File contains drafts of Anthony Pugh's program notes for Atlantic Symphony Orchestra (ASO) concerts an copies of the ASO's programs containing Pugh's notes.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Feste. The sketch shows a figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Curio. The sketch shows a figure wearing the costume and holding a crossbow.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Antonio. The sketch shows a figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character who is a priest. The sketch shows a figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for two officers and the sketch shows one figure wearing the costume.
Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Feste. The photocopy has Doyle's notes about the costume written on it in red.
Series contains records regarding associations that Barkhouse was involved with. The types of records included here are correspondence, promotional material, reports, newsletters, and programs.
File contains correspondence from Marc Sabat of the Tempest String Quartet (also including Sheila McDonald, Anthony Rapoport, and Katja Linfield) regarding their performances in Fredericton, New Brunswick. The file also includes a copy of the press release for their June 8, 1988 concert, and a copy of the program from the concert.
Item is a sketch of three costume designs for Dalhousie Theatre's production of Spring Awakening. The sketch is executed in coloured pencil and watercolour. The three costumes are for a character named Wendla. The sketch shows three female figures wearing the costumes.
Item is a photocopy of two costume designs for Dalhousie Theatre's production of Spring Awakening. The costumes are for a character named Wendla. The sketch shows two female figures wearing the costumes. Ribbon swatches are pinned to the photocopy.
Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Ilse. There are three fabric swatches pinned to the photocopy.
Item is a sketch of a costume design for Dalhousie Theatre's production of Spring Awakening. The sketch is executed in coloured pencil and watercolour. The costume is for a character named Mrs. Bergman. The sketch shows a female figure wearing the costume.
Item is a sketch of three costume designs for Dalhousie Theatre's production of Spring Awakening. The sketch is executed in coloured pencil and watercolour. The costumes are for characters named Ilse, Thea, and Martha. The sketch shows three figures wearing the costumes.
Item is a sketch of a costume design for Dalhousie Theatre's production of Spring Awakening. The sketch is executed in coloured pencil and watercolour. The costume is for a character named Mrs. Gabor. The sketch shows a female figure wearing the costume.
Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Mrs. Gabor. There are fabric swatches pinned to the photocopy.
File contains a programme of a conference co-sponsored by the Public Services Committee of the Faculty of Law and the Centre for International Business Studies of the School of Business Administration, both at Dalhousie University.
File contains correspondence between Harry Bruce and Roger Cameron and William Barr. It also contains letters regarding Bruce's winning the Evelyn Richardson Literary Memorial Award.
Series contains notes, speeches, and correspondence relating to presentations by Budge Wilson at workshops, conferences, arts festivals, libraries, and universities.
File contains four drawings and six photocopies of costume designs for Dalhousie Theatre's 1977 production of Spring Awakening. Several of the items have fabric swatches attached.
Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Wendla. The sketch shows a female figure wearing the costume.
Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Mrs. Bergman. There are two fabric swatches pinned to the photocopy.
Item is a photocopy of two costume designs for Dalhousie Theatre's production of Spring Awakening. The costumes are for characters named Thea and Martha. There are fabric swatches pinned to the photocopy.
File contains program notes and programs for a series of concerts by the Brunswick String Quartet, resident musicians at the University of New Brunswick. The concerts featured Ludwig van Beethoven's string quartets and were presented by the Creative Arts Committee of UNB and Saint Thomas University.
File contains drafts of program notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart and programs from concerts by the Brunswick String Quartet at the University of New Brunswick.
The fonds consists of records related to Richard Perkyns' research undertaken in writing The Neptune Story: Twenty-Five Years in the Life of a Leading Canadian Theatre and editing Major Plays of the Canadian Theatre 1934-1984 . The fonds also includes a copy of his doctoral thesis, The Impact of the Expressionists Movements on British and American Drama and Theatre Practice (1968) and records which pertain to his involvement with the Halifax Independent Theatre. Records include correspondence, minutes from meetings, research notes, drafts, newspaper clippings, reviews, manuscripts, photographs, and interviews recorded on audio cassettes. The fonds has been arranged in four series: The Neptune Story, Major Plays of the Canadian Theatre, Doctoral Thesis, and Halifax Independent Theatre.
File contains drafts of program notes by Anthony Pugh pertaining to works by Franz Joseph Haydn and programs from concerts by the Brunswick String Quartet, presented by the Creative Arts society of the University of New Brunswick and Saint Thomas University.
This collection contains materials related to the administration and productions of Theatre 1707 as well as the Bit Players society. The records include administrative documents, reports, programs, posters, proposals, newspaper clippings, reviews, and photographs.
File contains a script for the second concert of the fourth annual season of "Concerts in Historic Settings" of the Heritage Trust; the concert was held at University Hall, Acadia University. There is also a program for a Heritage Trust concert at St. George's Anglican Church, Halifax.
File contains drafts of program notes by Anthony Pugh pertaining to string quartets by Wolfgang Amadeus Mozart, and programs from concerts by the Brunswick String Quartet at the University of New Brunswick.
Item is a sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is executed in watercolour and gouache. The costume is for a character named Nina to wear in Act IV. The sketch shows a female figure wearing the costume. There are fabric swatches pinned to the sketch.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is drawn in pencil on tissue paper. The costume is for a character named Sorin. The sketch shows a male figure wearing the costume. There are also notes about Sorin's costumes in each act.
Item is a photocopy of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The costume is for a character named Nina in Act I. The sketch shows a female figure wearing the costume.
Item is a sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is executed in watercolour and gouache. The costume is for a character named Treplev to wear in acts I-III. The sketch shows a male figure wearing the costume. There are fabric swatches pinned to the sketch.
