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Dalhousie University Archives File Music
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Letters from Charles -Francois Gounod

File contains two letters written by the composer Charles Francois Gounod. Both letters are numbered (322 and 327) in pencil for an auction.

Gounod, Charles-Francois

Letter from Jacques Offenbach

File contains an autographed letter from Jacques Offenbach as Director of the Theatre des Bouffes Parisiens, addressed to "Monsieur le Baron" (likely Georges-Eugène Haussmann, commonly known as Baron Haussman).

Offenbach, Jacques

Letter from John Philip Sousa

File contains an autographed letter from John Philip Sousa, written on his letterhead from the Marine Band and Orchestra, Washington, D.C. The letter is stored in a folder and includes a copy of a photograph of Sousa from 1895 .

Sousa, John Philip

Letter from Giuseppe Verdi

File contains an autographed letter from Giuseppe Verdi, addressed to his publisher in Paris, Léon Escudier.

Verdi, Giuseppe

Autographs and letters from various composers

File includes a postcard with a black and white photograph of Pietro Mascagni (1863-1945), an Italian opera composer. The postcard has various signatures on the front, including Francesco Marconi (1855-1916, operatic tenor from Rome) and four other illegible signatures. The postcard is addressed to Frau Dr. Lehnsern(?) of Berlin. File also includes the incipits of three pieces by Ignaz Moscheles (1794-1870), signed at dated October 3, 1844. There are also five letters written by the following composers: Jacques Offenbach (1879), Gustav Mahler (1899), Edvard Grieg (1902), Maurice Ravel (1921), and Ignacy Paderewski (n.d., 1860-1941).

Letter from Franz Liszt

File contains a letter written by Franz Liszt to an unidentified person, accompanied by a typed transcription. The letter addresses the publication of some of his songs by Schott, and his cousin, Mlle. Liszt.

Liszt, Franz

Correspondence regarding Pit Pony audio book

File contains correspondence with Janet and Joyce Barkhouse about making an audio book version of Pit Pony. The file includes pricing for the book, sales, an agreement, and a photograph of Joyce Barkhouse with the book, and a newspaper clipping. The file also includes correspondence relating to a song by Rosalee Peppard written for Joyce Barkhouse.

Research and program notes pertaining to Berlioz

File contains research and program notes pertaining to Hector Berlioz. The file includes several programs collected by Anthony Pugh from performances by the Liverpool Philharmonic Orchestra and BBC Symphony, as well as a program from a concert by the Atlantic Symphony Orchestra with program notes, presumably written by Pugh. The file also includes drafts of Pugh's program notes, a newspaper clipping on a performance of Berlioz by the Montreal Symphony Orchestra, a postcard from "Kathy" to Pugh featuring a picture of Berlioz, and correspondence from Pugh to Professor Tom Lawrenson at the University of Lancaster about Berlioz's opera "Béatrice et Bénédict."

Program notes, essays, handouts, and correspondence pertaining to Berlioz

File contains program notes, a short essay, and a handout on Hector Berlioz's Symphonie Fantastique. The file also includes correspondence from David F. Bell regarding Pugh's submission to a Nineteenth-Century French Studies Colloquium at Duke University (Durham, North Carolina) and from Professor H.W.W. Warman of the University of Lancaster inviting Pugh to deliver a lecture on Berlioz's Symphonie Fantastique.

Research and program notes pertaining to Korngold

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Erich Wolfgang Korngold, which were featured in the New Brunswick Summer Music Festival of August 20-26, 1995. The file includes the program for the festival, Pugh's program notes, and correspondence between Robert Kortgaard from the Centre for Musical Arts, University of New Brunswick and the Erich Wolfgang Korngold Society, and Kortgaard and Cambria Master Recordings and Publishing. Kortgaard was the Director of the Music Festival.

Research and program notes pertaining to Liszt

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Franz Liszt. The file also includes two, longer, handwritten papers on Liszt's Piano Concerto No. 1 in E-flat and his Piano Sonata in B minor, and a letter (dated November 2, 1964) to Pugh from the British Broadcasting Corporation regarding his potential for a contributor to "Interpretations on Record," produced by Robert Layton.

The Ring of Nibelung by Wagner : an essay by Anthony Pugh

File contains typescript drafts of Anthony Pugh's last essay on The Ring Cycle by Richard Wagner. Some of the pages include handwritten annotations by Pugh. The file also includes a note from Mary Pugh about the essay and a printout of an email From Anthony Pugh to Adrian Hoffman relating to the essay and Pugh's book on Proust's manuscripts.

Correspondence and programs from Marc Sabat

File contains correspondence from Marc Sabat of the Tempest String Quartet (also including Sheila McDonald, Anthony Rapoport, and Katja Linfield) regarding their performances in Fredericton, New Brunswick. The file also includes a copy of the press release for their June 8, 1988 concert, and a copy of the program from the concert.

