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Costume design for Bill Cracker

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Bill Cracker and the sketch shows one male figure wearing the costume and holding a hat. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.

Costume design for Bob Acres : first costume

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1982 production of The Rivals. The costume is the first costume for a character named Bob Acres. The sketch shows one male figure wearing the costume. There are fabric swatches attached to the sketch.

Costume design for Bob Acres in a new suit

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1982 production of The Rivals. The costume is for a character named Bob Acres wearing a new suit. The sketch shows one male figure wearing the costume.

Costume design for Bonville and Madame Bonville

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for two characters named Bonville and Madame Bonville. The sketch shows one male figure and one female figure wearing the costumes.

Costume design for Bo'sun

Item is a pastel and pencil sketch of a costume design for Dalhousie Theatre's 1991 production of The Tempest. The costume is for a character called the Bo'sun and the sketch shows one male figure wearing the costume and standing on a ship's deck. The sketch is drawn on dark blue heavyweight paper.

Costume design for Bottom

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1983 production of A Midsummer Night's Dream. The costume is for Bottom, played by Andrew Cox. The sketch shows one male figure wearing the costume.

Costume design for Boutros Brother #1

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his left leg. The sketch shows one figure wearing the costume and leaning on a crutch.

Costume design for Boutros Brother #2

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his right leg. The sketch shows one figure wearing the costume and leaning on a crutch.

Costume design for Boyet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Boyet and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Brenna Conrad : Opening

Item is a watercolour sketch of a costume design for "Democracy 250," the pre-show for the 2008 Nova Scotia Royal International Military Tattoo. The costume is for Brenna Conrad, a performer in the opening of the Tattoo. The sketch shows one female figure wearing the costume and fabric swatches are stapled to the sketch.

Costume design for Brother Ben

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Brother Ben and the sketch shows one male figure wearing the costume and holding a book. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.

Costume design for Buckram

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Love for Love. The costume is for a character named Buckram. The sketch shows one male figure wearing the costume and holding a book. The sketch is cut out and mounted on a dark orange matboard. The sketch is also covered by a clear plastic sheet which is taped on.

Costume design for Caliban

Item is a pastel and pencil sketch of a costume design for Dalhousie Theatre's 1991 production of The Tempest. The costume is for Caliban and the sketch shows one male figure wearing the costume. The sketch is drawn on dark blue heavyweight paper.

Costume design for Callimaco

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mandragola. The costume is for a character named Callimaco. The sketch shows a large close-up of the mask and a small figure wearing the entire costume.

Costume design for Camille and Marie

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two whores or courtesans named Camille and Marie. The sketch shows two female figures wearing the costumes.

Costume design for Captain Hannibal Jackson

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Captain Hannibal Jackson and the sketch shows one male figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.

Costume design for Capulet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1987 production of Romeo and Juliet. The costume is for Capulet and the sketch shows a male figure wearing the costume. The sketch is mounted on a dark red matboard.

Costume design for Carman : Act I

Item is a costume design for Dalhousie Theatre's 1990 production of St. Carman of the Main. The design is a pastel sketch which was cut out and mounted on corrugated cardboard. The cardboard is covered with a collage made of photocopies of newspaper articles, stenciled patterns, and colourful scribbles. The costume is for Carman, played by Raquel Duffy, to wear in Act I. The sketch shows one figure wearing the costume with a halo.

Costume design for Carman : performances

Item is a costume design for Dalhousie Theatre's 1990 production of St. Carman of the Main. The design is a pastel sketch which was cut out and mounted on corrugated cardboard. The cardboard is covered with a collage made of photocopies of newspaper articles, stenciled patterns, and colourful scribbles. The costume is for Carman, played by Raquel Duffy, to wear during performances. The sketch shows one figure wearing the costume and standing in front of a cross and lights. The costume looks like a cowgirl outfit.

Costume design for Carmen : first costume

Item is coloured pencil sketch of a costume design for Dalhousie Theatre's 1990 production of St. Carmen of the Main. The costume is Carmen's first costume. The sketch shows one figure wearing the costume.

Costume design for carpetdealer and wife

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costumes are for a carpet dealer and his wife. The sketch shows one male figure and one female figure wearing the costumes.

Costume design for Cassandra

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1992 production of The Trojan Women. The costume is for Cassandra and the sketch shows one female figure wearing the costume. There is a wash of a dark colour painted over part of the drawing. The sketch is drawing on paper which was torn from a spiral bound sketchbook and the torn edge of the sketchbook page has not been removed.

Costume design for Cassandra

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1992 production of The Trojan Women. The costume is for Cassandra and the sketch shows one female figure wearing the costume.

Costume design for Cassandra : Shift worn under robe

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1992 production of The Trojan Women. The costume is a shift for Cassandra to wear under her robe. The sketch shows one female figure wearing the costume and holding a flaming torch.

Costume design for Cathy

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1989 production of Cloud Nine. The costume is for a character named Cathy. The sketch shows one figure wearing the costume. The sketch was torn from a spiral bound sketch book and the torn edge has not been cut off.
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