Fonds contains materials related to the early picnics organized by the committee, including invitations, announcements and mailing lists, guest books, receipts and recipes, and photographs taken at the picnics.
Roscoe A. Fillmore Memorial Picnic Organizing Committee
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).
Fonds consists of: three postcards featuring a photograph of medical residents (ca. 1923/1924) and various diplomas and certificates; two photographs of Dr. Ernest Glenister, dated approximately 1945 and 1960; one photograph of Dalhousie University medical residents, class of 1925.
Fonds consists of clippings and ephemera, photographs, sound recordings, video recordings, and musical scores and lyrics related to the Nova Scotia Mass Choir from 1992 to 2021.
Fonds contains photographs taken by Lionel Simmons during the 1970s, primarily of Neptune Theatre productions, rehearsals and people. The photographic format is overwhelmingly black-and-white negative film, but also includes contact sheets, prints and slides.
Fonds comprises records that illustrate Jill Grant's work as a planning educator and scholar, including her teaching, research, publishing and professional activities. Types of records include lecture notes, presentations and images, teaching evaluations, research notes and data, publishing contracts, editorial correspondence and reviews, manuscripts, drafts and presentation copies of talks and published papers. There is also a series containing Jill Grant's records from the Joint Review Panel established to review a proposal from Bilcon of Nova Scotia Corporation for a basalt quarry at Whites Point, Digby County.
Fonds consists of various personal records, including correspondence, scrapbooks, photographs, slides, negatives, an artifact, and legal and financial records. Some business records from Oland and Son Limited and its affiliated companies are also included.
Fonds consists of administrative and departmental documents pertaining to the University libraries, including records created and collected by Dalhousie prior to the existence of a university library. Records dating prior to the existence of the Killam Library are maintained in a series called Dalhousie College and University Library Early Records.
Fonds consists of administrative records related to the operation of the Dalhousie Arts Centre which includes correspondence, personnel files, reports, and memos; audio-visual materials; minutes, correspondence, and reports related to the Dalhousie Cultural Activities Committee and its sub-committees; financial records which include annual and monthly reports, budget records, payroll reports and other fiscal documents; artistic organization files; photographic records of performers; production, performance and event records that include contracts, news clippings, and promotional materials; as well as publicity materials for the Arts Centre.
Fonds consists of Thomas Cantley's materials accumulated and sometimes annotated by Catherine Campbell in the course of her research on Cantley's life, including correspondence regarding his political and professional activities; correspondence with family members; manuscripts and typescripts; speeches; photographs; financial statements; and other textual records. Fonds also contains records originating with Cantley's family, including correspondence between his children Charles L. Cantley and Marian Cantley, and a letter from Donald F. Cantley to E.W. Sutherland.
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.
Collection contains a wide variety of printed materials created by or related to Dalhousie University, including convocation programs; university calendars; faculty, staff, and biographies; faculty and school histories; newspaper clippings; and many other materials related to the university. Materials span from the mid 19th century to the early 21st century.
Fonds contains business, administrative and production records, including minutes, reports, agreements, photographs, employee seniority lists, accident reports, correspondence and other papers from the Nova Scotia Steel and Coal Company, Trenton Works, and Hawker Siddeley.
Fonds consists of records pertaining primarily to the professional activities of Elisabeth Mann Borgese, focusing on major organizations and projects with which she was affiliated from the beginning of her North American career in the 1940s. The collection includes correspondence, publications and drafts, administrative records, conference materials, sound and video recordings, research materials, photographs, and other materials.
Fonds contains records related to Stephen Pedersen's music teaching, composing and performance activities. Record types include manuscript music scores, sound recordings, posters and programs, contracts and correspondence.
Fonds contains considerable material from the Dalhousie Review from 1950–1953, including correspondence, book reviews and articles pending; correspondence relating to Dalhousie University Faculty of Graduate Studies and Senate; examinations and papers of Dalhousie students (primarily 1930s); correspondence, outlines and galley proofs of Canada Books, I to VI, 1933–1951; correspondence and other material relating to the Down Under Club and Anzac Club (1940s); personal papers, including Bennet's course notes and exams from his days as a Harvard undergraduate; copies of acting scripts; photographs of local theatre productions, the School for the Blind, Dalhousie University English Department, and the first Soviet war bride in England (Nora Murray); and copies of Archibald MacMechan's Late Harvest and E. Ritchie's In the Gloaming.
