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John Daniel Logan fonds Canada
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A Nocturne : [manuscript vocal score]

Item is a manuscript of Edith J. Archibald's song for solo voice and piano in F Major entitled "A Nocturne," including the score and a separate typed sheet with the poem in English and French, also written by Archibald.

Archibald, Edith Jessie

Autograph of Alma Gluck

File contains an autograph by the soprano Alma Gluck (1884-1938) of the Metropolitan Opera Company, signed on stationary from the King Edward Hotel in Toronto. Gluck was part of the Metropolitan Opera Company from 1909 to 1913.

Autograph of F.H. Torrington

File contains a booklet entitled "Tributes to F.H. Torrington," signed by Frederick Herbert Torrington (founder and conductor of various Toronto festivals, orchestras, choruses, and the Toronto College of Music). The booklet contains reprints of newspaper articles written about Torrington, a list of festivals in Toronto directed by Torrington, and a partial list of works performed in Toronto under his direction.

Autograph of Leo Slezak

File contains the autograph of the tenor Leo Slezak of the Metropolitan Opera Company, signed on a piece of letterhead from the Toronto Symphony Orchestra.

Autograph of Mischa Elman

File contains an autographed program for a concert sponsored by the Halifax Community Concert Association at Capitol Theatre. Mischa Elman was accompanied by Carroll Hollister on the piano.

Autographed photograph of Frank E. Blachford

File contains an autographed photograph of the Canadian violinist, teacher, conductor, and composer Frank Edward Blachford (1879-1957) addressed to Dr. J.D. Logan in appreciation of his writing on music in Toronto.

Autographed photographs of W.O. Forsyth

File contains two photographs of the Canadian composer, teacher, and writer W.O. (Wesley Octavius) Forsyth, one of which is autographed for Dr. J.D. Logan.

Forsyth, W. O. (Wesley Octavius)

Autographs of Clara Butt-Rumford and R. Kennerley Rumford

File contains the autographs for the Rumfords on a piece of stationary paper from Hotel Vancouver. Clara Butt-Rumford (1872-1936) was an English contralto and Kennerley Rumford (1870-1957) was an English baritone. They toured together throughout Europe and America following their marriage in 1900. This autograph was likely attained during their extended world tour (1912-1914), which encompassed Canada, the United States, and Australia.

Autographs of Mark Hambourg and Boris Hambourg

File contains the autographs of two brothers, Russian pianist Mark Hambourg and the Russian cellist Boris Hambourg, addressed to Dr. J.D. Logan on behalf of the Colonel W.E. Thompson Library of Music and Musical Literature at Dalhousie University. Each of the Hambourg's signatures are accompanied by short musical incipits. The autographs are dated March 5, 1925 in Toronto, Ontario.

Autographs of the Hambourg Trio

File contains an autographed program by the Hambourg Trio (Geza de Kresz, violin; Reginald Stewart, piano; and Boris Hambourg, cello). The program is from a recital at Pythian Castle, Saint Join, New Brunswick. File also contains J.D. Logan's 1909-1910 season pass for the Massey Music Hall in Toronto, Ontario.

Britain calls : [lyrics]

File contains a newspaper clipping and letters to Edith J. Archibald concerning her song "Britain Calls," which was written for the Royal Canadian Regiment during World War One. The newspaper clipping includes the text, but not the music, of the song. The letters are from G.A. LeCain, Lieutenant-Colonel of the Commanding 25th Battalion; George Murray, Provincial Secretary; and Evelyn Starr, professional violinist of New York City. An inscription by Edith J. Archibald at the top of the letters reads, "This song, dedicated to the Royal Canadian Regt. has made their 'marchpost' and I am told by an officer of that Regt. that is was played and sung daily during the war. He himself said it had keeped [sic] the men when on the tramp, 'over many a weary mile.'"

Archibald, Edith Jessie

Come unto me : [sheet music]

Item is the sheet music for a solo voice and piano composition in D Major by Molly MacDonald of the MacDonald Music Co. in Halifax, Nova Scotia. She published her music under the pseudonym of "Elza Doun."

Correspondence from Addie MacKay

File contains a letter from Addie MacKay concerning a hymn that she composed with words by her sister, requesting that John Daniel Logan publish it in the Halifax Herald.

Correspondence from Anna Frery

File contains a letter from the actress Anna Frery, thanking John Daniel Logan for his critique of her performance in Aida by Giuseppe Verdi. The letter is written on letterhead from the Grand Union Hotel Co., Limited.

Correspondence from A.S. Vogt

File contains a letter from A.S. (Augustus Stephen) Vogt, thanking John Daniel Logan for his review of a performance by the Toronto Mendelssohn Choir.

Vogt, Augustus Stephen

Correspondence from Boris Hambourg

File contains a letter from the Russian cellist Boris Hambourg concerning Ernest J. Farmer's "Fantasia for cello," the winner of a Canadian Composers competition. The file also includes a program for a series of five concerts given by Hambourg at The Hambourg Conservatory of Music in Toronto (April 14 to May 12, 1925).

