Carleton Stanley's address to the Art Association
- UA-3, Box 102, Folder 1, Item 48
- Item
- November 1935
Part of President’s Office fonds
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Carleton Stanley's address to the Art Association
Part of President’s Office fonds
Canada's progressive Jewish magazine outlook. Vol. 36. No. 6
Part of Joan and Henry Orenstein fonds
BOGACH: If we were any good we wouldn't be here (a long song & dance)
Part of Eyelevel Gallery fonds
Board of directors meeting minutes
Part of Eyelevel Gallery fonds
Part of Eyelevel Gallery fonds
Artist statement for The Glass Bead Game by Timothy Watters
Part of Centre for Art Tapes fonds
Art Gallery of Nova Scotia journal. Vol. 15/2
Part of Joan and Henry Orenstein fonds
Part of Dalhousie Art Gallery fonds
File consists of records related to the exhibition of works by sculptor Andrew Bodor, funded by the Canada Council, presented at the Dalhousie Art Gallery from September 18 to October 19, 1980.
Records consist of correspondence and administrative documents (business office correspondence) regarding grant applications and budgets, exhibition text including introduction and biography, and postcards.
Alligator / Henry Orenstein : [art piece]
Part of Joan and Henry Orenstein fonds
Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.
Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.
Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.
Creighton, Alan
Agenda for board meeting held on December 18, 1975
Part of Eyelevel Gallery fonds
Agenda for an Eye Level Gallery meeting
Part of Eyelevel Gallery fonds
Part of Eyelevel Gallery fonds
A little taste group exhibition
Part of Eyelevel Gallery fonds
A letter regarding the Joseph Howe Festival
Part of Eyelevel Gallery fonds