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Thomas Head Raddall fonds Text With digital objects
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Notes regarding Harry Reid Croker's marriage

Item consists of handwritten notes likely drafted by Roy Laurence in 1937, about findings related to Harry Croker's marriage. Item is "Enclosure 3" accompanying correspondence between Thomas Raddall and Roy Laurence.

"Old Sailor's Ballads, Collected by the Late Capt. Fenwick Hatt of Liverpool, N.S."

File contains a transcription of ballads. Includes: "The Frozen Girl," "On the Banks of Newfoundland," "The Worn-Out Sailor," "The Rose of Britons Isle," "The Banks of Brandywine," "The Pride of Glenco," "Sweet Jinny on the Moor," [Untitled], "The Blind Sailor," "The Ship Lady Sherbrooke," "The Cabin Boy," "The Braes of Balquhidder," "The Ramblin' Irishman," "The Desolate Widow," "The Bounty Jumper," "Our Fifer Boy," "The Ghostly Sailors," "The Cumberland," and "Bold Jack Donahue." Includes handwritten annotations by Raddall

"Old Wall-paper in Nova Scotia"

File contains an adaptation of an article of the same title written by Blodwen Davies, printed in the Halifax Herald, May 27,1929, with handwritten notes by Raddall. File also contains an associated article "They Play House with Antiquity" by Claire Van Wart.

Photograph of a flintlock pistol held by Thomas Head Raddall over the logbook of the Spanish ship El Hercules

Item, a photograph, has a stamp marking it copyright to the National Film Board on the reverse side. The El Hercules was captured in the Caribbean by a Liverpool privateer around 1799. The flintlock pistol was found behind the wainscot in the house of Dr. Farish. Farish arrived in Liverpool around 1840, the same time when many of the privateermen from the Napoleonic Wars and the War of 1812 were still living. Dr. Farish's house was later occupied by Dr. John Wickwire between the 1930's to the 1970's. A duplicate copy of the photograph can be found in MS-2-202, Box 54, Folder 10.

Photograph of a man watching the salmon run from the side of a deck

Item, a photograph, is related to MS-2-202, Box 54, Folder 37, Items 1-2 in subseries Thomas Head Raddall's loose photographs. The man in the photograph may be Raddall. There is a message from David Archibald to Raddall reminiscing their trip together to Serpentine River in Newfoundland on the reverse side.

Photograph of a mantel in the Simeon Perkins house before its restoration, with a cupboard overhead, a framed piece of artwork on the wall, and a wooden bust on the table beside

Item, a photograph, is related to material found in Thomas Head Raddall's photograph album, [between 1940 and 1959], MS-2-202, Box 51, Folder 26, Item 3, MS-2-202, Box 51, Folder 41, Item 1, and MS-2-202, Box 55, Folder 22, Item 16 in subseries Thomas Head Raddall's loose photographs. The photograph has a stamp marking it copyright to the Nova Scotia Bureau of Information on the reverse side. The wooden bust on the left was carved by Milton-based woodcarver, George Crouse, whose work was prominent in the 1850's and 60's. Crouse carved figureheads and bow devices for many newly built Liverpool (Nova Scotia) ships. The bust in the photograph is a childhood likeness of Captain Samuel Kempton who also hailed from Milton. Kempton was the skipper of a packet schooner for many years that ran the Halifax - Liverpool - Boston route.

Photograph of a mantel in the Simeon Perkins house before its restoration, with a framed photograph and flags on the mantelpiece, a mirror and a framed piece of art on the wall, and a teapot on a pedestal beside the fireplace

Item, a photograph, is related to material found in Thomas Head Raddall's photograph album, [between 1940 and 1959], MS-2-202, Box 51, Folder 26, Item 3, MS-2-202, Box 51, Folder 41, Item 1, and MS-2-202, Box 55, Folder 22, Item 16 in subseries Thomas Head Raddall's loose photographs. The photograph has a stamp marking it copyright to the Nova Scotia Bureau of Information on the reverse side.

Photograph of a mantel in the Simeon Perkins house before its restoration, with several framed photographs and knickknacks on the mantelpiece, and three framed pieces of artwork on the wall

Item, a photograph, is related to material found in Thomas Head Raddall's photograph album, [between 1940 and 1959], MS-2-202, Box 51, Folder 26, Item 3, MS-2-202, Box 51, Folder 41, Item 1, and MS-2-202, Box 55, Folder 22, Item 16 in subseries Thomas Head Raddall's loose photographs. The photograph has a stamp marking it copyright to the Nova Scotia Bureau of Information on its reverse side.

Photograph of a window in the Simeon Perkins house before its restoration, framed by art pieces on the walls

Item, a photograph, is related to material found in Thomas Head Raddall's photograph album, [between 1940 and 1959], MS-2-202, Box 51, Folder 26, Item 3, MS-2-202, Box 51, Folder 41, Item 1, and MS-2-202, Box 55, Folder 22, Item 16 in subseries Thomas Head Raddall's loose photographs. The photograph has a stamp marking it copyright to the Nova Scotia Bureau of Information on the reverse side, and was taken by Hedley Doty.

Photograph of an empty room with a fireplace, patterned linoleum floor, and pictures pasted on the walls in the Simeon Perkins house prior to its restoration

Item, a photograph, is related to material found in Thomas Head Raddall's photograph album, [between 1940 and 1959], MS-2-202, Box 51, Folder 26, Item 3, MS-2-202, Box 51, Folder 41, Item 1, and MS-2-202, Box 55, Folder 22, Item 16 in subseries Thomas Head Raddall's loose photographs. The photograph has a stamp marking it copyright to the Nova Scotia Bureau of Information on the reverse side.

Photograph of Angelo the courier, Thomas Head and Edith Raddall, and Bleach at the Staat Keller restaurant in Lucerne, Switzerland printed on a postcard

Item, a photograph, is related to MS-2-202, Box 54, Folder 11, Item 5 and MS-2-202, Box 55, Folder 22, Item 12 in subseries Thomas Head Raddall's loose photographs. A note on the reverse side indicates that the restaurant featured a 'sing-song'. The gentleman on the right is identified as Bleach, from South Africa.

Photograph of Archibald ("Grey Owl") Belaney holding a drum with James Espaniel and Gordon Longevin, all wearing Indigenous costume

Item, a photograph, has a stamp marking it copyright to the Province of Ontario Department of Lands & Forests on the reverse side. Grey Owl stands in the middle of the photograph, with James Espaniel on his left, and Gordon Longevin on his right. The date indicates this was near the beginning of Grey Owl's "Indian masquerade".
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