Research and program notes pertaining to Scarlatti

File contains drafts of program notes by Anthony Pugh pertaining to works by Domenico Scarlatti. The file includes Pugh's chronological analysis of Scarlatti's extant sonatas, annotated copies of the incipits for the sonatas, and correspondence with P. Joan Hymans of the British Broadcasting Corporation about the numbering of the Scarlatti sonatas.

Research notes, newsletters, correspondence, and programs

File consists of various research materials on music collected by Anthony Pugh. The file includes the newsletter of the New Brunswick Registered Music Teachers' Association (January 1972); correspondence from the Institute for Bach Studies; list of music positions and organizations in the Fredericton area; a chronological list of music compositions; and two program notes written by Anthony Pugh.

Research and program notes pertaining to Elgar

File contains research notes and drafts of program notes by Anthony Pugh on Edward Elgar. The file also includes a newspaper clipping about Elgar , a letter from "Bill" concerning LP recordings, and programs gathered by Pugh for Elgar research, including one from a performance of Elgar's "The Apostles" by the Liverpool Philharmonic Orchestra and the Liverpool Welsh Choral Union, conducted by Sir Malcolm Sargent.

Research and program notes for composers G to L

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.

The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.

Research and program notes for composers M to L

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Frank Martin, Bohuslav Martinu, Nicolas Medtner, Gian Carlo Menotti, Darius Milhaud,Michael R. Miller, Klaro Mizerit, Pierre Mercure, Ernest John Moeran, Modest Mussorgsky, Nicolai Paganini, Ricardo Pick-Mangiagalli, Oskar Morawetz, Henry Purcell, Jules Massanet, Gaetano Pugnani, Michael Parker, and Francis Poulenc. The file also contains a program for the New Brunswick Summer Music Festival (August 21-24, 2002), for which Pugh wrote program notes, and programs used by Pugh in his research, including those from the Edinburgh International Festival of Music and Drama, the Liverpool Philharmonic Society, and the National Youth Orchestra of Canada. The file also contains two letters from Michael R. Miller to Anthony Pugh about a reading by Allan Cooper at the Fredericton Playhouse premiere performance of Quintet Equinox by Canadian composer Michael R. Miller.

Research and program notes pertaining to Mozart

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart. The file includes a booklet with handwritten musical examples by Pugh of extracts from Mozart opera overtures. The file also includes two complete programs (with notes by Pugh) for the Cathedral Festival of the Arts (May 21-24, 1987) in Fredericton, New Brunswick and the Mozart Bicentennial Concerts at the University of New Brunswick., and a draft of a letter from Pugh to "Mr. Elliot" about a recent series of broadcasts on the Mozart Piano Concertos.

Research and program notes pertaining to Canadian composers

File contains drafts of program notes by Anthony Pugh and research material pertaining works by the following composers: Violet Archer, Wolfgang Bottenberg, Derek Healey, Francis Chaplin, Irving Glick, Jacques Hetu, Bruce Mather, Rodolphe Mathieu, Roger Matton, Pierre Mercure, Michael Miller, Francois Morel, Oskar Morawetz, Clermont Pepin, Andre Prevost, Godfrey Ridout, R. Murray Schafer, Robert Turner, Richard Gibson, Ann Southam, Healey Willan, F.R.C. Clarke, Alasdair MacLean, and Janis Kalnins. The file also includes programs from concerts at the University of New Brunswick (UNB) and Christ Church Cathedral in Fredericton, and correspondence sent to the board members for the Summer Chamber Music Festival at UNB.

Correspondence with Mark Altman regarding Song for the Mira

File contains correspondence between Budge Wilson and Mark Altman of Morning Music regarding rights to reference "Song for the Mira" in "A Fiddle for Angus." The file also contains a copy of the song, for piano and voice, by Allister MacGillivray.

Concerts in historic settings

File contains records about the Heritage Trust's concert series, for which Stephen Pedersen was musical director, including a 1979 annual report of the Heritage Trust; small posters; and a newspaper clipping. There are also notes and a script for An Evening with Adele Hugo in Halifax, and correspondence with Nimbus Publishing about the possibility of a book and cassette series based on the concert series.

Halifax Explosion Memorial Evening

File contains notes, a script, correspondence, and newspaper clippings regarding a Halifax Explosion Memorial Evening held at St. George's Anglican Church, Halifax, with musical direction by Stephen Pedersen.

Atlantic Camera Trio

File contains correspondence, promotional materials, newspaper clippings, programs and notes related to the Atlantic Camera Trio and other groups with which Stephen Pedersen performed.

