Subseries comprises records created and collected by Gil Winham in the course of co-editing with Sylvia Ostry The Halifax G-7 Summit: Issues on the Table (Centre for Foreign Policy Studies, 1995). Records include correspondence, a manuscript, contract, background materials and a copy of the published book.
Subseries contains handwritten and typescript drafts of Budge Wilson's book "The Imperfect Perfect Christmas." The book was published by Pottersfield Press in 2004.
This subseries contains the records for Neptune Theatre's production of The Importance of Being Earnest by Oscar Wilde. Cast included: Chilina Kennedy (Cecily Cardew); David Leyshon (John Worthing, J.P.); John Dartt (Rev. Canon Chasuble, D.D.); Elizabeth Richardson (Miss Prism, Governess); Marla McClean (Hon. Gwendolen Fairfax); Michael Therriault (Algernon Moncrieff); Vanessa Walton-Bone (Lady Bracknell); Jack Wynters (Lane, Manservant); and Robbie O'Neill (Merriman, Butler). Production crew included: George Pothitos as the artistic director; Jane Butler Creaser, the stage manager; Sean Mulcahy, set and costume design and Kevin Fraser, lighting design. Sweeney Todd ran from January to February 17, 2013.
Subseries contains documents related to the writing and production of "The Last Tasmanian," a play written by Jenny Munday and based on a novel by Herb Curtis.
Subseries contains handwritten and typescript drafts of Budge Wilson's short story anthology "The Leaving." The anthology contains the following short stories: "The Metaphor," "The Diary," "Mr. Manuel Jenkins," "Lysandra's Poem," "My Mother and Father," "The Leaving," "My Cousin Clarette," "The Reunion," "Waiting," "Be-ers and Doers," and "The Pen Pal."
Subseries contains handwritten and typescript drafts of Budge Wilson's book "The Long Wait," previously titled "The Incredible Wait." Subseries includes Budge Wilson's ideas for illustrations for the book and a typescript of its French translation, "Une Incroyable Attente," translated by Florence Treadwell.
Subseries contains drafts of Wendy Lill's play, Messenger, which was inspired by Henrik Ibsen’s An Enemy of the People. Set in Canada in 1990 and 2015, this "memory play" addresses issues of climate change and politics. Lill developed the concept during her three weeks as the resident playwright at the National Arts Centre Company's retreat, The Ark, on Fogo Island, Newfoundland.
