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File Women musicians English
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Photographs of Louise Edvina Edwardes

File contains an autographed photograph of the Montreal-born opera singer Louise Edvina Edwardes (nee Martin), known by her stage name "Madame Edvina." File also contains a print of Louise Edvina in costume from the opera "Tosca" by Giacomo Puccini. Logan's notes on the reverse side of the print and at the bottom of the photograph indicate that she was known for her creation of the title role of Louise in an opera by Gustave Charpentier.

Correspondence from Kathleen Parlow

File contains two letters from the Canadian violinist Kathleen Parlow concerning reviews of her performances by John Daniel Logan and Logan's poetry. One of the letters (dated April 19, 1912), mentions the sinking of the Titanic in passing. One of the letters originally contained two photographs of Parlow, one for the press and one for Logan.

Parlow, Kathleen

Correspondence from Minnie Parlow

File contains a letter from Minnie Parlow, the mother of the Canadian violinist Kathleen Parlow. The letter concerns reviews of her daughter's performance in Toronto.

Correspondence from Hilda Roberts

File contains a letter from the singer Hilda Roberts. The letter contains an overview of her performances to date in anticipation of a concert in Halifax. The file also contains a series of testimonials from Manlio Di Veroli, Musical Director of the Opera House in Rome and the London Opera House, who taught Roberts in London.

Britain calls : [lyrics]

File contains a newspaper clipping and letters to Edith J. Archibald concerning her song "Britain Calls," which was written for the Royal Canadian Regiment during World War One. The newspaper clipping includes the text, but not the music, of the song. The letters are from G.A. LeCain, Lieutenant-Colonel of the Commanding 25th Battalion; George Murray, Provincial Secretary; and Evelyn Starr, professional violinist of New York City. An inscription by Edith J. Archibald at the top of the letters reads, "This song, dedicated to the Royal Canadian Regt. has made their 'marchpost' and I am told by an officer of that Regt. that is was played and sung daily during the war. He himself said it had keeped [sic] the men when on the tramp, 'over many a weary mile.'"

Archibald, Edith Jessie

God bless our Canada : A national anthem : [choral score]

File contains the sheet music for Edith J. Archibald's "God Bless Our Canada" and a manuscript version of the English lyrics for the anthem by Archibald. The song is written in F Major for four-voice chorus (soprano, alto, tenor, and bass) and piano with lyrics in English and French.

Archibald, Edith Jessie

Programs from Orpheus Hall

File contains the program and texts from the songs of "The Flower Queen" or "The Coronation of the Rose: A Cantata in Two Acts" by George F. Root, which was presented at Orpheus Hall on September 13 and 14, 1887. The performances featured Miss. B. Lownds, Mr. King Pooley, Mr. C.J. Ross, Mr. J.R. Forbes, Miss. Taylor, Miss. E. Pickford, Miss. H. Gossip, Miss. E. Wier, Miss. B. Salter, Miss. M. Partridge, Miss. Forbes, Miss. G. Taylor, Miss. Ward, Miss. G. Smithers, and Miss. A. Nichols.

Photographs of Christie MacDonald

File contains three photographs of the opera singer Christie MacDonald of the Montreal Opera Company. One of the photographs shows her in costume for "The Spring Maid" by Heinrich Reinhardt, and another in costume as Marguerite for the "Jewel Song" in "Faust" by Charles Gounod for the Montreal Opera Company.

Correspondence from Henry L. Gillespie

File contains a letter from Henry L. Gillespie of Werba and Luescher Attractions at the New York Theatre Building. The letter was written on behalf of his wife, Christie MacDonald, to inform Logan of her upcoming performance in a new opera "Sweethearts" by Victor Herbert, Harry B. Smith, and Robert B. Smith. The letter also mentions a photograph of MacDonald that Werba and Luescher would send to Logan.

Correspondence from Addie MacKay

File contains a letter from Addie MacKay concerning a hymn that she composed with words by her sister, requesting that John Daniel Logan publish it in the Halifax Herald.

Programs from the Halifax Ladies Musical Club

File contains two programs with performances by members of the Halifax Ladies Musical Club: "An Evening with Canadian Creative Composers" with a lecture by Dr. J.D. Logan (November 1, 1921) and a "Debate" between the old masters and modern composers (November 21, 1922). File also contains two programs presented by the Club, for performances by the Hart House String Quartet (Geza de Kresz, Harry Adaskin, Milton Blackstone and Boris Hambourg) (November 28, 1924) and the Hambourg Trio (Greza de Kresz, Reginald Stewart, and Boris Hambourg) (January 11, 1924).

Program from Nelson Hall

File contains two copies of a program for a recital given by Mrs. Chester MacDonald (soprano), Julius Silverman (violin), and Mrs. H.W. Dodwell (piano), presented by the Local Council of Women. The date of the recital has been revised from November 25, 1924 to December 9, 1924.

Correspondence from Christie MacDonald

File contains one letter and a Christmas card from Christie MacDonald. The letter apologizes for missing John Daniel Logan and his wife when she was in Toronto.

McDonald, Christie

Programs from the Auditorium

File contains two programs from concerts given at the Auditorium on Barrington Street in Halifax, Nova Scotia. The programs are for a "Weekly Twilight Recital" given by the New Edison Diamond Disc Phonograph (April 30, 1920); and Frances Pelton Jones (harpsichord) and Rose Seguin (soprano), presented by the Halifax Ladies' Musical Club (September 24, 1919) (3 copies).

Programs from the School for the Blind

File contains programs for the following recitals presented at the Halifax School for the Blind: Michel Sciapiro (violin), presented by the Halifax Ladies' Musical Club; Mildred Dilling (harp), with Rose E. Seguin (soprano) and orchestra (conducted by L. Dorothea Webb); and an organ and vocal recital with unknown performers.

Programs from the Majestic Theatre

File contains musical and theatrical programs for performances by Florence Glossop-Harris company; The Dumbells; Halifax Choral Union and Conservatory Orchestra, directed by Ifan Williams; Boston English Opera Company; Martin Harvey and N. de Silva; F. James Carroll Players; Boston Symphony Ensemble, directed by Augusto Vannini; Madame Germaine Schnitzer and George M. McDonald, accompanied by Marjorie Payne; and the Halifax Philharmonic Society.