Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.
Fonds comprises Murray Brown's research and teaching-related records, including notes, annotated drafts of papers, presentations and reports, abstracts, correspondence, funding applications and reports, as well as administrative papers and employment records and contracts.
Fonds consists of Thomas Cantley's materials accumulated and sometimes annotated by Catherine Campbell in the course of her research on Cantley's life, including correspondence regarding his political and professional activities; correspondence with family members; manuscripts and typescripts; speeches; photographs; financial statements; and other textual records. Fonds also contains records originating with Cantley's family, including correspondence between his children Charles L. Cantley and Marian Cantley, and a letter from Donald F. Cantley to E.W. Sutherland.
Fonds comprises records documenting J. Graham Morgan's role as a faculty member of Dalhousie's Department of Sociology, including his work with the Dalhousie University Senate Library Committee and ad hoc Strategy Sub-Committee. Records include a report, a meeting notice, meeting minutes, correspondence, and course outlines examinations and assignments. Fonds also contains his correspondence regarding the Society for Social Studies of Science and Environmental Studies Association of Canada meeting held in Halifax, Nova Scotia, and a 2004 curriculum vitae.
Fonds consists of administrative records related to the operation of the Dalhousie Arts Centre which includes correspondence, personnel files, reports, and memos; audio-visual materials; minutes, correspondence, and reports related to the Dalhousie Cultural Activities Committee and its sub-committees; financial records which include annual and monthly reports, budget records, payroll reports and other fiscal documents; artistic organization files; photographic records of performers; production, performance and event records that include contracts, news clippings, and promotional materials; as well as publicity materials for the Arts Centre.
Fonds consists of administrative and departmental documents pertaining to the University libraries, including records created and collected by Dalhousie prior to the existence of a university library. Records dating prior to the existence of the Killam Library are maintained in a series called Dalhousie College and University Library Early Records.
Fonds consists of documents created and collected by the Khyber Art Society that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events.
Fonds comprises records created and collected by Paul Cram that document his work as a composer and musician. Record types include primarily music scores and parts — printed and handwritten — composed by Paul Cram for orchestra, small ensemble, jazz quartet and solo instruments. There are also sound recordings (CD and cassette tape) and posters and programs.
Collection contains correspondence and an article, some are from Nova Scotia Agricultural College principals, or faculty, topics cover early education, the Canadian fruit trade, and trotting.
Fonds contains records ca. 1970-2014 documenting Sandy Moore's professional life as a composer and musician. Records include primarily scores and working notes as well as administrative records such as project proposals and grant applications. There are a limited number of audio-visual materials, primarily cassette recordings.
Fonds consists of correspondence; printed material, including exhibition pamphlets; research and correspondence pertaining to silver, heraldry; manuscripts; family papers; Mackay's own artwork; artist files; and reference materials.
Fonds consists of reports and publications, most written by George Retson, related to the economics of farming in Canada. Topics include strawberries, apples, dairy, milk, hogs, poultry, livestock production, and others, across mainly Atlantic Canada between 1948-1976.
Collection contains tractor and farm equipment manuals that were collected and used by staff of the Nova Scotia Agricultural College for equipment used on the campus in the 20th Century. Included with the manuals were approximately 100 black and white photographs of fields and crops that need to be inventoried.
Fonds consists of various personal records, including correspondence, scrapbooks, photographs, slides, negatives, an artifact, and legal and financial records. Some business records from Oland and Son Limited and its affiliated companies are also included.
Fonds comprises records that illustrate Jill Grant's work as a planning educator and scholar, including her teaching, research, publishing and professional activities. Types of records include lecture notes, presentations and images, teaching evaluations, research notes and data, publishing contracts, editorial correspondence and reviews, manuscripts, drafts and presentation copies of talks and published papers. There is also a series containing Jill Grant's records from the Joint Review Panel established to review a proposal from Bilcon of Nova Scotia Corporation for a basalt quarry at Whites Point, Digby County.
