File contains two photographs of H. Harris Brown taken in Garden House in Chelsea, London. The photographs show Brown sitting in a room with sculptures and other artwork. The photographs were sent to Arthur Stanley MacKenzie as Christmas greetings.
Item is a photograph of Harris Brown taken in Garden House in Chelsea, London. Harris is sitting on a stool next to an ornate fireplace with a mirror and sculptures. The photograph was sent to Arthur Stanley MacKenzie as a Christmas and New Year greeting card.
File contains correspondence regarding Mr. and Mrs. Richard Sigerson, from [Marie?], to [Unkie?], from [Peter?], [T.? -indecipherable], [Jacques Piccard], Cathy Enright, [Humberto and Alara Gristancho], [Johan], Bruce Kubert, and an invitation from one of Elisabeth Mann Borgese's dogs.
File includes correspondence and agreements with publishers and magazines. Correspondents include Basic Books; Duke University Press; Future; GEO magazine; Interdisciplinary Science Reviews (regarding Borgese's "Mediterranean Project").
File contains correspondence with Pus McCloy, Michael Dempsey (Managing Editor, MacGibbon and Kee Ltd.), Larry Eugene McGinesey (on "The Drama of the Oceans)", and George MacLeod. Also inlcudes a newspaper clipping ("Global Body Urged for Sea Control").
Item consists of correspondence from Owen Bell Jones to Archibald MacMechan, dated January 11, 1917 from the I.O.D.E. Hosptial for Officers in London, updating his recovery, outlining recent pleasure reading, and discussing a chance visit with a friend from Halifax whose discussions reminded Jones that "Victoria Road is after all just around the corner."
File contains a newspaper article on Ballon's performance at the Prom concert series in London, England, and two pages of photocopied news articles on the same performance.
File contains two songs arranged by Kathleen Heron-Maxwell, "Dear Old London" (1926) and "Keep on Hopin'" (1915). Both scores are inscribed by the arranger.
File contains the sheet music for "Dear Old London" with words by D. Eardley-Wilmot and piano music by Kathleen Heron-Maxwell. The score is inscribed to Ellen Ballon and dated June, 1935. The score was published in two keys, B minor and D minor. This version is in D minor.
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
Series comprises correspondence regarding Macdonald's professional and academic involvement with institutions including Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Series also contains correspondence between Ronald St. John Macdonald and individuals including Joseph Philippe Pierre Yves Elliott Trudeau, Paul E. Martin, Jean Chrétien, Elisabeth Mann Borgese, Wang Tieya, A. Donat Pharand, and others.
Subseries contains Ronald St. John Macdonald's correspondence regarding a wide range of subjects, including his visits to China, his research on the teaching of international law at Canadian universities and other topics, the development of various of his books, Dalhousie University, Dalhousie Law School Journal, Dalhousie Law School centenary, the Hague, the United Nations, the Canadian Council on International Law, and many other matters. Subseries contains correspondence between Ronald St. John Macdonald and different individuals, including Paul Martin, Quing-nan Meng, Edgar Gold, Paul Fauteux, Dominique Alheritiere, Tom Hick, R. C. Strother, W.A. MacKay, Wang Fusun, J.D. Kingham, Patti Allen, John Vandermeulen, Rene Jean Dupuy, M.C.W. Pinto, Jacqueline Dauchy, Leo Nevas, Avard Bishop, Charles B. Bourne, John Willis, and many others.
File contains photographs of lanes and pre-revolutionary Charleston architecture; the countryside near Charleston; the Town of Ninety-Six; "up country"; 69 Fox Street; St George's Church, London, UK; and Mahone Bay, Nova Scotia.
Fonds consists of Anthony Pugh's research notes, program notes, annotated sheet music, and performance programs used in his work as a program note writer.
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Leoš Janáček. The file includes four programs used by Pugh in his research and a copy of an excerpt from a score for Janáček's String Quartet No. 2 "Intimate Letters".
File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Ottorino Respighi, Nikolai Rimsky-Korsakov, Gioachino Rossini, Albert Roussel, Franz Reizenstein, and Max Reger. The file also contains three programs that Pugh used in his research from the Théâtre des Champs-Élysées, the Edinburgh International Festival of Music and Drama, and the London Symphony Orchestra.
File contains drafts of program notes by Anthony Pugh pertaining to the music of Ralph Vaughan Williams. The file also includes Pugh's analytical notes on the London Symphony and programs used in his research from the Liverpool Philharmonic Society, Cambridge University Musical Society, and "His Master's Voice" gramophone record. The file also includes two newspaper clippings about Vaughan Williams' performances.
File contains a pamphlet with biographical information on the Aeolian Singers, commendations, and press reviews. The Aeolian Singers included Lynndale Byers (alto); Frank Odell (tenor); James Logue (baritone); and Jack George (bass).
File contains three letters from the British actress Florence Glossop-Harris as well as a short resume of her career. One of the letters and the resume are transcribed and typeset. The letters were all written in response to correspondence from Logan on her performance in various plays. Three of the letters are written on letterhead from The Florence Glossop-Harris Company. The file also includes four postcards feature Glossop-Harris, which were sent to Logan.
Subseries contains Ronald St. John Macdonald's correspondence with different individuals and organizations, including A. Donat Pharand, J. Alan Beesley, Bozidar Bokatic, Charles B. Bourne, Donald A. Kerr, Donald McInnes, Douglas M. Johnston, Edgar Gold, Elisabeth Mann Borgese, Gerald L. Morris, Ivan Leigh Head, John P. Humphrey, John King Gamble Jr., Leslie C. Green, Maxwell Cohen, Wang Tieya, the Canadian Department of External Affairs, the Council of Europe, and others, regarding a wide range of subjects.
