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Toronto (Ont.)
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Old Maid and Secret of Susanna

  • MS-5-20, Box 1, Cassette 41
  • File
  • March 27, 1968 and February 26, 1969
  • Part of Sheila Piercey fonds

File is an audio cassette tape with recordings of Sheila Piercey singing in the operas "The Old Maid and the Thief" and "The Secret of Susanna." These were student productions by the Metro School Board of Toronto as part of their educational program.

Sheila Piercey fonds

  • MS-5-20
  • Fonds
  • 1950-2010
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.

Piercey, Sheila Kathleen

Ernest MacMillan : [autographed photograph]

File contains an autographed photograph of Sir Ernest MacMillan, the conductor of the Toronto Symphony Orchestra, in commemoration of a performance with Ellen Ballon of Heitor Villa-Lobos' first piano concerto.

Canadian review of music and art : volume 2, numbers 9 and 10

File includes an issue of Canadian Review of Music and Art published in 1944 (Volume 2, Numbers 9 and 10). The issue includes an article by John Bauer titled "Ellen Ballon - Canada's Outstanding (Woman) Pianist." Canadian Review of Music and Art was published in Toronto, Ontario by Canadian Review Publishing.

Passacaglia : piano solo

File includes a copy of Duchow's piano composition, accompanied by a note to Ellen Ballon from [Guanni?].

Duchow, Marvin

Newspaper clippings concerning concerts and other topics

File contains newspaper clippings that mention Ellen Ballon. Topics range from concert reviews, her favourite recipes, lifestyle, the death of her mother (Charlotte Ballon, nee Klein), and her contributions during the Second World War. One of the articles reports on her premiere performance in Rio de Janeiro of Heitor Villa-Lobos' first piano concerto.

Alan and Blanche Lund fonds

  • MS-5-17
  • Fonds
  • 1940-1990
Fonds consists of sheet music, scripts, and programs from different musical plays that Blanche and Alan Lund performed, directed or choreographed. Also includes audio reel-to-reel and video tapes of some of the performances.

Lund, Alan

Correspondence, itinerary, and budgets for Upstream's Ontario fall tour

File also includes the tour manager's report; applications to Canada Council for the Arts for funding; Upstream's technical rider; contracts; and attendance reports at venues (Numus, Waterloo, Ontario; Peterborough Festival for the Arts, Ontario; Espace Musique, Ottawa, Ontario; and New Music Across America/ Red Door Productions, Toronto, Ontario).

Donald Murray fonds

  • MS-5-10
  • Fonds
  • 1929, 1979
Fonds contains music and lyrics as well as a letter from Donald Murray.

Murray, Donald

Correspondence from Charles F. Towle

File contains an advertisement and pamphlet on the plays presented by the Stratford-upon-Avon Players at the Princess Theatre in Toronto as part of their first American Tour. Charles F. Towle was the business director of the tour.

Program from the University of Toronto

File contains two copies of a program from the "Address to the Graduating Classes and Opening of the Organ" (June 6, 1912). The program includes an organ recital by Mr. F.A. Moure, bursar of the university, as well as the organ's specifications and a picture. The organ was built by Cassavant Freres of St. Hyacinth, Quebec.

Program from the Toronto Conservatory of Music

File contains programs from concerts presented at the Toronto Conservatory of Music, including performances by the Flonzaley Quartet (Adolfo Betti, Alfred Pochon, Ugo Ara, Iwan D'Archambeau); Toronto String Quartette (Frank E. Blachford, Roland Roberts, F. Converse Smith, Frederic Nicolai); and Constance Martin (piano).

Program from the Royal Alexandra Theatre

File contains two programs for theatrical performances at the Royal Alexandra Theatre, including "Julius Caesar" by William Shakespeare and "Kindling" by Charles Kenyon. File also contains a program for two weeks of performances by the Montreal Opera Company and a program for their performance of "Thais" by Jules Massenet. File also contains a prospectus for a series of benefit concerts for the Hospital for Sick Children and the Toronto Free Hospital for Consumptives.

Promotional pamphlet for W.O. Forsyth

File contains a promotional pamphlet for W.O. Forsyth, including a list of his publications, reviews of his compositions and performances, and reviews of some of his students (Jessie McApine-Dempster, Myrtle Webber, Leila Preston, and Elsie Bennett).

Program from Massey Hall

File contains programs from concerts given at Massey Hall in Toronto, Ontario: Columbian Conservatory Orchestra, conducted by Alfred Bruce with E.H. Painty on piano; the Mendelssohn Choir, conducted by A.S. Vogt; the Mendelssohn Choir, directed by H.A. Fricker; Toronto Symphony Orchestra, conducted by Frank S. Welsman with Margaret Huston (soprano); Toronto Symphony Orchestra with Louise Homer (contralto); Toronto Symphony Orchestra with Mischa Elman (violin); John McCormack (tenor) with Edwin Schneider (piano); and the Oratorio Society of Toronto, conducted by Edward Broome, with the Cleveland Symphony Orchestra, conducted by Nikolai Sokoloff.

File also contains a compilation of all of the programs from the Toronto Symphony Orchestra's 1911-1912 season, inscribed to John Daniel Logan. File also contains some newspaper clippings of concert reviews by "A.E.S.S."

Programs from Hart House Theatre

File contains programs from recitals presented at the Hart House Theatre, including the Hart House String Quartet (Geza de Kresz, Harry Adaskin, Milton Blackstone, and Boris Hambourg); Bertram Forsyth (prose and poetry, assisted by Colin McPhee); Geza de Kresz (violin, with Norah Drewett on piano); and a Beethoven centenary commemoration presented by the Hart House String Quartet, Kilbourn String Quartet (Gustave Tinlot, Gerald Kunz, Samuel Belov, and Paul Kefer), and London String Quartet (James Levy, Thomas Petrie, H. Waldo Warner, and Warwick Evans).