File contains two microfilm reels with ca. 550 pages of records from the Malagash Salt Mine Worker's Union and the Oil Chemical and Atomic Workers International Union, Local 9-823 (1937-1946; 1958-1968). Materials include Malagash Salt Mine Workers' Union minute books (1946-1959), the union charter (1941), collective agreements (1943, 1948, 1950-1954, 1956-1957, 1959, 1961-1967). Microfilm also contains collective agreements of the Oil Chemical and Atomic Workers International Union (1969-1973), the constitution of the Oil Chemical and Atomic Workers International Union (1970) and miscellaneous papers (1952-1972).
Fonds contains material relating to the personal life and professional career of Bill Freedman (1950-2015), an environmental scientist based at Dalhousie University. Fonds includes research data, teaching materials, publications, manuscripts and draft manuscripts, correspondence, committee and meeting minutes, electronic records, analogue and digital photographs, thousands of 35 mm slides, video cassettes, and appointments and awards.
Fonds contains photographs taken by Lionel Simmons during the 1970s, primarily of Neptune Theatre productions, rehearsals and people. The photographic format is overwhelmingly black-and-white negative film, but also includes contact sheets, prints and slides.
File contains records of grocers D. Logan and Company Store, including invoices (1881-1883); cancelled cheques (1918); price lists; day books (1872-1900); correspondence (1872-1876); postcards (1877); ledgers (1872-1900); bills; and newspaper clippings.
Fonds consists of clippings and ephemera, photographs, sound recordings, video recordings, and musical scores and lyrics related to the Nova Scotia Mass Choir from 1992 to 2021.
Fonds consists of three microfilm reels of business records and a photocopied excerpt of a furniture catalogue. No original materials are included . Materials include three volumes of ledgers (1880-1904), bills of lading (1886-1898), correspondence (1884, 1896-1897, 1891, 1915, 1922), mail contracts (1870-1871, 1881, 1883-1885), lists of voters (1890-1892, 1898, 1899), and engravings of furniture by Glendyer Mills (1875-1877).
Collection contains three historic maps collected by George Burden. The maps depict Cape Breton and Louisbourg, Nova Scotia. Burden acquired the maps from Zwicker's Gallery in Halifax, Nova Scotia.
File consists of three studio master recordings by Secret Treaties: Tell Me; You Won't Get Through; and Caught Up In The Race. The songs were recorded at Solar Audio and Recording in Dartmouth, Nova Scotia, March 5-7, 1986. Includes textual sheet with technical information about the songs on the reel.
Fonds contains records created by James Doull in the course of his thinking, writing and teaching about the culture of ancient Rome, ancient, medieval and modern philosophy, and twentieth-century politics. The majority of the records are notes and manuscripts, handwritten in blank examination answer books. There is also a lesser number of both typed and printed manuscripts.
Item is a paper on the history of hospitals in Pictou, Nova Scotia written by Annie Barnwell to commemorate the official opening of the Sutherland-Harris Memorial Hospital.
Item is a daily diary (January-May 1902) containing Davison's notes about work meetings, travel, the weather, oxen, and various mishaps. The final entry of the journal occurs on May 13, 1902.
Fonds consists of: three postcards featuring a photograph of medical residents (ca. 1923/1924) and various diplomas and certificates; two photographs of Dr. Ernest Glenister, dated approximately 1945 and 1960; one photograph of Dalhousie University medical residents, class of 1925.
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).
Fonds contains materials related to the early picnics organized by the committee, including invitations, announcements and mailing lists, guest books, receipts and recipes, and photographs taken at the picnics.
Roscoe A. Fillmore Memorial Picnic Organizing Committee
Fonds consists of documents related to McCurdy Printing. While the company’s job books make up the majority of the fonds, it also contains some miscellaneous photographs and maps.
Fonds consists of Marjorie Stone's records illustrating her professional involvement with the Dalhousie University English Department, Dalhousie University Graduate Faculty Review Committee, Dalhousie Women Faculty Organization, and the Women's Action Coalition of Nova Scotia. Record types include correspondence, meeting minutes and reports.
Fonds includes a small portion of Vickery's business correspondence with authors and publishers. Fonds also includes several letters to Katherine Vickery Kay regarding the Yarmouth Historical Society.