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Meet of the Tandem Club on the Grand Parade in front of the old college : [drawing]

Item is a pen and ink drawing by Lismer copied from an earlier lithograph by W. Eager and contains the Strathmore drawing board platemark in the bottom right corner. It was commissioned for One Hundred Years of Dalhousie, 1818–1918 (1920), and reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938).

Rev. George Munro Grant, D.D. One of the Fathers of Reorganization in 1863 : [drawing]

Item is a portrait of George Munro Grant rendered off-centre in pen and ink on illustration board. Also within the folder is a label originally taped to the drawing that gives its title and "no. 8 —", probably referring to its suggested placement in the order of illustrations that appear in One Hundred Years of Dalhousie, 1818–1918 (1920), the publication for which it was commissioned. The image was reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938) and P.B. Waite, The Lives of Dalhousie University, Volume One, 1818–1925 (1994).

Rev. Allan Pollok, D.D. One of the Fathers of Reorganization in 1863 : [drawing]

Item is an Arthur Lismer portrait of Allan Pollock rendered in pen and ink on illustration board. Also within the folder is a label originally taped to the drawing that gives its title and "no. 9 —", probably referring to its suggested placement in the order of illustrations that appear in One Hundred Years of Dalhousie, 1818–1918 (1920), the publication for which it was commissioned.

Charles Macdonald, M.A. Professor of mathematics, 1863–1901 : [drawing]

Part is an Arthur Lismer portrait of Charles Macdonald rendered in pen and ink on illustration board commissioned for One Hundred Years of Dalhousie, 1818–1918 (1920) and reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938). On the reverse is an unfinished sketch of the same subject.

Rev. Thomas McCulloch, D.D. First president, 1838–1843 : [drawing]

Item is an Arthur Lismer portrait of Thomas McCulloch (based on an 1850 painting by Daniel Munro), rendered in pen and ink on paper and mounted on illustration board. Also within the folder is a partial label originally taped to the drawing that gives its title and "no. 7 —", probably referring to its suggested placement in the order of illustrations that appear in One Hundred Years of Dalhousie, 1818–1918 (1920), the publication for which it was commissioned. The image was reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938).

Drawing of sterling silver fish that adorn the base of the Dalhousie University mace

Item is a pencil drawing of the silver fish that adorn the base of the Dalhousie University mace. The drawing, by R.L. de C.H. Saunders, shows an orthographic projection and a bird's-eye view of the fish, which were added to the mace to recognize the primary source of the local economy. The bird's-eye view shows a seashell between the fish tails that was not incorporated into the mace when it was built by A.H. MacMillan.

Drawing of circular scene at the base of the Dalhousie University mace

Item is a pencil drawing by R.L. de C.H. Saunders that shows Saunders' design for a circular scene carved into the base of the Dalhousie University mace. The drawing shows the "deep gutter between sky and sea" and a sea nymph "calling across the waves toward the setting sun in representation of the impulse that led navigators to sail westward to our shores."

Drawing of circlet of mayflowers carved into the head of the Dalhousie University mace

Item is a pencil drawing by R.L. de C.H. Saunders. The drawing illustrates Saunders' design for a circlet of mayflowers that adorns the head of the Dalhousie University mace. The mayflowers symbolize the province and the "flowering new civilization therein which led to the establishment of the university."

Drawing of Scottish earl's coronet carved into the head of the Dalhousie University mace

Item is a pencil drawing by R.L. de C.H. Saunders. The drawing illustrates Saunders' design for the five-rayed Scottish earl's coronet that adorns the head of the Dalhousie University mace. The drawing includes measurements and other notes written in pencil. The coronet is included in the mace "in recognition of the University founder, the 9th Earl of Dalhousie." This part of the mace was carved into a piece of oak cut from the estate of the Earl of Dalhousie.

Drawing of the sterling silver Celtic cross that adorns the head of the Dalhousie University mace

Item is a pencil drawing by R.L. de C.H. Saunders. The drawing illustrates Saunders' design for the sterling silver Celtic cross that adorns the head of the Dalhousie University mace. The drawing includes measurements and other notes written in pencil. The Celtic cross is set atop the cap of the coronet that forms the uppermost part of the mace head.

Drawing of the sterling silver Celtic cross that adorns the head of the Dalhousie University mace

Item is a pencil drawing by R.L. de C.H. Saunders. The drawing illustrates Saunders' design for the sterling silver Celtic cross that adorns the head of the Dalhousie University mace. The drawing includes measurements other notes written in pencil. The Celtic cross is set atop the cap of the coronet that forms the uppermost part of the mace head. This drawing shows the University motto "Ora et Labora" and the five points of the coronet surrounding the Celtic cross.

Wanted : posters and theatre or music programs for the theatre archives in the Killam Library at Dalhousie University

File contains a poster that solicits posters and programs from Nova Scotia theatre and music organizations for the theatre archives at the Killam Library at Dalhousie University. Another version of this poster is discussed in Kathryn Harvey and Michael Moosberger's article, Theatre Archives' Outreach and Core Archival Functions, Archivaria 63 (Spring 2007): 35–54.
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