Fonds consists of correspondence; printed material, including exhibition pamphlets; research and correspondence pertaining to silver, heraldry; manuscripts; family papers; Mackay's own artwork; artist files; and reference materials.
Fonds consists of a typescript of law lectures given by George F. Curtis at Dalhousie University in January 1939. Fonds also contains correspondence pertaining to meetings held in 1945 in the Maritimes and British Columbia to discuss the establishment of a world court for permanent peace.
File contains newspaper clippings collected by Kenneth Leslie in 1972 and 1973, largely related to the 1972 United States presidential election. File contains clippings and facsimiles of articles written by Leslie's associates Hugh Hester and Morris Kominsky, among others. Articles tangentially related to the role of both religion and the Vietnam War in American political affairs during the run-up to the election. A few of the clippings contain notes and marginalia in Leslie's hand.
Fonds contains records documenting the activities, organizations and associations in which Balcom was involved, including the Red Cap Snowshoe Club and the No. 7 Stationary Hospital. Record types include correspondence, newspaper clippings, photographs, memorabilia and parliamentary papers.
Fonds comprises records related to Terrence Gordon's biography of Marshall McLuhan published in 1997 and includes correspondence with publishers and reviewers; a curriculum vitae; a manuscript draft; newspaper clippings and copies of reviews; and secondary research materials. Other records include the working papers from three books edited by Gordon: McLuhan Unbound, Understanding Media (Critical Edition) and The Classical Trivium: The Place of Thomas Nashe in the Learning of his Time.
File contains correspondence between Leslie E. Haley and the Canadian Teacher's Federation, Gordon Fraser, and Donald D. Betts. File also contains a teaching guider on Biology 421, 441, 521 and 541, and the Heffer catalogue 227: biological sciences.
Fonds consists of a printed copy of Ritchie's thesis, completed in 1889 at Cornell University; two essay offprints from The Dalhousie Review; and a hand-bound catalogue of Ritchie's book collection, with her personal bookplate on the endpapers.
Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
Series consists of Joan Orenstein's materials regarding her professional activities, including photographs, programs, flyers, postcards, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting in "Stone Angel," "La Sagouine," "William Schwenck and Arthur Who" or "Shades of G&S," "Wood Demon" and other productions.
File contains flyers and programs for "Revelations," "The Collected Works of Billy the Kid," and "Forever Yours, Marie-Lou" produced at Second Stage; "The Empire Builders" at Pier 1; "The Daughter-in-law" at Theatre New Brunswick; "The Devil's Disciple" at Neptune Theatre; and "The Satyricon" and "All the Queen's Men." File also contains a postcard of the Charlottetown Summer Festival.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
Fonds contains textual records relating to the history of the activities of the Dalhousie University English Department and to Bevan's academic activities. The fonds consist of research notes generated during Bevan's study of Dryden's literature; academic and departmental correspondence and documentation created while Bevan was head of the English department and afterwards; documents and correspondence relating to operations at the Dalhousie Review from 1972-1980; fiction and other writings; material pertaining to courses he taught from 1949 to 1976; and various undated papers written by his students.
Fonds comprises correspondence regarding Burpee's geneological research into his uncle, James De Mille, research notes and secondary materials about De Mille, and two manuscripts by Burpee on De Mille.
The fonds includes manuscripts of most of his published works—novels, short stories, articles, radio broadcasts and plays, and forewords for other works—from 1929 to 1976; research notes and general historical studies; sound recordings; correspondence covering the years 1914 to 1994 (including letters with other authors and his publishers, among others); diaries (closed at the author's request until 2019); photographs; memorabilia; material related to his father who fought and died in World War I; and several scrapbooks containing reviews of his books, clippings, and other research material.
Series consists of Leslie E. Haley's materials regarding his involvement with the Summer Science Institute project. Series includes vouchers, a list of contracts, invoices, a list of candidates and research projects, reports, and other textual records. For an unknown reason, this project was referred to in the records by different names, including the Summer Science Institute, Emerging Technology Institute, Summer Science Institute for Teachers, Emerging Technology Summer Institute, and Emerging Technology Summer School.
Fonds consists of correspondence with friends and politicians, newspaper clippings regarding the Nova Scotia Centre of the Poetry Society, Canadian Authors Association, Nova Scotia Museum of Fine Art, Prince Edward Island Art Society and the writer Kay Hill. The fonds also contains records related to The Nova Scotia Centre of the Poetry Society, including correspondence, poems, and copies of the society’s constitution and by-laws.
Fonds consists primarily of documents related to James Aitchison’s scholarly research and teaching. Records includes correspondence, course files, subject files, addresses, papers (including some written by students), notes and notebooks, newspaper clippings, offprints, printed materials, reports, and a variety of miscellaneous records.