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Dalhousie physiotherapy 2001

Item is a copy of the 2001 Dalhousie University School of Physiotherapy yearbook.

Graduates from the program included: Nancy Banh, Giselle Beaton, Jan Benedict, Marcel Billard, Tracy Bourque, Alison Brown, Lana Champion, Mike Chislett, Shannon Cormier, Maureen Cronin, Alissa Decker, Michelle Dunbar, Deanne Elms, Lindsay Fitzpatrick, Dominic Gauvin, Nadine Grace, Amy Hendsbee, Moire Hogg, Matt Keith, Aaron Lake, Darcy Lawley, Michelle Lawrence, Marc MacDonald, Robbie MacDonald, Tara MacDonald, Katie MacFarlane, Jeff MacLean, Jennifer McNutt, Holly Melanson, Kim Morgan, Maria Murphy, Terri Murphy, Lisa Rector, Christina Roussie, Stephanie Russell, Jennifer Ryan, Troy Seely, Eric Sutherland, Erika Sykora, Michelle Toussaint, Angela Tuton, Peter Walton, Caroline Webber, Cassie White, and Mark Williams.

Dalhousie : the alumni magazine / winter 2001

  • MS-1-Ref, Box 23, Folder 2, Item 2
  • Item
  • 2001
  • Part of Dal Magazine

Item is a copy of Dalhousie: The Alumni Magazine (Volume 17, Number 3), the official periodical of the Dalhousie Alumni Association, published three times a year. The issue features stories about the value of an arts or social sciences education in a high-tech world; Dalhousie Olympians; and Dalhousie's commitment to research.

Correspondence with Judge Abdul Koroma

File contains correspondence with Judge Abdul Koroma, of the Permanent Mission of the Republic of Sierra Leone to the United Nations. Correspondence concerns International Ocean Institute and Pacem in Maribus conferences, the need for ratification of UNCLoS (United Nations Convention on the Law of the Sea), a nomination for Judge Koroma to sit on the International Court of Justice, a series of letters sent out in advance of the Preparatory Committee meeting of 1986 (PrepCom), and the continued need for a new international economic order in the 1990s.

Correspondence with Alyn Ware

File contains correspondence with Alyn Ware, Consultant at Large for the Lawyers' Committee on Nuclear Policy. Includes a copies of two papers by Ware ('Returning to the World Court: Notes on Possible Avenues for Follow-up Action in the International Court of Justice on Nuclear Disarmament," and "Nuclear Denizens of the Deep: Can we Prohibit Them?"), discussion surrounding bill introduced in the New Zealand parliament ("Nuclear Free Zone Expansion"), along with a copy of the bill, a speech by Elisabeth Mann Borgese on the bill, and a paper by Mann Borgese titled "Ocean Governance."

Nasca lines : the condor flashcard

Item is a graphic representation of the condor geoglyph from the Nazca Desert, Peru. The conductor implements this flashcard in part 5 of the composition to indicate that an instrument group (string quintet, percussion, voice, sax quartet, or wind quintet) should attempt to mimic or follow the improvisations of their fellow musicians. The flashcard is double-sided.

Guy, Barry

Nasca lines : the pelican flashcard

Item is a graphic representation of the pelican geoglyph from the Nazca Desert, Peru. The conductor implements this flashcard in part 5 of the composition to indicate that an instrument group (string quintet, percussion, voice, sax quartet, or wind quintet) should improvise using "slow/ sustained" articulations. The flashcard is double-sided.

Guy, Barry

Nasca lines : part 4 : [full score]

Item is a complete conductor's score for part 4 of Nasca Lines, predominantly in standard notation with the exception of the last two pages, which are in graphic notation. Part 4 uses pitch-class set sequences and features the wind ensemble (flute, oboe, clarinet, trumpet, and bassoon) with significant inputs from piano and percussion. The time signatures change regularly and include some mixed meters.

Guy, Barry

Nasca lines : part 7 : [full score]

Item is a complete conductor's score for part 7 of Nasca Lines, in standard notation and graphic notation. The conductor uses this score in conjunction with flashcards that indicate different improvisational styles; these flashcards are no longer part of Upstream's Music Score Library. This section of the composition revisits material from parts 2, 4, and 6.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 4 : flute

Item contains the flute part for part 4 of Nasca Lines in standard notation. Item also includes a copy of the last two pages of the full score for part 4, which have graphic notation. The flute part features extended techniques, including quarter tones and multiphonics, and has frequent meter changes.

Guy, Barry

Nasca lines : performance notes

Item contains a copy of the performance notes for Nasca Lines. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 3A : [full score]

Item is a black and white copy of the full score for part 3A of Nasca Lines in graphic notation. A rectangle in the centre of the score features the same image as part 3, an aerial representation of an area of the Nazca Desert in Peru with the condor geoglyph in the middle. Radiating outward from the central rectangle are seven sections, each featuring a graphical representation of one of the Nazca Lines geoglyphs and phrases from Alan Davie's texts and/or a tone row. The geoglyphs included are the hands, pelican, spider, monkey, condor, and two unidentified glyphs. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score.

Guy, Barry

Nasca lines : part 4 : clarinet in B-flat

Item contains the clarinet part for part 4 of Nasca Lines in standard notation. The clarinet part features extended techniques, including quarter tones and multiphonics, and has frequent meter changes. Item also includes a copy of the last two pages of the full score for part 4, which have graphic notation.

Guy, Barry

Nasca lines : part 7 : [full score]

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 7 : [full score]

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : performance notes

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 7 : [full score]

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles. The score was used by [Jim Faraday] for the premiere of the composition.

Guy, Barry

Nasca lines : part 5 : [full score]

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (green for the rhythm section) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 5 : [full score]

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (blue for the string quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 2 : [full score]

Item is a copy of the score used by the violist for part 2 of Nasca Lines, in mixed graphic and standard notation. Sections of notated music are interspersed with improvised moments, and the violist employs extended techniques like circular bowing. A section of the viola part from page 13 is taped to the top of page 14 and below the viola line on page 16.

Guy, Barry

Nasca lines : part 5 : [full score]

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (blue for the string quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 7 : [full score]

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles. Two sections from the string parts of part 2 of Nasca Lines have been taped over sections of the score.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 5 : [full score]

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (blue for the string quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

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