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Archival Description
Halifax (N.S.) Subseries
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Dalhousie University yearbooks

Subseries contains yearbooks published by Dalhousie University students between 1927 and 1998. From 1929 until the 1990s, the yearbooks were largely printed under the title Pharos, a reference to the destroyed lighthouse in ancient Alexandria.

Women's Health Educational Network

Sub-series consists of materials from the Women's Health Education Network Conference [WHEN] 1989, 1992, 1993, and materials from the WHEN 11th annual conference.

Records regarding Peking University and Dalhousie University Law School

Subseries contains handwritten notes, annotated typescripts, correspondence, pamphlets, booklets, a copy of the agreement between Peking University International Law Institute and University Rotterdam GLODIS Institute of the Faculty of Law regarding a research and teaching program, a copy of the Canadian-Chinese programme in international and comparative law between Dalhousie University Faculty of Law and Peking University College of Law, a preliminary proposal for a joint research and education project on international law and human rights between Peking University International Law Institute and the University of Ottawa Human Rights Research and Education Centre, and other materials.

Dalhousie Theatre : Grease

Files contains six set designs and 27 costume designs for Dalhousie Theatre's 1984 production of Grease. Photocopies of several of the costume designs are included and three of the costume designs are only present in photocopy form. Some of the costume designs have fabric swatches attached. Four envelopes of fabric swatches are also included.

Dalhousie Theatre : Happy End

File contains 17 costume designs for Dalhousie Theatre's 1989 production of Happy End. The sketches have all been torn into irregular shapes, mounted on corrugated cardboard, and spray painted with a brick pattern.

Dalhousie Theatre : The Lucky Chance

File contains thirteen watercolour sketches of costume designs for Dalhousie Theatre's 1994 production of the Lucky Chance. Each sketch shows a costume design for one character from the performance. Three of the sketches are covered by a clear plastic sheet which is attached on all four sides with masking tape.

Dalhousie Theatre : Shakespeare's Women

File contains 26 costume designs from Dalhousie Theatre's 1990 production of Shakespeare's Women. Six of them are watercolour sketches and the rest are pencil sketches. The file also contains two photocopies of one of the sketches and three pages of notes about the sketches. The first 18 sketches were drawn on the same pad of paper and are stored between the covers of that pad of paper. There are some drawings on the cover of the pad of paper. Some of the sketches have fabric swatches attached.

Dalhousie Theatre : St. Carman of the Main

File contains 21 costume designs for Dalhousie Theatre's 1990 production of St. Carman of the Main. The title of the play may actually be spelled "St. Carmen of the Main." Ten of the sketches are cut out and mounted on corrugated cardboard, with collages of newspaper articles in the background. The other eleven sketches are pencil and coloured pencil sketches on heavyweight paper.

Dalhousie Theatre : The Trojan Women

File contains fifteen costume design for Dalhousie Theatre's 1992 production of The Trojan Women. Twelve of the designs are watercolour sketches and three are pencil sketches.

Nasca lines

Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.

The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.

Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.

Promotional materials

Subseries contains records relating to the promotional, fundraising, sponsorship, and marketing activities of the Upstream Music Association. Records include membership advertisements and surveys, correspondence with media outlets, and information brochures about the organization.

Ronald St. John Macdonald’s correspondence by decades

Subseries contains Ronald St. John Macdonald's correspondence with different individuals, including John Holmes, Paul Martin, Maxwell Cohen, Roland Michener, D.W. Fulford, Donald S. Macdonald, Charles B. Bourne. Christine Boyle, Donald E. Buckingham, David R. Chipman, Innis Christie, H.C. Charles, George F. Curtis, Audrey Davis, L.C. Green, and others, regarding a wide range of subjects.

Republic of Cyprus

Subseries consists of Ronald St. John Macdonald's records regarding his consultation work for the Republic of Cyprus. Subseries contains a draft constitution for the Federal Republic of Cyprus, bulletins, newspaper clippings, reports, and other materials.
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