Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 2, "Kiss my Hands." The sketch shows six figures, three of whom are wearing military uniforms and holding weapons. The other three figures are wearing pajamas and appear to be a mother, father, and son. The father's hands are bound and he is being led away by one of the military people.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 3, "Necessity for Prost. in Advanced Societies." The sketch shows one male figure and three female figures standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 4, "Reasons for the Fall of Emperors." The sketch shows three male figures in different military uniforms. The figures are standing together with a desert and a tent in the background.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 6, "The Dumb Woman's Ecstasy." The sketch shows one female figure and two male figures standing together and wearing costumes. One of the male figures is holding a bag that says "La Coutlier de la Torture."
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 7, "She Sees the Argument - But..." The sketch shows three female figures in grey work uniforms standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 8, "The Unforeseen Consequences of a Patriotic Act." The sketch shows two figures in red-brown robes and one female figure in a white and gold robe with a parasol.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 9, "The Philosophical Lieutenant and the Three Village Women." The sketch shows one male figure sitting in a chair with three women in black around him. One of the woman is threatening him with a knife behind him. There is also another male figure in the distance.
Item is a watercolour set design for Dalhousie Theatre's production of the Taming of the Shrew. The sketch shows on large illustration of the stage surrounded by four smaller illustrations of the stage, each with a different set.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for the cafeteria in act I, scene II. The sketch shows a table with chairs around it. There are notes about the design on the front and back of the sketch.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The sketch shows four men standing together and masturbating. File also contains a black and white photocopy of the sketch.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for Jan's basement in act II, scene IV. The sketch shows a large poster of a rock star with several seats and cushions in front of it. There are notes about the design on the front and back of the sketch.
Item is a marker sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for the Rydell High gym decor in Act I scene I. The sketch shows a large sign that says "Rydell High Welcomes Class of '59."
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for outside the gym at Rydell High in act I, scene II. The sketch shows a large door with steps in front of it and a sign that says "GYM." There are notes about the design on the front and back of the sketch.
Item is a set design sketch for Dalhousie Theatre's 1984 production of Grease. The design is for the Rydell High sign. The sign reads "Rydell High Welcomes Class of '59." The lettering on the sign is printed while the rest of the design is executed with pen and markers.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for Sandy's bedroom in act I, scene IV. The sketch shows a bed with a heart-shaped headboard and a canopy. There are additional sketches and notes on the back of the sketch.
Item is a watercolour sketch for "Democracy 250," the pre-show for the 2008 Nova Scotia Royal International Military Tattoo. The sketch shows several figures in historical dress re-enacting a street scene.
Item is a watercolour sketch of a set design for Dalhousie Theatre's 1989 production of little Mary Sunshine. The sketch shows the entire stage design, with a teepee, a cabin, several pine trees, and a sign reading "Colorado Inn."
File contains correspondence about the Dr. Basil Cooke Award, a lecture schedule, correspondence from students, a list of student addresses, a memorandum about the faculty academic priorities ranking process, departmental meeting agenda and minutes, student assessment of instruction forms, unit reviews and unit review responses. The file includes reference letters for Mark De Coste; Freda Larade; Gail Worobey; Beata Slesinski; and Amanda Stapells. The file also contains letters from Avery Anderson; Monique B. Moffatt; Vivien Lau; James A. W.; Alison West; Tanya Shaw; and Patsy, which are mostly letters accepting invitations to return to the program.
File contains a program and review from a production of "Ruddigore" by the Savoy Society of McGill; an open letter about the proposed phase out of music and theatre at Dalhousie University; documents and a program from the Paris American Academy; a photograph of Pierre Trudeau watching a woman weaving at the Fortress Louisbourg; correspondence and a job posting from the University at Buffalo Department of Theatre and Dance; Robert Doyle's curriculum vitae from 1985; submissions to the Writers Federation 15th Annual Atlantic Writing Competition; "Tan, the Tartan Teddy" by Robert Doyle; and "Teddy MacBear" by Doyle Robertson (Robert Doyle's pen name). The file also contains a plastic folder that holds two Sackville crest patches; designs for military logos; and a program for Musikkorps der Fallschirmjager.
