Item is a medallion awarded to Alexander Leighton for his film Porpoise Oil's selection for screening at the First International Photographic Exhibition held at Grand Central Palace in New York, April 18-24, 1938.
Item, a photograph, is likely to have been taken in Winnipeg, Manitoba at the Royal Winnipeg Rifles Regiment Museum & Archives. The curator is likely Max Abrams.
Item, a photograph, is likely to have been in Winnipeg, Manitoba at the Royal Winnipeg Rifles Regiment Museum & Archives. T.H. Raddall, Sr.'s military medals are on display on the top shelf of the cabinet on the left hand side.
Fonds consists of records regarding Robert Grant Dexter's professional activities in the 1960s, including his involvement with the Neptune Theatre in Halifax, Nova Scotia. Fonds contains correspondence, newspaper clippings and manuscripts.
Item is a poster for an event featuring performers Andrew Forster, Simon Scanes, Vera Lemecha & Alex Livingston, John Murchie, and Ellen Pierce & George Steeves, held from April 8-16, 1982.
Item is a poster for film series screened from November to December 1982 at the Dalhousie Art Gallery, Eye Level Gallery, and the Nova Scotia College of Art and Design Bell Auditorium.
Item is a poster for a group exhibition by William Brent Ritchie, Douglas Kirton, Lorinda Moreau, and Martha Townsend held in July 1978 at Eye Level Gallery. The image on the poster is credited to Hartling.
Item is a poster for an exhibition held in June-October 2005. Billboards is a series of outdoor exhibitions presented by Eye Level Gallery. File also includes a photocopy of a newspaper clipping of an article written by Sean Flinn for the Chronicle-Herald about Eyelevel billboards event. The article was published on June 22, 2005.
Item is a poster for a new media exhibition featuring works by Ian Ingram, John Slepian, and Brandon Vickerd, held from March 18 - April 23, 2005, presented by the Centre for Art and Tapes and Eyelevel Gallery.
Item is a poster(pamphlet) for the Wilderness Act performance, curated by Eyelevel Gallery, held from August 16-19, 2007. This event was part of a series of outdoor performances that took place at Kejimkujik National Park and National Historic Site, Nova Scotia. The artists that participated in this event were: Lori Blondeau, Rita McKeough, and Janet Morton.
Item is a poster for the first electronic exhibition, House of Voltage, held from October 24-November 22, 2008, at Eyelevel Gallery. The artists included in the exhibition include Adriana Kuiper, Annie MacMillan, Terry Piercey, Ryan Suter, and Robert Zingono. The House of Voltage Exhibition is a partnership between the Centre for Art Tapes and Eyelevel Gallery.
Item is a poster for an event held from April 23 - May 27, 2009, at Eyelevel Gallery. This event was featured as part of Eyelevel Unplugged, a month-long experiment in low-tech and creative administration.
Item is a poster for an event as part of Eyelevel Unplugged held from April 23 - May 27, 2009, at Eyelevel Gallery. This event was featured as part of Eyelevel Unplugged, a month-long experiment in low-tech and creative administration.
Item is a poster for Reconstruction Project, a group exhibition organized by Sabra Moore. The exhibition was presented at Eye Level Gallery from September 9-26, 1987.
Item is a poster for a group exhibition of Barbara Luxton, Ann MacGillivray, Vita Plume, Leslie Sampson, and Ruth Scheuing presented by Eyelevel Gallery from January 7-25, 1986. The image on the poster is credited to Clayton & Sons, merchant tailors clothier, Argyle street, (Scotia Square) Halifax circa 1900 Nova Scotia Public Archives.
Item is a poser for a survey exhibition of contemporary artists' books by Canadian women, including unique book-objects and printed edition works. The exhibition was held from January 12-31, 1981 at Eye Level Gallery.
Item is a poster for an exhibition featuring paintings by Janice Leonard titled "Dream homes", Gary Spearin, and Robert Pope, held from November 16 - December 2, 1982 at Eye Level Gallery.