Hambourg, Boris

Correspondence from Charles F. Towle

File contains an advertisement and pamphlet on the plays presented by the Stratford-upon-Avon Players at the Princess Theatre in Toronto as part of their first American Tour. Charles F. Towle was the business director of the tour.

Correspondence from Daniel O'Connell

File contains two letters from Daniel O'Connell, the secretary of the Halifax Musicians' Protective Association (American Federation of Musicians, Local 470). The letters concern Logan's invitation and acceptance into the association.

Correspondence from Edouard Hesselberg

File contains an announcement from the Russian pianist, composer, and teacher Edouard Hesselberg sent to John Daniel Logan as the Musical Critic of The Star (in Toronto). The announcement concerns his recent appointment as editor and contributor to the staff of the "International Music and Musicians." The letter was sent in an envelope from The Hambourg Conservatory of Music in Toronto.

Hesselberg, Edouard

Correspondence from Edward Broome

File contains a letter from Edward Broome. His letter includes information about the activities and performances of the Toronto Oratorio Society and was sent to Logan to be published in the Toronto News.

Broome, Edward

Correspondence from Frank S. Welsman

File contains a letter from Frank Squire Welsman. The letter concerns the Toronto Symphony Orchestra, and requests John Daniel Logan's help in promoting and supporting their endeavours.

Welsman, Frank

Correspondence from Harry Irvine

File contains a letter from the English actor Harry Irvine in response to John Daniel Logan's criticism of his performance in "Othello" at an unidentified theatre in Halifax, Nova Scotia. The letter mentions a future lecture at Dalhousie College on "William Shakespeare: A Human Being."

Correspondence from Hilda Roberts

File contains a letter from the singer Hilda Roberts. The letter contains an overview of her performances to date in anticipation of a concert in Halifax. The file also contains a series of testimonials from Manlio Di Veroli, Musical Director of the Opera House in Rome and the London Opera House, who taught Roberts in London.

Correspondence from John Burgoyne

File contains a letter from John Burgoyne. The letter includes "A Musical Reminiscence" for consideration for inclusion in John Daniel Logan's column in the Evening Echo (a Halifax newspaper). The reminiscence is about a harp owned by the artist A.T. Barrett.

Correspondence from John Winthrop

File contains a letter from John Winthrop of the Winnipeg Theatre concerning John Daniel Logan's book "Twilight Litanies" (1920), requesting an inscription from Logan.

Correspondence from Julia Marlowe Sothern

File contains a letter from the English-born American actress Julia Marlowe Sothern thanking John Daniel Logan for sending her and her husband (E. H. Sothern) some of his poetry and inviting Logan to visit them backstage at one of their performances.

Correspondence from Julie Opp Faversham

File contains a letter from Julie Opp Faversham (1871–1921), an American stage actress, thanking John Daniel Logan for a poem and his comments about a production of Julius Caesar that she acted in with her husband, William Faversham.

Correspondence from Louis Keene

File contains a letter from the artist Louis Keene (1888-1972) thanking John Daniel Logan for a notice that he put in the Montreal Herald advertising his upcoming exhibition.

Correspondence from Minnie Parlow

File contains a letter from Minnie Parlow, the mother of the Canadian violinist Kathleen Parlow. The letter concerns reviews of her daughter's performance in Toronto.

Correspondence from Muriel Logan

File contains an introductory letter from John Daniel Logan's niece, Muriel Logan. The letter addresses her education in Greek, and her wish for further education at Dalhousie College.

Correspondence from Nellie Melba

File contains a letter from the Australian operatic soprano Nellie Melba concerning a short poem that John Daniel Logan wrote about her singing. The file includes a copy of the poem as printed in a newspaper. The letter also references a photograph that Melba sent to Logan.

Correspondence from Percy Haswell

File contains a letter from the American actress Percy Haswell thanking John Daniel Logan for his newspaper articles on her. The letter is written on letterhead from the R.M.S. Royal Edward.

Correspondence from R.S. Pigott

File contains a letter from R.S. Pigott of the Toronto Conservatory of Music concerning John Daniel Logan's book, presumably "Preludes: sonnets and other verses" (1906).

Correspondence from W.H. Greenwood

File contains a letter from W.H. Greenwood, the Managing Director of The Toronto World newspaper, informing John Daniel Logan of his appointment to staff as Musical Critic.

Correspondence from W.O. Forsyth

File contains four letters from the Canadian composer, teacher, and writer W.O. (Wesley Octavius) Forsyth. Three of the letters (dated from 1921) are written on letterhead from the Canadian Academy of Music in Toronto, where he taught from 1919 to 1924. The letters concern setting texts by John Daniel Logan to music and mentions its possible performance by their mutual friends Lucas and Gena Branscombe.

The file also contains a short biography of W.O. Forsyth from the Star Weekly (Toronto, July 1921); a program for a concert by Jessie McAlpine (a student of Forsyth's) at the Canadian Academy of Music; and a program for a concert by the Russian pianist Arthur Friedheim at Massey Hall.

Forsyth, W. O. (Wesley Octavius)

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