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The Dalhousie Gazette, Volume 151, Issue 8

Item is an issue of The Dalhousie Gazette published on January 11, 2019. Issue features the articles "Back to the grind: Check out what you checked out while on winter break," "Good-bye Florizone," "Are esports really sports?" and "Dal Tiger plays in basketball tournament named after grandparents."

The Dalhousie Gazette, Volume 151, Issue 10

Item is an issue of The Dalhousie Gazette published on February 15, 2019. Issue features the articles "Sex and love: The steamiest issue of the year," "Sex-ed IRL," "#lovelettertomysextoy," and "An athlete breaks up with her sport."

The Dalhousie Gazette, Volume 151, Issue 11

Item is an issue of The Dalhousie Gazette published on March 1, 2019. Issue features the articles "Sharing a classroom with your harasser: A Dal student navigates the university's Human Rights and Equity Services," "Smell that? Dal's scent policy," "National Centre for Truth and Reconciliation partners with Dalhousie," and "World-class athletes at Dal."

The Dalhousie Gazette, Volume 152, Issue 5

Item is an issue of The Dalhousie Gazette published on November 1, 2019. Issue features the articles "Dry pint glasses, dry pockets: A communication breakdown between the DSU and the university costs campus bar employees," "Get your flu shot," "Haviah Mighty takes the stage," and "The lives of dual athletes."

Portrait of Thomas Killam

  • PG-2-5, PB Box 11, Folder 3
  • File
  • [19--]
File contains two reproductions of a portrait of Thomas Killam. Reproductions were produced by the Dalhousie University Archives in 1975.

Mask diagram

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The sketch is a diagram showing how the mask for Mr. Lin To, a carpenter, is constructed.

Costume design for a policeman

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a policeman and the sketch shows one male figure wearing the costume.

Costume design for Mrs. Shin

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for Mrs. Shin and the sketch shows one female figure wearing the costume.

Costume design for Yang Sun's mask

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The sketch shows how Yang Sun's mask is constructed.

Diagram of masks

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The sketch shows show the masks are constructed for secondary characters.

Design for scene 5: "My Shu Fu's thoughts in front of shop" and scene 6: "Balloon caption"

Item is a marker sketch of a design for Dalhousie Theatre's production of the Good Woman of Setzuan. The left side of the sketch is for scene 6 and shows an empty thought bubble. The right side of the sketch is for scene 5 and also shows an empty thought bubble. The left side of the sketch is folded underneath the rest of the sketch.

Design for bound woman

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a female figure tied to a chair with a gag in her mouth.

Design for "Mmmm!!!"

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a female figure leaning on a table with a hole in her body while a male figure eats her heart. Another female figure sits at the table and there is a light hanging over them. There is a speech bubble coming from the male figure which says "Mmmm!!! A good heart is a terrible thing to taste!!!"

Design for scene 8 : Tobacco factory

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The design is for scene 8 and the sketch shows the inside of a tobacco factory, with a conveyor belt and other machinery.

Design for scene 9 : Office, Shui Ta's

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The design is for scene 9, in Shui Ta's office. The scene is mostly blank except for a framed portrait hanging on a wall.

Design for "If it's free..."

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a male figure, a female figure, and another female figure holding two children. The male figure is holding several cigarette boxes and smoking several cigarettes. There is a speech bubble coming from the male figure that says "if it's free... then yes... we need it!!!" The group of figures are standing in front a building that says "take and ye shall receive."

Design for "If it's free..."

Item is a sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch is composed of a photocopy of an original sketch which has been cut apart and recoloured in some places. The sketch shows a male figure, a female figure, and another female figure holding two children. The male figure is holding several cigarette boxes and smoking several cigarettes. There is a speech bubble coming from the male figure that says "if it's free... then yes... we need it!!!"

Design for the restaurant

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch is of the inside of a restaurant.

Design for the restaurant

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch is of the inside of a restaurant.

Design for bench

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a field with a park bench and a house in the distance.

Costume design for Messer Nicia

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mandragola. The costume is for a character named Messer Nicia. The sketch shows a large close-up of the mask and a small figure wearing the entire costume.

Costume design for Sostrata

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mandragola. The costume is for a character named Sostrata. The sketch shows a large close-up of the mask and a small figure wearing the entire costume.

Costume design for One-Eye

Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a character named One-Eye. The sketch shows a male figure wearing the costume.

Costume design for Louis XIV : first costume

Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is the first costume for Louis XIV. The sketch shows a male figure wearing the costume.

Costume design for Louis XIV : second costume

Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is the second costume for Louis XIV. The sketch shows a male figure wearing the costume.

Costume design for courtier

Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a courtier in a red suit. The sketch shows a male figure wearing the costume.

Handwritten notes

Item is a collection of handwritten notes about the costumes for Dalhousie Theatre's production of Moliere. The notes contains some sketches of costume construction and one fabric swatch. Some pages are blank. The notes are contained in a folder made from two pieces of Robert Doyle Designs' letterhead taped together.

Set design for The Taming of the Shrew

Item is a watercolour set design for Dalhousie Theatre's production of the Taming of the Shrew. The sketch shows on large illustration of the stage surrounded by four smaller illustrations of the stage, each with a different set.
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