Series includes contracts, show reports, proposals, brochures, correspondence, itineraries, press releases, newspaper clippings, tour books, study guides, schedules, production notes, scripts, props, costumes, sketches, cast and contact lists, and cue sheets.
File contains set and prop designs for Neptune Theatre's 2009 production of the "Christmas Carol." The designer and director of the production are not indicated on the designs, but were completed by Geofrey Dinwiddie, according to the set design contract (see MS-3-1, Box 540, Folder 32).
File contains set designs for Neptune Theatre's production of "The Miracle Worker" for the 2007-2008 season, directed by Ted Dykstra and designed by Michael Gianfrancesco. The designs are drawn to the scale of 1/2" = 1'. The technical director for the production was Eleanor Creelman.
File contains memos regarding requirements for play. Also included are ground plans, agreement between Neptune and Tarragon Theatre, and technical riders.
File contains original and annotated copies of the set designs and annotated copies of the light plot design for Neptune Theatre's production of "The Devil's Disciple," directed by C. Newton and designed by David Boechler (set) and Leigh Ann Vardy (lights).
File contains the set and light designs for Neptune Theatre's production of "Skin Flick," directed by Walter Learning and designed by D'Arcy Morris-Poultney (set) and Leigh Ann Vardy (lights).
File contains the ground plans and elevations for Neptune Theatre's production of "Skin Flick," directed by Walter Learning and designed by D'Arcy Morris-Poultney. The plans are drawn to the scale of 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "The Producers," directed by Ron Ulrich and designed by John Dinning. The lighting for this production was designed by Lesley Wilkinson. The set designs are drawn to the scale of 1/2" = 1'.
File contains annotated copies of set designs for Neptune Theatre's production of "The Love List," directed by Ron Ulrich and designed by Corey Mullins. The designs are drawn to scales of 1/4" = 1' and 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "The Vertical Hour," directed by Ron Ulrich and designed by Doug Paraschuk. The designs are drawn to the scale of 1/4" = 1'. The technical director for the production was Eleanor Creelman.
File contains archival tapes for the following productions: Three in the Back Two in the Head, The Sound of Music, Virgina Woolf, Frozen, Love List, Evita, The Goat, Over the River and Through the Woods, The Miracle Worker, Chicago, The Little Years, A Few Good Men, Mourning Dove, To Kill a Mocking Bird, The Price, Beauty and the Beast, Les Miserable, Show Time, Cat on a Hot Tin Roof, Adult 3, The Syringa Tree, Soul Alone, God of Hell, Betrayal, Blue/Orange, Trying, Oliver!, Kilt, Old times, Why God Why, and Death Trap.
File contains original and annotated copies of set and light designs for Neptune Theatre's production of "The Price," directed by Marcia Kash and designed by Patrick Clark (set) and Leigh Ann Vardy (lights). Eleanor Creelman was the technical director. The designs are drawn to the scale of 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "White Christmas," directed by Marcia Kash and designed by Patrick Clark. The designs are drawn to the scale of 1/2" = 1'. The file includes Clark's original drawings and annotated copies.
File contains annotated copies of set and light designs for Neptune Theatre's production of "The Price," directed by Marcia Kash and designed by Patrick Clark (set) and Leigh Ann Vardy (lights). The designs are drawn to the scales of 1/4" = 1' and 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "Beauty and the Beast," directed by Ron Ulrich and designed by John Dinning. Leigh Ann Vardy was the lighting designer for this production. The set designs are drawn to the scales of 1/4" = 1' and 1/2" = 1'. The file includes a colour drawing of the set.
File contains original and annotated copies of set and light designs for Neptune Theatre's production of "Beauty and the Beast," directed by Ron Ulrich and designed by John Dinning (set) and Leigh Ann Vardy (lights). Eleanor Creelman was the technical director. The file includes several coloured drawings of the props and set.
File consists of designing artists contract, stage management engagement contract, set and costume design contract, coloured set designs, and two coloured prints of Morrie.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Tuesdays with Morrie," directed by Charlie Rhindress and designed by D'Arcy Morris-Poultney. Eleanor Creelman was the technical director. The designs were drawn to the scale of 1/2" = 1'.