leslie, while one is addressed to his wife, Nora, and another addressed to Kurt Anderson (New York, NY), with Kenneth Leslie and George Bilankian carbon-copied.

The first letter, dated March 25, 1972, addresses Lord's appreciation of Leslie's poetry, discusses the passing of Lord's acquaintance Harold Cohn and a misdeed the Cohn had done to Lord, as well as a request for more copies of the previous issue of New Man.

The following two letters are dated June 12, 1972. The first, addressed to Nora, expresses his closeness to her despite Lord's not having met her, having heard good things from a mutual friend in California. The other letter, addressed to Kenneth but undated (same stationery and ink), expresses Lord's regret at taking so long to answer the previous message. Lord expresses his disgust with "the shame of Vietnam" and of "Tricky Dick [...] claiming to be a Quaker, with Billy Graham as his co-pilot" as being a "good example of religion at its lowest", but expressing admiration of the "young, protesting with their bodies, but [that] the sadistic pigs are having their field day."

The fourth letter, dated December 10, 1972 and addressed to Kurt Anderson, responds to Anderson's article "From life to money to body counts" which appeared in the October 1972 issue of The Churchman. It includes excerpts from Kenneth Leslie's and George Bilankian's responses to the same article.

The fifth is a postcard sent from France, dated January 12, 1973, expressing the view that "America has failed the world."

The sixth is a handwritten four-page letter of the same date, from Foix, Languedoc, draws comparisons between the present destruction of Vietnam with the past "attempted destruction" of the "Albigensian civilization", addressing how one should address to the "hopeless disaster" while living in a country that now seems "resigned to its fate". Lord also is reminded of an article he wrote for The Protestant "more than thirty years ago" entitled 'The spirit of crucified Spain'.

In the final letter, dated March 10, 1973, Lord expresses his pleasure at having returned from France to an awaiting copy of 'O'Malley to the Reds', recounts his visit with George Bilankian in London, and remarks on the "history of dissent" found while following his family trail through genealogical work. He mentions being "indebted to Rev. James B. Leslie, M.A. Rector of Kilsaran" for directing Lord's research efforts in the right direction.