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Archival Description
Cumberland (N.S. : County)
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Personal archives of Harry Thurston

  • MS-2-691
  • Fonds
  • 1972-2021
Fonds contains Harry Thurston's book manuscripts, copies of speeches and interviews, correspondence and research materials.

Thurston, Harry, 1950-

Gerard Veldhoven fonds

  • MS-15-16
  • Fonds
  • 2004 - 2020
Fonds consists of Gerard Veldhoven's published writing, correspondence, and speeches. Veldhoven's writings cover subjects including same-sex marriage, LGBT parenting and families, Pride celebrations, and LGBT social issues. Fonds also contains clippings and correspondence related to Veldhoven's experience as part of the first same-sex couple to be married in Nova Scotia, as well as his activism, writing career, and honours.

Veldhoven, Gerard

Photographs relating to Mary Celeste

File includes photographs of Joshua Dewis at Refugee Cove; a 1967 Mary Celeste stamp; Captain Robert W. McLellan's gravestone; Joshua Dewis' gravestone; Sarah Briggs' harmonium; and Mary Celeste plaque at Spencer's Island.

The Mary Celeste : the odyssey of an abandoned ship

File contains a pamphlet titled "The Mary Celeste : The odyssey of an abandoned ship" published by The Atlantic Companies in 1942. File also contains an undated poster regarding the Mary Celeste from Walter De Wolfe's Craft Shop.

Sing a new song with the First Baptist Girls' Choir of Truro : [poster]

File contains a poster for a series of three concerts by the Halifax Camerata Singers in collaboration with the First Baptist Girls' Choir at Trinity St. Stephen's Church in Amherst, Nova Scotia (May 4, 2001); St. Andrew's United Church in Halifax Nova Scotia (May 5, 2001); and the First Baptist Church in Truro, Nova Scotia (May 6, 2001).

Administrative and publicity records for Pogie, by Christopher Heide and Al MacDonald

File contains a joint copyright agreement between Christopher Heide and Al MacDonald; publishing contract and correspondence with Borealis Press; correspondence, contract and reviews for the 1998 Tantramar Theatre Festival production; notes, reviews and advertisements for the 1994 Lunenburg Dinner Theatre Company production; correspondence, contract and reviews for the 1980 Stages production; correspondence, contract and reviews for the 1984 Kam Theatre (Thunder Bay) production; and an annotated copy of the published script. There is also correspondence between Chris Heide and Rosemary Gilbert about the possibility of converting Pogie and No More Gasoline into television scripts. File also contains a chronology of events documenting the genesis and evolution of the script development and production.
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