Series comprises Ronald St. John Macdonald's records regarding his academic activities, including his involvement as a faculty member of York University Osgoode Hall, University of Toronto, Dalhousie University, and other institutions. Series also includes records and research materials regarding the development of Macdonald's publications, unpublished papers, and other materials.
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).
Subseries consists of Ronald St. John Macdonald's photographs collected throughout his life. Subseries contains photographs of Ronald St. John Macdonald and different individuals, such as Wang Tieya, on different occasions, including at Dalhousie University, conferences, and trips not related to his work.
Subseries consists of Ronald St. John Macdonald's records regarding his involvement with Dalhousie University as a professor and dean of Dalhousie University Law School. Subseries include records related to Dalhousie Faculty Association's strike in 1988, records related to Dalhousie University Law School centenary, records related to Dalhousie University Law School fire, records related to Ronald St. John Macdonald's lectures, meeting minutes, reports, correspondence, pamphlets, offprints, periodicals, and other materials.
Subseries consists of Ronald St. John Macdonald's items of interest collected throughout his life, including biographical materials, art pieces, newspaper clippings, periodicals, books, and other materials.
File contains the program and texts from the songs of "The Flower Queen" or "The Coronation of the Rose: A Cantata in Two Acts" by George F. Root, which was presented at Orpheus Hall on September 13 and 14, 1887. The performances featured Miss. B. Lownds, Mr. King Pooley, Mr. C.J. Ross, Mr. J.R. Forbes, Miss. Taylor, Miss. E. Pickford, Miss. H. Gossip, Miss. E. Wier, Miss. B. Salter, Miss. M. Partridge, Miss. Forbes, Miss. G. Taylor, Miss. Ward, Miss. G. Smithers, and Miss. A. Nichols.
File contains two programs for organ recitals given at St. Matthew's Presbyterian Church, one by Charles M. Courboin of Antwerp, Belgium and the other by Joseph Bonnet of Paris, France. The file also includes a newspaper clipping of a review for Bonnet's organ recital with quotes from John Daniel Logan.
File contains programs for the following recitals presented at the Halifax School for the Blind: Michel Sciapiro (violin), presented by the Halifax Ladies' Musical Club; Mildred Dilling (harp), with Rose E. Seguin (soprano) and orchestra (conducted by L. Dorothea Webb); and an organ and vocal recital with unknown performers.
Fonds consists of annual publications, reports, communications, and memorabilia relating to the Nova Scotia Rifle Association and associated organizations.
File contains programs for performances by the Russian pianist Mark Hambourg (October 2, 1911); American soprano Victorina Hayes; Canadian bass baritone Edmund Burke; American tenor Allen McQuhae; and the Pictou County Philharmonic Society, directed by George M. McDonald and assisted by Suzanne Kenyon (February 15, 1924).
File contains a program from a recital, "Gems from the Oratorios," given at the Universalist Church on Brunswick Street, Halifax by the church choir and various members of the congregation: J.A. Cumming, Miss. L. Collins, Mr. A. Penny, Mr. Ruffell, Mr. A.L. Smith, Mrs. T.L. Covey, Allan M. Reid, Mrs. S. Stead, Mrs. Croucher, Miss. Ouseley, Mr. Herbert Walker, Mrs. Covey, Mr. Abbott Cumming, and Mr. Alexander.
File contains a program from the All Saints' Cathedral in Halifax, Nova Scotia for an organ recital given by George F. Austen with violinist Marian Hensley (January 23, 1912).
Item is a photograph of the 1914 Dalhousie Dramatic Club. The photograph shows the principals in the cast of "The College Widow". The portrait incudes C. R. Hawkins (as Tommy Parsons); R. St. C. Jones (as President Witherspoon); Jack MacDonald (as Billy Bolton); G. R. Smith (as Jimmie Hooper); D. A. Guildford (as Frank McAllister); T. A. Lebetter (as Copernicus Talbot); Harry Britton (as Silent Murphy); W. B. Coulter (as Hon. Elam Hicks); D. L. Dwyer (as Bub Hicks); J. S. Fraser (as Hiram Bolton); W. R. Auld (as Jack Larrabee); M. M. Currie (as Mrs. Primley Dalzelle); Hattie Boak (as Bessie Tanner); J. F. O'Connell (Director); Gladys Billman (as Jane Witherspoon); Emma Gillies (as Flora Cameron); R. D. Graham (as Stubby Talmadge); C. K. Fuller (as Matty MacGowan); M. Fraser (as L. Chubbs); Georgene Faulkner (as Flora Wiggins); Louise Power (as Bertha Lyson); and Mary Ross (as Josephine Borkley). The cast members are sitting or standing in four rows and wearing their costumes.
Fonds consists of Peter O'Hearn's records regarding his professional activities and studies in criminal and family law. Record types include meeting minutes, correspondence, newspaper clippings, booklet, typescripts, and other textual records.
File contains two programs from concerts given at the Auditorium on Barrington Street in Halifax, Nova Scotia. The programs are for a "Weekly Twilight Recital" given by the New Edison Diamond Disc Phonograph (April 30, 1920); and Frances Pelton Jones (harpsichord) and Rose Seguin (soprano), presented by the Halifax Ladies' Musical Club (September 24, 1919) (3 copies).
File contains musical and theatrical programs for performances by Florence Glossop-Harris company; The Dumbells; Halifax Choral Union and Conservatory Orchestra, directed by Ifan Williams; Boston English Opera Company; Martin Harvey and N. de Silva; F. James Carroll Players; Boston Symphony Ensemble, directed by Augusto Vannini; Madame Germaine Schnitzer and George M. McDonald, accompanied by Marjorie Payne; and the Halifax Philharmonic Society.
