Fonds consists of student tickets and certificates from the University of Edinburgh. Several obituaries from different sources are located in the case file.
Item, a photograph, is related to MS-2-202, Box 54, Folder 11, Item 5, and is a duplicate to materials in MS-2-202, Box 55, Folder 22, Item 12 in subseries Thomas Head Raddall's loose photographs.
Item, a photograph, is related to MS-2-202, Box 54, Folder 11, Item 5, and duplicate to materials in MS-2-202, Box 55, Folder 22, Item 12 in subseries Thomas Head Raddall's loose photographs.
Item, a photograph, is related to MS-2-202, Box 54, Folder 11, Item 5, and duplicate to materials in MS-2-202, Box 55, Folder 22, Item 12 in subseries Thomas Head Raddall's loose photographs.
Item, a photograph, is related to MS-2-202, Box 54, Folder 11, Item 5, and duplicate to materials in MS-2-202, Box 55, Folder 22, Item 12 in subseries Thomas Head Raddall's loose photographs.
Item, a photograph, is related to MS-2-202, Box 54, Folder 11, Item 5 and MS-2-202, Box 55, Folder 22, Item 12 in subseries Thomas Head Raddall's loose photographs. T.H. Raddall, Sr.'s name is inscribed on the war memorial. He was killed in action at Amiens, France on August 9, 1918.
Item is a print of a drawing of the barque Daylight. The writing on the back states that the ship was built in Port Glasgow, Scotland, in 1902 by Russell and Co. Imprinted on the front mount is "Wishing you a Merry Christmas and a happy New Year."
Item is a photograph of the S.S. Trebia loading in New York enroute to Australia. The writing on the back states that the ship (2343 tons) was built in Port Glasgow, Scotland, in 1902 by Russell and Co.
File contains two photographs of H. Harris Brown taken in Garden House in Chelsea, London. The photographs show Brown sitting in a room with sculptures and other artwork. The photographs were sent to Arthur Stanley MacKenzie as Christmas greetings.
Item is a photograph of Harris Brown taken in Garden House in Chelsea, London. Harris is sitting on a stool next to an ornate fireplace with a mirror and sculptures. The photograph was sent to Arthur Stanley MacKenzie as a Christmas and New Year greeting card.
File consists of three letters written to Mr. Miller from J.A. Froude. The first letter refers to a suggestion that Froude be interested in editing The Contemporary Review, an idea firmly withdrawn in Froude's second letter.
Item is a signed and sealed bond dated 1760 from the Earl of Halifax (George Montagu-Dunk) to James Wooley for securing an annuity of £100 during the life of the Earl of Halifax.
File contains correspondence regarding Mr. and Mrs. Richard Sigerson, from [Marie?], to [Unkie?], from [Peter?], [T.? -indecipherable], [Jacques Piccard], Cathy Enright, [Humberto and Alara Gristancho], [Johan], Bruce Kubert, and an invitation from one of Elisabeth Mann Borgese's dogs.
File contains two songs arranged by Kathleen Heron-Maxwell, "Dear Old London" (1926) and "Keep on Hopin'" (1915). Both scores are inscribed by the arranger.
File contains the sheet music for "Dear Old London" with words by D. Eardley-Wilmot and piano music by Kathleen Heron-Maxwell. The score is inscribed to Ellen Ballon and dated June, 1935. The score was published in two keys, B minor and D minor. This version is in D minor.
File contains a newspaper article on Ballon's performance at the Prom concert series in London, England, and two pages of photocopied news articles on the same performance.
File includes correspondence and agreements with publishers and magazines. Correspondents include Basic Books; Duke University Press; Future; GEO magazine; Interdisciplinary Science Reviews (regarding Borgese's "Mediterranean Project").
File contains correspondence with Pus McCloy, Michael Dempsey (Managing Editor, MacGibbon and Kee Ltd.), Larry Eugene McGinesey (on "The Drama of the Oceans)", and George MacLeod. Also inlcudes a newspaper clipping ("Global Body Urged for Sea Control").
Item consists of correspondence from Owen Bell Jones to Archibald MacMechan, dated January 11, 1917 from the I.O.D.E. Hosptial for Officers in London, updating his recovery, outlining recent pleasure reading, and discussing a chance visit with a friend from Halifax whose discussions reminded Jones that "Victoria Road is after all just around the corner."
Fonds comprises records created and collected by Don Allison that document his work as an actor in Neptune Theatre's 1967 production of The Wooden Ship, as well as his own poetry and prose writings. There is also a small number of letters from someone named Anna.
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
File contains photographs of lanes and pre-revolutionary Charleston architecture; the countryside near Charleston; the Town of Ninety-Six; "up country"; 69 Fox Street; St George's Church, London, UK; and Mahone Bay, Nova Scotia.
File contains correspondence related to persons or organizations associated with the letter "S". These include the Social Science and Humanities Research Council of Canada (SSHRC), Samuel Scully of Dalhousie, Professor E. Storey of the University of Melbourne, and Bob Schaeffer of the American Museum of Natural History. Materials include information about Hall's nomination for the Vice-President Research at Dalhousie, as well as SSHRC grant information.
File contains three letters from the British actress Florence Glossop-Harris as well as a short resume of her career. One of the letters and the resume are transcribed and typeset. The letters were all written in response to correspondence from Logan on her performance in various plays. Three of the letters are written on letterhead from The Florence Glossop-Harris Company. The file also includes four postcards feature Glossop-Harris, which were sent to Logan.