Item is a poster for a group exhibition held from December 4-22, 1984, at Eye Level Gallery. The artists that participated in this event were: Rose Adams, Elizabeth Devine, Cliff Eyland, Alex Livingston, Patrick Mabey, Glen MacKinnon, Paul Miller, Catherine Paul, Julie Schwartz, and Heather Scott.
Item is a poster for exhibitions part of Y level summer exhibition series held from June 19-August 19, 1993. The exhibitions at Eye Level Gallery featured works by Vida Simon, Jane Williams, Jordan Broadworth, Leo Toner, Robert Nock, Jane Mothersell, Kelly Mark, Iris Seyler, Kate Monroe, Hall Smith, and Gordon Whiteside.
Fonds contains business papers, photographs and carnival documents from the Bill Lynch Shows. The business papers consist of financial records, including daily reports, receipts and invoices, correspondence, catalogues, ephemera and commercial scripts. Photographs include prints, cardboard imprints and a metal plate. The carnival documents include complimentary show passes, act and ride information, and blueprints of carnival rides.
File contains one folder from the Al Martin Agency, five photographs of high wire acts including the Saxons and Frank Cook, and seventeen pages of textual documents. These include letters from the Al Martin Agency with acts and prices dated in May 1948, and posters for various high wire acts: Lewis and the Oliver Sisters, the Kayos, Emil Winter, the Great Telesco, the Aerial Starlites (previously Madcaps), the Xcellos, Penny Millette, the Cycling Kirks, the Lang Troupe, Ada and Her Pals, Lalage, Mack and Mitzie, and Potas and Folsom. File also includes one photograph of Lenderman's Dogs & Pony show, depicting eighteen dogs sitting in a circle on upturned buckets or stools with an unidentified man on either side.
File contains notes taken by Barry Edwards of a conversation with Ronald Power, member of the Army, regarding the Bill Lynch Shows. The notes list some of the rides the Lynch Shows had, and often refer to "The Bill Lynch Farm" (described as being in the early 1950s on the corner Robie and Cunard Street, Halifax). The notes are from March 26, 1985, and are 40 pages long.
File contains daily cash statement forms for The Bill Lynch Shows. The areas to fill out include a statement of cash on hand per last report, a list of possible cash additions including shows, rides, and concessions, a list of possible payments including wages, advertising, telephones, and traveling expenses, and the statement of cash on hand at the end of the business day. There are four white copies and three yellow copies.
File contains daily reports from the Bill Lynch Shows shows and rides from June to August 1949. The reports are from Halifax and New Glasgow. Areas that are filled out include name of attraction, starting number, finish number, tickets, price, gross, and total. There is one blank form.
File contains daily reports from The Bill Lynch Shows shows and rides from June to September 1951. The reports are from Halifax, Saint John, Amherst, Chatham, New Glasgow, Saint Stephen, Woodstock, Campbellton, Fredericton, Bridgewater, Charlottetown, Lunenberg, and Sydney. Areas that are filled out include name of attraction, starting number, finish number, tickets, price, gross, and total.
File contains invoices from The Bill Lynch Shows, including for an iron roof, a wrench set, bolts, hinges and screws, mirrors, gears and engines for rides, music rolls for a Caliola organ, performers from the Al Martin Agency, a car (1951 Pontiac), various carnival supplies (baseballs, dolls, et cetera), and toys.
File contains 28 receipts and one envelope for The Bill Lynch Shows from June - August, 1951. Some of the receipts are for services including "grind shows," "girl shows," and "esquire." The locations include Moncton, Campbellton, Charlottetown, Lunenberg, New Glasgow, Fredericton, Amherst, Woodstock, Halifax, Saint Stephen, and Saint John.
File contains receipts from The Bill Lynch Show for the Cook House for July - September, 1951. Locations include Digby, Nova Scotia, and Carboneau, Placentia, Gander, and Corner Brook, Newfoundland.