Fonds consists of records related to CCFA governance and activities. Record types include meeting minutes; committee and sub-committee agendas; membership lists; newsletters; correspondence; reference materials in multiple media; and a large collection of photographic slides, primarily featuring trips organized by the association.
Fonds comprises records documenting Henry Hicks' political career and tenure as president of Dalhousie University, as well as his earlier studies at Oxford University and his military service in World War II. There are also records regarding his stamp collecting hobby, his community service, and his long involvement with associations such as the Rhodes Scholarship Committee. Record types include diaries and appointment books, correspondence, manuscripts, philatelic records, newspaper clippings and photographs.
Fonds consists of fiction, non-fiction and poetry manuscripts, one notebook, leaflets and periodicals, newspaper clippings, and a hardcover copy of The Growing Question, a gardening book published by Fillmore in 1957. Materials relate to Fillmore's interests in horticulture and political activism.
The fonds consists of records that document the administrative and operational activities of the Faculty of Medicine. These include general correspondence, minutes (faculty and departmental), financial records, reports, statistics, administrative relationships, program information, course materials, examination records, newspaper clippings, memorabilia, photographs as well as provide evidence of relationships with outside organizations.
Principally, the material is composed of records from the Dean's Office of the Faculty of Medicine. To facilitate access to the collection the materials have been organized into 17 different series.
Fonds contains records that were created by the Nova Scotia Blueberry Institute from 1982-1998. They include meeting minutes and proceedings of the annual and general meetings, annual reports, correspondence, and photographs.
Collection consists of tools, artifacts, textiles, photographs, pencil sketches, pamphlets, posters, and a video cassette that were collected by Nova Scotia Agricultural College staff through their travels via partnerships with universities and organizations around the world up to the year 2000. Materials reflect agricultural and rural traditions from the areas they were collected in. The artifacts were collected from and photographs taken in Kenya, The Gambia, Ghana, Ethiopia, The Sudani, New Guinea, Angola, Nepal, Malaysia, Thailand, China, Czechoslovakia, Melanesia, Columbia, The Caribbean, and Jamaica.
Fonds contains a transcript of the 1969 interview with Jack Hawkins and Lieutenant Colonel A. (Arthur) W. MacKenzie, former Minister of Agriculture for Nova Scotia and a photograph of MacKenzie from 1946.
Fonds is comprised of Richard (Dick) Morton’s Nova Scotia Agricultural College certificates; photographs (including the NSAC 1952 graduating class photo); a copy of The 50th anniversary of 4-H in Nova Scotia; newspaper clippings; a certificate of recognition and appreciation on Richard Morton’s retirement; Mr. Morton’s obituary; notes of condolence; two personal accounts from friends/colleagues, including Memories of Dick Morton, by Robert Murray, Class of 1952; and an untitled and anonymous poem dated 1978.
Fonds includes published and unpublished papers, correspondence to and from Fred Sears between 1905-1907 while he was Professor of Horticulture at Nova Scotia Agricultural College. The glass negative, lantern slides, and copy negatives and contact prints depict apples and orchard practice around the Agricultural campus and Nova Scotia. Notes on some of the sleeves of the negatives suggest that they date from the period 1898-1907.
Fonds contains periodicals, monographs, photographs, and one artifact related to bees and beekeeping that were created by and/or collected by Endel Karmo.
Collection consists of records with information about individual co-operatives and credit unions in Atlantic Canada, as well as documents from larger region-wide co-operative organizations. There is also a large section of general co-op literature about co-operation as a social movement, in Canada and around the world. There are published books, serials, brochures, reports, photographs and slides, maps, audio and visual material, and artifacts. The age of the materials ranges from the early 1900s up to 2002, the majority spans from the 1950s to the 1990s.
File comprises four letters sent from Fred Thompson to John Bell between July and October, 1976. The letters provide a recounting of Thompson's time in Halifax as a labourer and labour activist and reveal an ongoing discussion between Bell and Thompson regarding labour issues and labour history.
Fonds contains scrapbooks, manuscripts, personal papers, notebooks, offprints and photographs related to George Meyerhoff's career as a geotechnical engineer.
