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Archival Description
Halifax Regional Municipality (N.S.) Subseries
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Alumni News

Subseries contains 55 volumes of Alumni News, covering the period 1920–1984. Volume and issue numbering varied over time.

Dalhousie Alumni Association

Dalhousie University School of Physiotherapy yearbooks: Dalhousie Physiotherapy; Physio; Dalhousie University Physiotherapy; and Dalhousie University School of Physiotherapy yearbook

Subseries contains the Dalhousie University School of Physiotherapy yearbooks covering the years 1982, 1984-1988, 1991-1996, 2000-2004, 2007-2009, 2011: The yearbook's title has varies over time and includes: Dalhousie Physiotherapy; Physio; Dalhousie University Physiotherapy; and Dalhousie University School of Physiotherapy yearbook.

Dalhousie University. School of Physiotherapy

New man

File contains textual records pertaining to Kenneth Leslie's religio-political publication New-Man.

Correspondence with friends and researchers

Subseries contains handwritten and typed correspondence sent to Kenneth Leslie, from his friends, supporters, and fellow researchers. Subseries also contains a few pieces of correspondence written by Leslie.

Essays and interviews of Kenneth Leslie

Subseries contains essays written by Kenneth Leslie when he was a student at both Dalhousie University and Harvard University. Subseries also contains interview transcripts, research notes, and brief biographical sketches written by Leslie.

Dalhousie Theatre : Grease

Files contains six set designs and 27 costume designs for Dalhousie Theatre's 1984 production of Grease. Photocopies of several of the costume designs are included and three of the costume designs are only present in photocopy form. Some of the costume designs have fabric swatches attached. Four envelopes of fabric swatches are also included.

Dalhousie Theatre : Happy End

File contains 17 costume designs for Dalhousie Theatre's 1989 production of Happy End. The sketches have all been torn into irregular shapes, mounted on corrugated cardboard, and spray painted with a brick pattern.

Dalhousie Theatre : The Lucky Chance

File contains thirteen watercolour sketches of costume designs for Dalhousie Theatre's 1994 production of the Lucky Chance. Each sketch shows a costume design for one character from the performance. Three of the sketches are covered by a clear plastic sheet which is attached on all four sides with masking tape.

Dalhousie Theatre : Shakespeare's Women

File contains 26 costume designs from Dalhousie Theatre's 1990 production of Shakespeare's Women. Six of them are watercolour sketches and the rest are pencil sketches. The file also contains two photocopies of one of the sketches and three pages of notes about the sketches. The first 18 sketches were drawn on the same pad of paper and are stored between the covers of that pad of paper. There are some drawings on the cover of the pad of paper. Some of the sketches have fabric swatches attached.

Dalhousie Theatre : St. Carman of the Main

File contains 21 costume designs for Dalhousie Theatre's 1990 production of St. Carman of the Main. The title of the play may actually be spelled "St. Carmen of the Main." Ten of the sketches are cut out and mounted on corrugated cardboard, with collages of newspaper articles in the background. The other eleven sketches are pencil and coloured pencil sketches on heavyweight paper.

Dalhousie Theatre : The Trojan Women

File contains fifteen costume design for Dalhousie Theatre's 1992 production of The Trojan Women. Twelve of the designs are watercolour sketches and three are pencil sketches.

Promotional materials

Subseries contains records relating to the promotional, fundraising, sponsorship, and marketing activities of the Upstream Music Association. Records include membership advertisements and surveys, correspondence with media outlets, and information brochures about the organization.

Nasca lines

Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.

The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.

Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.

Records from the Africville relocation project

Subseries contains records created during a study of the forced migration of residents of Africville. The study was sponsored by the Nova Scotia Department of Public Welfare, in association with the Department of National Heath and Welfare, and conducted by Don Clairmont and Dennis Magill for the Institute of Public Affairs (project number 552-21-2). Records in this subseries primarily document the research activities of Don Clairmont and Dennis Magill that led to the publication of the 1971 Africville relocation report. Materials include genealogical information on former residents of Africville, responses to a questionnaire run by Don Clairmont and Dennis Magill , interview files, newspaper clippings, sound recordings, correspondence, and other material.

Dalhousie Theatre : Love for Love

File contains fifteen watercolour sketches of costume designs for Dalhousie Theatre's 1989 production of Love for Love. Each sketch shows one character wearing their costume. The sketches are all cut out and mounted on dark orange matboards. Most of the sketches have a clear plastic sheet taped over them for protection.

Dalhousie Theatre : Mandragola

File contains nine costume designs for Dalhousie Theatre's production of Mandragola. The sketches show many mask designs for characters from the production as well as some full-body costume designs.

Dalhousie Theatre : Moliere

File contains sixteen watercolour and gouache sketches of costume designs for Dalhousie Theatre's production of Moliere. A collection of handwritten notes about the costumes is also included.
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