File contains the program from the First Baptist Church in Halifax, Nova Scotia for an organ recital by Joseph Bonnet (December 17, 1920) and three copies of an advertising pamphlet for the concert.
File contains two programs with performances by members of the Halifax Ladies Musical Club: "An Evening with Canadian Creative Composers" with a lecture by Dr. J.D. Logan (November 1, 1921) and a "Debate" between the old masters and modern composers (November 21, 1922). File also contains two programs presented by the Club, for performances by the Hart House String Quartet (Geza de Kresz, Harry Adaskin, Milton Blackstone and Boris Hambourg) (November 28, 1924) and the Hambourg Trio (Greza de Kresz, Reginald Stewart, and Boris Hambourg) (January 11, 1924).
File contains programs for the following: a recital by Ernest Leslie Schofield, baritone with Harry Dean, piano (October 6, 1925); "The Nativity of Our Lord Jesus Christ according to the Gospel of St. Luke," conducted by Harry Dean and presented by the Alumni Society (December 18, 1924); a lecture-recital by George M. McDonald, baritone, and Harry Dean, piano (October 4, 1921); and a pianoforte recital by Reginald Stewart, assisted by Luther Dickens Mott, bass-baritone, and Harry Dean, piano.
File contains two copies of a program for an organ and choral recital at St. Mary's Cathedral by the church organist, Edwin C. Helsby, and choir, directed by Rev. Gerald B. Phelan.
File contains two copies of a program for a recital given by Mrs. Chester MacDonald (soprano), Julius Silverman (violin), and Mrs. H.W. Dodwell (piano), presented by the Local Council of Women. The date of the recital has been revised from November 25, 1924 to December 9, 1924.
Fonds consists primarily of meeting minutes, membership and attendance lists, programmes, a copy of the club’s sixty-fifth anniversary cookbook, correspondence, and miscellaneous papers which include photos and records related to the club’s anniversary events.
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.
The fonds contains photographs of singers and musical groups, theatrical paraphernelia, and documents regarding the construction of Ward's home on Beaufort Avenue in Halifax, Nova Scotia, as well as other printed material.
Item consists of two copies of the Dalhousie University Bulletin, Inauguration Number (#4), dated October 1931, from the inauguration of Carleton W. Stanley as president of Dalhousie University. The bulletin contains the program of the event, a photograph of Stanley, transcriptions of addresses given at the event, and a list of delegates from other universities.
This collection consists of records regarding Theatre Arts Guild's management and productions from the establishment of the guild in 1931 to 1999. Materials include administrative documents and some financial records, programs, posters, newsletters, histories of Theatre Arts Guild and information about amateur theatre in Halifax, correspondence, photographs, newspaper clippings, and scrapbooks.
Series comprises Ronald St. John Macdonald's records regarding his professional activities, including his involvement with different organizations, such as the Council of Europe, the European Court of Human Rights, the Hague, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Series contains meeting agendas, meeting minutes, newsletters, reports, and other records.
File contains an autographed program for a concert sponsored by the Halifax Community Concert Association at Capitol Theatre. Mischa Elman was accompanied by Carroll Hollister on the piano.
File includes correspondence with different individuals, annotated typescripts, handwritten notes, newspaper clippings, two photographs of John P. Humphrey, and a photograph of John P. Humphrey with Ronald St. John Macdonald in 1991 at McGill University, transcript of interviews between Ronald St. John Macdonald and John P. Humphrey, and other materials related to the subject.
Fonds contains copies of diplomas and scrapbooks, newspaper articles and clippings, correspondence between Gillis and others, and manuscript drafts of his music.
This fonds consists of correspondence from Arthur Winters of the Anglican Young People’s Association to Almon, and a Theatre Arts Guild rehearsal schedule. Some local theatre programs were also donated with the fonds which have been relocated to the MS 3 Reference materials.
Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
Collection comprises newspaper articles, programmes, tickets and schedules from sporting events in Truro, Bridgewater, Wolfville and Lunenburg, Nova Scotia, during the 1940s and 1950s.
Fonds consists of records that document every aspect of Neptune Theatre as an organization, including various textual records and graphic and audio-visual material pertaining to productions, events, personnel, and the administration of the Theatre. Types of records include correspondence, meeting minutes, reports and newsletters, financial records, box office records, applications, licenses, contracts, scripts, posters, newspaper clippings, production notes, programs, press kits, videocassettes, audiocassettes, negatives, contact sheets, slides, photographs, and other materials.
Item consists of a programme of events celebrating the inauguration of Alexander Enoch Kerr as the new President of Dalhousie University, November 13, 1945. Includes the text of speeches by D.L. Sutherland (President of the Council of the Students), Dean Vincent C. MacDonald (University Senate), George J. Trueman (Chairmain for the Central Advisory Committee on Education in the Maritime Provinces and Newfoundland), Lieutenant-Colonel K.C. Laurie (Chairman of the Board of Governors), and Alexander Kerr's inaugural address. Also includes a list of delegates from other institutions.
Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the Council of Europe and the European Court of Human Rights. Subseries contains periodicals, reports, press releases, photographs, and other materials.
Series consists of Joan Orenstein's materials regarding her professional activities, including photographs, programs, flyers, postcards, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting in "Stone Angel," "La Sagouine," "William Schwenck and Arthur Who" or "Shades of G&S," "Wood Demon" and other productions.
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.
The fonds contains copies of programs for operas performed or hosted by the Nova Scotia Opera Association, as well as draft copies of those programs. It also contains business correspondence, annual reports and its notice of incorporation.