Collection comprises 34 mounted photographs of political demonstrations and protest marches organized by Dalhousie students between 1967 and 1970. The photographs were taken by students for the Dalhousie Gazette and/or Pharos yearbook and were compiled and printed by Stephen Archibald for a show in the Student Union Building in Spring 1971. The scope and content notes for the images are drawn from the background information provided by Stephen Archibald, who writes: "The pictures were taken by young men in their late teens and early 20s who had no formal training, but who were drawn to photography because it provided a visual, aesthetic outlet that was missing from their academic university life. We also had no particular political beliefs or insight. The editors at the Gazette were left-leaning during this period so it is not surprising that we were assigned to photograph demonstrations that were organized, in large part or totally, by Dal radicals."
The photographs were printed and mounted by Stephen Archibald on F5 high-contrast paper to exaggerate their graphic nature, and printed full frame, which gives them a black border. As he explains in his notes, this was part of the contemporary aesthetic, ensuring that the viewer was aware that the images were composed in the frame, with nothing edited or cropped out. Most of the photographs are mounted, and the dimensions provided in the physical descriptions do not include the mount board.
Fonds consists of papers documenting Dr. Stewart's professional career, including files on the Tupper Commission and the Hall Review Commission, research notes on aviation medicine and decompression sickness, correspondence, lectures, books, publications, photographs, and other manuscripts from his personal life and years at Dalhousie University.
Collection consists of a booklet about the history of the No. 7 Stationary Hospital, correspondence of nursing matron Laura Hubley, a book of signatures of the unit's members, and correspondence and a small album containing postcards sent by Sgt. A. Fraser Tupper (who worked with the unit in 1916 and 1917) to his nephew, Ralph Kane.
Canada. Canadian Army Medical Corps. Canadian Stationary Hospital, no. 7
Collection contains over 55,000 glass plate negatives, film negatives, and prints from the Waldren Studios of New Glasgow and Antigonish, Nova Scotia. The majority of these negatives are portraits, nearly all of which are identified and dated. A number of the portraits represent some of the earliest photos of Black Nova Scotians from Pictou, Antigonish and Guysborough counties. Many of the remaining photos are local scenes, a few of which were taken in New Glasgow before the fire in 1874 which devastated the town. The collection contains photographs that depict show coal mining, shipbuilding and other local industries in action. Portraits of family groups, sports teams, social clubs and school groups are also well represented.
Fonds comprises records documenting the genesis and early years of Chebucto Community Net. Record types include meeting minutes and agendas; founding documents (i.e., draft mission statements and terms of reference); press releases and media reports; limited financial information; business plans; and correspondence.
Fonds consists of materials related to Logan’s career (1912-1985), fiction and philosophy manuscripts (1925-1983), published articles (1922-1969), his wide-ranging correspondence (1942-1991), his studies concerning Cree and other languages (1932-1969), autobiographical and biographical works (1929-1982), genealogical studies of his family and others (1955-1984), certificates he received throughout his life (1906-1992), the indices he created for his documents (1949-1986), , his diaries (1930-1980), the journals, fieldbooks, and logbooks he wrote (1907-1960), images he took or collected (1909-1992), and other miscellaneous materials(1934-1983). All textual materials relate to his life, his far-reaching research studies, or his writings.
Collection includes team photographs. Wanderers Grounds was a sporting complex in Halifax, Nova Scotia, which was originally part of the Halifax Commons. The land was used in the 1880s by the Halifax Wanderers Amateur Athletic Club (WAAC) and was their home grounds for the sports of rugby and lawn bowling. Leased to the club in the 1800s, the club failed to pay its lease fees during the Second World War and the land's use reverted to the City of Halifax (Halifax Regional Municipality) who have maintained it since then.
Fonds comprises administration, publicity and production records of 2b theatre company since their inception as Bunnies in the Headlights Theatre in 1999. Records types include manuscripts, correspondence, programs, posters, playbills and photographs.
Fonds contains records documenting the activities, organizations and associations in which Balcom was involved, including the Red Cap Snowshoe Club and the No. 7 Stationary Hospital. Record types include correspondence, newspaper clippings, photographs, memorabilia and parliamentary papers.
