File contains correspondence between Elisabeth Mann Borgese and the following individuals: Sanjay Chaturvedi; Richard V. Carter; Dr. Hans Corell; Lucien Chabason (on the Regional Seas Programme); Krista Singleton-Cambage; Peter Cramer (concerning Thomas Mann); Pietro Carrigliol; Kevin Coady (concerning the death of one of Mann Borgese's dogs); Christopher Corkett (critiquing one of Mann Borgese's talks); Aldo Chircop; Dr. Edward Carr; Senator Alan Cranston; Christo and Jean Claude (outgoing only, includes prints of various art installations); Liara Covert; Winifred Caponigri; Rideau Hall; Pluto Press; Senator Alan Cranston; Ignacio Perez Caldentey; Fernando Henrique Cardoso (President of Brazil); Sergio D. Claure; Dr. Maria della Costa; Richard V. Carter; Erksine Childers; Professor Jonathan Charney; Judge Maurice Caruana Curran (Chancellor of University of Malta); Arthur H. Campeau; H. Reuben Cohen (Chancellor of Dalhousie); Elisabeth Cyran; Hon. David Coore; Ana Luisa Cortez; Frederick Clairmonte; Ingvar Carlsson (Prime Minister of Sweden); and others. Also includes copies of the following papers: "The Training Programme of the International Ocean Institute" by Elisabeth Mann Borgese; "Professionalization of the Field of Marine Affairs" by Aldo Chircop; "NATO's War of Aggression Against Yugoslavia: An Overview by Michel Chessudovsky. Some correspondence may be personal.
File contains photographs of lanes and pre-revolutionary Charleston architecture; the countryside near Charleston; the Town of Ninety-Six; "up country"; 69 Fox Street; St George's Church, London, UK; and Mahone Bay, Nova Scotia.
File includes a photograph of Marq de Villiers' BA diploma from University of Cape Town, a letter regarding a school reunion for the Class of 1957, and a letter to Mrs de Villiers regarding her son's departure from the Boys' Junior School in Wynberg.
Fonds contains correspondence, musical scores (piano and orchestral), photographs, a sketch, harmony notebooks, fliers, programs, newspaper clippings, academic journals, a press book, scrapbooks, and letters of composers. The musical scores include several first edition copies and autograph manuscripts. All personal correspondence is incoming correspondence; no outgoing correspondence is included in this fonds.
Series consists of Edward Kirkpatrick Maclellan and Helen Stewart (Mackay) Maclellan's correspondence, photographs, newspaper clippings, periodicals, booklets, a marriage certificate and a cookbook.
Subseries consists of Helen Stewart (Mackay) Maclellan's correspondence with Jean Stewart Maclellan and David Kirkpatrick Stewart Maclellan; Edward Kirkpatrick Maclellan; and Margaret Jane (MacKenzie) Maclellan and William Edward Maclellan. It also contains her mother's handwritten recipe book.
Fonds comprises the records of William Edward Maclellan and his family's records, including those of including William Edward and Margaret Jane (Mackenzie) Maclellan; Edward Kirkpatrick and Helen Stewart (Mackay) Maclellan; Robert (Bob) William and Delphine Caroline (Wallace) Maclellan; Jean Stewart Maclellan; Robert William Maclellan; and David Kirkpatrick Stewart Maclellan. Record types include correspondence, photographs, films, newspaper clippings, poems, certificates, booklets, periodicals, notebooks and genealogical charts.
Fonds consists of Anthony Pugh's research notes, program notes, annotated sheet music, and performance programs used in his work as a program note writer.
File is a document outlining the International Code of Medical Ethics adopted by the Third General Assemly of The World Medical Association at London, England, October, 1949.
File contains drafts of program notes by Anthony Pugh and research materials concerning the music of Igor Stravinsky. The file includes three programs, as part of Pugh's research material, from the BBC Symphony Orchestra, Liverpool Philharmonic Society, and Edinburgh International Festival.
File contains drafts of program notes by Anthony Pugh pertaining to works by Franz Schubert, and programs that Pugh either contributed to or used in his research. Complete programs included in the file are from the Royal Festival Hall, London, England, and the University of New Brunswick and Saint Thomas University Creative Arts committee.