Prospectus for the Hambourg Conservatory of Music

File contains a prospectus for the Hambourg Conservatory of Music, directed by Boris Hambourg with visiting director Mark Hambourg. The prospectus includes lesson costs per class for instruments, theory, history, and language. The file also includes John Daniel Logan's member's ticket for the 1912-1913 season of the Hambourg Concert Society (directed by Michael Hambourg, Jan Hambourg, and Boris Hambourg).

Program from the Arena in Toronto

File contains an official souvenir programme from the Toronto Musical Festival, commemorating the opening of the Arena in Toronto, Ontario. The program includes performances by Nahan Franko and members of the Metropolitan Opera and Philharmonic Orchestras of New York.

Autographs of Mark Hambourg and Boris Hambourg

File contains the autographs of two brothers, Russian pianist Mark Hambourg and the Russian cellist Boris Hambourg, addressed to Dr. J.D. Logan on behalf of the Colonel W.E. Thompson Library of Music and Musical Literature at Dalhousie University. Each of the Hambourg's signatures are accompanied by short musical incipits. The autographs are dated March 5, 1925 in Toronto, Ontario.

Correspondence sent to John Daniel Logan

File contains three letters of uncertain authors sent to John Daniel Logan. One is from a former Dean and composer at the University of South Dakota (February 24, 1907); another about upcoming performances by J.S. Middlelai(?); and the third from "Ethel" concerning vacation plans.

Correspondence from Frank S. Welsman

File contains a letter from Frank Squire Welsman. The letter concerns the Toronto Symphony Orchestra, and requests John Daniel Logan's help in promoting and supporting their endeavours.

Welsman, Frank

Correspondence from A.S. Vogt

File contains a letter from A.S. (Augustus Stephen) Vogt, thanking John Daniel Logan for his review of a performance by the Toronto Mendelssohn Choir.

Vogt, Augustus Stephen

Correspondence from Julia Marlowe Sothern

File contains a letter from the English-born American actress Julia Marlowe Sothern thanking John Daniel Logan for sending her and her husband (E. H. Sothern) some of his poetry and inviting Logan to visit them backstage at one of their performances.

Correspondence from R.S. Pigott

File contains a letter from R.S. Pigott of the Toronto Conservatory of Music concerning John Daniel Logan's book, presumably "Preludes: sonnets and other verses" (1906).

Correspondence from Minnie Parlow

File contains a letter from Minnie Parlow, the mother of the Canadian violinist Kathleen Parlow. The letter concerns reviews of her daughter's performance in Toronto.

Correspondence from Nellie Melba

File contains a letter from the Australian operatic soprano Nellie Melba concerning a short poem that John Daniel Logan wrote about her singing. The file includes a copy of the poem as printed in a newspaper. The letter also references a photograph that Melba sent to Logan.

Correspondence from Edouard Hesselberg

File contains an announcement from the Russian pianist, composer, and teacher Edouard Hesselberg sent to John Daniel Logan as the Musical Critic of The Star (in Toronto). The announcement concerns his recent appointment as editor and contributor to the staff of the "International Music and Musicians." The letter was sent in an envelope from The Hambourg Conservatory of Music in Toronto.

Hesselberg, Edouard

Correspondence from Percy Haswell

File contains a letter from the American actress Percy Haswell thanking John Daniel Logan for his newspaper articles on her. The letter is written on letterhead from the R.M.S. Royal Edward.

Correspondence from Boris Hambourg

File contains a letter from the Russian cellist Boris Hambourg concerning Ernest J. Farmer's "Fantasia for cello," the winner of a Canadian Composers competition. The file also includes a program for a series of five concerts given by Hambourg at The Hambourg Conservatory of Music in Toronto (April 14 to May 12, 1925).

Hambourg, Boris

Correspondence from W.H. Greenwood

File contains a letter from W.H. Greenwood, the Managing Director of The Toronto World newspaper, informing John Daniel Logan of his appointment to staff as Musical Critic.

Correspondence from W.O. Forsyth

File contains four letters from the Canadian composer, teacher, and writer W.O. (Wesley Octavius) Forsyth. Three of the letters (dated from 1921) are written on letterhead from the Canadian Academy of Music in Toronto, where he taught from 1919 to 1924. The letters concern setting texts by John Daniel Logan to music and mentions its possible performance by their mutual friends Lucas and Gena Branscombe.

The file also contains a short biography of W.O. Forsyth from the Star Weekly (Toronto, July 1921); a program for a concert by Jessie McAlpine (a student of Forsyth's) at the Canadian Academy of Music; and a program for a concert by the Russian pianist Arthur Friedheim at Massey Hall.

Forsyth, W. O. (Wesley Octavius)

Correspondence from Anna Frery

File contains a letter from the actress Anna Frery, thanking John Daniel Logan for his critique of her performance in Aida by Giuseppe Verdi. The letter is written on letterhead from the Grand Union Hotel Co., Limited.

Correspondence from Julie Opp Faversham

File contains a letter from Julie Opp Faversham (1871–1921), an American stage actress, thanking John Daniel Logan for a poem and his comments about a production of Julius Caesar that she acted in with her husband, William Faversham.

Correspondence from Edward Broome

File contains a letter from Edward Broome. His letter includes information about the activities and performances of the Toronto Oratorio Society and was sent to Logan to be published in the Toronto News.

Broome, Edward

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