Early concert programs and reviews

File contains recital and concert programs and reviews from Stephen Pedersen's student days; a copy of the National Composers' Competition of the Jeunesses Musicales of Canada entry rules; and a letter of rejection from the Canadian Music Centre. There are also programs for two flute seminars.

Gonfalons for two flutes

File contains scores, textual notes and a letter addressed to "Daedalus" acknowledging his entry—"Gonfalons for Two Flutes"—in the Centennial Competition for Canadian Student Composers.

Concert programs, reviews and promotional records

File contains correspondence, posters, programs and contracts for recitals and concerts in which Stephen Pedersen performed solo, with his wife, Virginia Beaton, and with groups including Scotia Winds, Chebucto Symphony Orchestra, Atlantic Symphony Orchestra and the Hamilton Philharmonic Orchestra Symphony.

Documents related to Nova Scotia Mass Choir

File contains documents related to the Nova Scotia Mass Choir in 1994.

Documents include newspaper clippings, correspondence, programs, and ephemera related to the Southern Christian Leadership Conference in Dallas, Texas, the sixteenth annual Financial Post Business in the Arts Awards ceremony

File also includes membership lists and a report by choir president, Linda Carvery.

Documents related to Linda Carvery

File contains documents related to Linda Carvery.

Documents include programs, ephemera, correspondence, magazine clippings, and newspaper clippings related to Black Focus magazine, Linda Carvery receiving an honourary degree at Saint Mary's University in 1998, Halifax Festival of the Arts, Halifax Jazz Festival, East Coast Music Association awards, Neptune Theatre productions, Ladies in Blue concerts, Martin Luther King concerts with the Nova Scotia Mass Choir, Linda Carvery’s appointment to citizenship judge, the album release for “Yesterday / Today”, election campaign material, and others.

Correspondence from Edna F. Anderson

File contains a letter from Edna F. Anderson to John Daniel Logan about booking concerts in Nova Scotia venues and includes proposed programs for two Halifax concerts featuring the Boston Symphony Ensemble. The folder includes biographical information about the ensemble and its conductor, Augusto Vannini, and several concert programs for the Boston Symphony Ensemble.

Correspondence from Edward Broome

File contains a letter from Edward Broome. His letter includes information about the activities and performances of the Toronto Oratorio Society and was sent to Logan to be published in the Toronto News.

Broome, Edward

Correspondence from John Burgoyne

File contains a letter from John Burgoyne. The letter includes "A Musical Reminiscence" for consideration for inclusion in John Daniel Logan's column in the Evening Echo (a Halifax newspaper). The reminiscence is about a harp owned by the artist A.T. Barrett.

Correspondence from Daniel O'Connell

File contains two letters from Daniel O'Connell, the secretary of the Halifax Musicians' Protective Association (American Federation of Musicians, Local 470). The letters concern Logan's invitation and acceptance into the association.

Correspondence from W.O. Forsyth

File contains four letters from the Canadian composer, teacher, and writer W.O. (Wesley Octavius) Forsyth. Three of the letters (dated from 1921) are written on letterhead from the Canadian Academy of Music in Toronto, where he taught from 1919 to 1924. The letters concern setting texts by John Daniel Logan to music and mentions its possible performance by their mutual friends Lucas and Gena Branscombe.

The file also contains a short biography of W.O. Forsyth from the Star Weekly (Toronto, July 1921); a program for a concert by Jessie McAlpine (a student of Forsyth's) at the Canadian Academy of Music; and a program for a concert by the Russian pianist Arthur Friedheim at Massey Hall.

Forsyth, W. O. (Wesley Octavius)

Correspondence from Boris Hambourg

File contains a letter from the Russian cellist Boris Hambourg concerning Ernest J. Farmer's "Fantasia for cello," the winner of a Canadian Composers competition. The file also includes a program for a series of five concerts given by Hambourg at The Hambourg Conservatory of Music in Toronto (April 14 to May 12, 1925).

Hambourg, Boris

Correspondence from Edouard Hesselberg

File contains an announcement from the Russian pianist, composer, and teacher Edouard Hesselberg sent to John Daniel Logan as the Musical Critic of The Star (in Toronto). The announcement concerns his recent appointment as editor and contributor to the staff of the "International Music and Musicians." The letter was sent in an envelope from The Hambourg Conservatory of Music in Toronto.

Hesselberg, Edouard

Correspondence from Henry L. Gillespie

File contains a letter from Henry L. Gillespie of Werba and Luescher Attractions at the New York Theatre Building. The letter was written on behalf of his wife, Christie MacDonald, to inform Logan of her upcoming performance in a new opera "Sweethearts" by Victor Herbert, Harry B. Smith, and Robert B. Smith. The letter also mentions a photograph of MacDonald that Werba and Luescher would send to Logan.
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