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Archival Description
Dalhousie University Archives Dalhousie University. Faculty of Arts and Social Sciences. Department of Theatre. Nova Scotia
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Costume design for Parasite

Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called the Parasite. The sketch shows a male figure wearing the costume.

Costume design for Fly

Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called the Fly. The sketch shows a male figure wearing the costume.

Costume design for Princess of France

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Princess of France and the sketch shows one figure wearing the costume. There are also notes about three ladies in waiting on the sketch. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for 2 and 4 "Muscovites"

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for two Muscovites and the sketch shows two figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Mercade

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Mercade and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for King of Navarre

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the King of Navarre and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Jaquenetta

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Holofernes and Sister Nathaniel

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Holofernes and Sister Nathaniel and the sketch shows two female figures wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for the Forester

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Forester and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Don Armado

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Don Armado and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for a scholar

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a scholar and the sketch shows one figure wearing the costume.

Costume design for Jaquenetta

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume.

Costume design for Boyet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Boyet and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Moth, a page to Don Armado

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a page named Moth and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Princess of France

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for princesses named Rosaline, Katherine, and Maria and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Dumaine, Longanville, Berowne

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Dumaine, Loganvialle, and Berowne and the sketch shows three figures wearing the costumes. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Dull, a constable

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a constable named Dull and the sketch shows one figure wearing the costume and holding an umbrella. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Ladies in Waiting

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for three ladies in waiting and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Costard the Clown

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Costard the Clown and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Henry, Sabine, and Mother Metz

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three characters named Henry, Sabine, and Mother Metz. The sketch shows Henry and Mother Metz leaning on a cart full of corpses while Sabine sits on top of it.

Costume design for the Flotes

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for characters called the Flotes. The sketch shows three figures wearing the costumes. One of the figures is playing a horn and another is sitting on the ground.

Costume design for Flagelants and Grez

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for characters called the flagelants and another character called Grez. The sketch shows Grez looking on while two flagelants flagellate themselves.

Costume design for Evaline

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Evaline. The sketch shows one female figure wearing the costume.

Costume design for Bonville and Madame Bonville

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for two characters named Bonville and Madame Bonville. The sketch shows one male figure and one female figure wearing the costumes.

Costume design for Boutros Brother #2

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his right leg. The sketch shows one figure wearing the costume and leaning on a crutch.

Costume design for Boutros Brother #1

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his left leg. The sketch shows one figure wearing the costume and leaning on a crutch.

Costume design for Viennet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Viennet, a lawyer plague victim. The sketch shows one male figure wearing the costume.

Costume design for various townspeople

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three townspeople. The sketch shows two male figures and one female figure wearing the costumes. One of the male figures is mooning the audience.

Costume design for Bigod

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Bigod. The sketch shows one figure wearing the costume.

Costume design for Camille and Marie

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two whores or courtesans named Camille and Marie. The sketch shows two female figures wearing the costumes.

Costume design for Father Toulon and Archbishop Monselet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Father Toulon and Archbishop Monselet. The sketch shows two male figures wearing the costumes.

Costume design for three lepers

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three lepers. The sketch shows three figures wearing the costumes, two standing and one kneeling.

Costume design for Sonnerie

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Sonnerie. The sketch shows one figure wearing the costume.

Costume design for Scarron and Druce

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Scarron and Druce, the Raven Corpse Bearers (Bekrers?). The sketch shows two figures wearing the costumes and holding crooks.

Costume design for Sir Charles Rochefort

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Sir Charles Rochefort. The sketch shows one male figure wearing the costume and holding a sword.

Costume design for the Pope Clement VI

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Pope Clement VI. The sketch shows one figure wearing the costume and holding a scepter.

Costume design for Marguerite Delair

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Marguerite Delair. The sketch shows one female figure wearing the costume.

Costume design for Le Grue

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Le Grue. The sketch shows one male figure wearing the costume and holding a staff.

Costume design for Lefranc and Pellico

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Lefranc and Pellico. The sketch shows two male figures standing behind a cart full of gold.

Costume design for Dr. Antrechau

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are Dr. Antrechau, a quack doctor, as well as Cistercian monks, Flote, and his friends. The sketch shows a male figure wearing one of the costumes and standing with his hand on his head beside three figures wearing monk costumes.

Costume design for Gayman's good clothes

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1994 production of The Lucky Chance. The costume is "good clothes" for a character named Gayman. The sketch shows one male figure wearing the costume. There are fabric swatches attached to the sketch.

Costume design for Gayman

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1994 production of The Lucky Chance. The costume is for a character named Gayman "in reduced circumstances." The sketch shows one male figure wearing the costume.

Costume design for Sir Cautious Fulbank

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1994 production of The Lucky Chance. The costume is for a character named Sir Cautious Fulbank "in full sail." The sketch shows one male figure wearing the costume. There are fabric swatches attached to the sketch.

Costume design for Everywoman

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1994 production of The Lucky Chance. The costume is for a character called Everywoman. The sketch shows one female figure wearing the costume. There are fabric swatches attached to the sketch.

Costume design for Everyman

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1994 production of The Lucky Chance. The costume is for a character called Everyman. The sketch shows one male figure wearing the costume. There are fabric swatches attached to the sketch.

Costume design for Edward Bredwell

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1994 production of The Lucky Chance. The costumes are for a character named Edward Bredwell and for the "business as usual" transformation. The sketch shows one male figure wearing a black suit and purple wig and another figure with a bald head wearing a corset and stockings.

Costume design for Harry Bellmour

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1994 production of The Lucky Chance. The costume is for a character named Harry Bellmour. The sketch shows one female figure wearing the costume as well as a detail of his cloak. There are fabric swatches attached to the sketch. The sketch is covered by a clear plastic sheet which is taped on around the edges with masking tape.

Costume design for Bearjest

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1994 production of The Lucky Chance. The costume is for a fop named Bearjest. The sketch shows one male figure wearing the costume. There are fabric swatches attached to the sketch. The sketch is covered by a clear plastic sheet which is taped on around the edges with masking tape.

Costume design for Rags

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1994 production of The Lucky Chance. The costume is for a character named Rags. The sketch shows one male figure wearing the costume.

Costume design for Leticia

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1994 production of The Lucky Chance. The costume is for a character named Leticia. The sketch shows one female figure wearing the costume.
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