File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Ottorino Respighi, Nikolai Rimsky-Korsakov, Gioachino Rossini, Albert Roussel, Franz Reizenstein, and Max Reger. The file also contains three programs that Pugh used in his research from the Théâtre des Champs-Élysées, the Edinburgh International Festival of Music and Drama, and the London Symphony Orchestra.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Maurice Ravel, as well as a complete program from a concert at the Fredericton Playhouse (with notes by Pugh) and a program from the London Philharmonic Orchestra, which was used in Pugh's research.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart. The file includes a booklet with handwritten musical examples by Pugh of extracts from Mozart opera overtures. The file also includes two complete programs (with notes by Pugh) for the Cathedral Festival of the Arts (May 21-24, 1987) in Fredericton, New Brunswick and the Mozart Bicentennial Concerts at the University of New Brunswick., and a draft of a letter from Pugh to "Mr. Elliot" about a recent series of broadcasts on the Mozart Piano Concertos.
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Leoš Janáček. The file includes four programs used by Pugh in his research and a copy of an excerpt from a score for Janáček's String Quartet No. 2 "Intimate Letters".
File contains research notes pertaining to Alban Berg, used by Anthony Pugh for the writing of program notes. The file includes photocopied pages on Berg's opera "Woyzeck", a copy of program notes by A.K. Holland and Basil Horsfield for a performance by the Royal Liverpool Philharmonic Society, and a program (with notes) for a concert by the BBC Symphony Orchestra.
File contains drafts of program notes by Anthony Pugh pertaining to the music of Ralph Vaughan Williams. The file also includes Pugh's analytical notes on the London Symphony and programs used in his research from the Liverpool Philharmonic Society, Cambridge University Musical Society, and "His Master's Voice" gramophone record. The file also includes two newspaper clippings about Vaughan Williams' performances.
File contains drafts of program notes by Anthony Pugh pertaining to works by Domenico Scarlatti. The file includes Pugh's chronological analysis of Scarlatti's extant sonatas, annotated copies of the incipits for the sonatas, and correspondence with P. Joan Hymans of the British Broadcasting Corporation about the numbering of the Scarlatti sonatas.
File contains research notes and drafts of program notes by Anthony Pugh concerning the music of Johannes Brahms. The file includes a draft of a program for a performance by the University of New Brunswick Resident Musicians (April 3 and 5, 1973). The file includes notes written by Pugh while he was teaching at the University of London King's College and, later, at the University of New Brunswick.
File contains research and program notes pertaining to Hector Berlioz. The file includes several programs collected by Anthony Pugh from performances by the Liverpool Philharmonic Orchestra and BBC Symphony, as well as a program from a concert by the Atlantic Symphony Orchestra with program notes, presumably written by Pugh. The file also includes drafts of Pugh's program notes, a newspaper clipping on a performance of Berlioz by the Montreal Symphony Orchestra, a postcard from "Kathy" to Pugh featuring a picture of Berlioz, and correspondence from Pugh to Professor Tom Lawrenson at the University of Lancaster about Berlioz's opera "Béatrice et Bénédict."
File contains the sheet music for "Dear Old London" with words by D. Eardley-Wilmot and piano music by Kathleen Heron-Maxwell. The score is inscribed to Ellen Ballon and dated June, 1935. The score was published in two keys, B minor and D minor. This version is in D minor.
File contains the sheet music for "Keep on Hopin'" with words by Frank Stanton and piano music by Kathleen Heron-Maxwell. The score is inscribed to Ellen Ballon and dated June 18, 1935. The score was published in three keys, C Major, E-flat Major, and F-Major. This version is in E-flat Major.
File contains a pamphlet with biographical information on the Aeolian Singers, commendations, and press reviews. The Aeolian Singers included Lynndale Byers (alto); Frank Odell (tenor); James Logue (baritone); and Jack George (bass).
File contains two autographed photographs of the English actor John Martin-Harvey, signed for John Daniel Logan following a performance in Halifax on May 19, 1921. One of the photographs shows him in costume for a role.
File contains a series of prints of paintings and photographs of the English actor Johnston Forbes-Robertson (1853-1937) in and out of costume. One of the prints is autographed by the actor.
File contains an autographed letter from the English dramatist William Schwenck Gilbert, addressed to the actress Mrs. Bernard Beere (Fanny Mary Whitehead). In 1897, she appeared as Lisa in Gilbert's play "Gretchen".
File contains two songs arranged by Kathleen Heron-Maxwell, "Dear Old London" (1926) and "Keep on Hopin'" (1915). Both scores are inscribed by the arranger.
File contains two copies of the program for an exhibition creation by the Cultural Section of the Brazilian Embassy in London (February 19-March 12, 1964). The program includes lists of exhibited items donated by Ellen Ballon.
File contains a newspaper article on Ballon's performance at the Prom concert series in London, England, and two pages of photocopied news articles on the same performance.
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