Fonds comprises records related to Raymond's investment in the Henry House restaurant, including correspondence, financial statements, menu designs, architectural drawings and construction records. Other records include Dalhousie Review poetry correpondence.
Accession consists of Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; scripts and production papers; costume sketches by unknown artists for Dalhousie Drama productions; and fourteen photographs of Dalhousie Drama plays.
Fonds contains textual records relating to the history of the activities of the Dalhousie University English Department and to Bevan's academic activities. The fonds consist of research notes generated during Bevan's study of Dryden's literature; academic and departmental correspondence and documentation created while Bevan was head of the English department and afterwards; documents and correspondence relating to operations at the Dalhousie Review from 1972-1980; fiction and other writings; material pertaining to courses he taught from 1949 to 1976; and various undated papers written by his students.
Fonds contains considerable material from the Dalhousie Review from 1950–1953, including correspondence, book reviews and articles pending; correspondence relating to Dalhousie University Faculty of Graduate Studies and Senate; examinations and papers of Dalhousie students (primarily 1930s); correspondence, outlines and galley proofs of Canada Books, I to VI, 1933–1951; correspondence and other material relating to the Down Under Club and Anzac Club (1940s); personal papers, including Bennet's course notes and exams from his days as a Harvard undergraduate; copies of acting scripts; photographs of local theatre productions, the School for the Blind, Dalhousie University English Department, and the first Soviet war bride in England (Nora Murray); and copies of Archibald MacMechan's Late Harvest and E. Ritchie's In the Gloaming.