File contains unsigned letter of appointment to Catherine Banks from Faculty of Arts & Social Sciences, Dalhouise University to teach THEA 3600.06 "The Playwright in the Theatre" for the period September 1-30, 2011.
File contains six contracts related to Home First Production's 2010 production of the play Home by Colleen Wagner. Contracts are between Home First Productions and Mary Vingoe (director), Karren Bassett, John Beale Jr., Mary-Colin Chisholm, David Hughes, and Sarah English (performers). File also includes a letter from the Canadian Actors' Equity Association and a copy of the association's independent artists projects policy.
File consists of records for various contracts and agreements for Catherine Banks' plays, including It is Solved By Walking, Bone Cage, The Mountain and The Valley, Miss N Me, and the publication "The Man Who Ate the Last Fish" and the monologue entitled "The Big Money."
Records consist of contracts with Playwrights Canada Press, Sarasvati Productions, White Rooster Theatre/HomeFirst Productions, Theatre Yes, McGraw-Hill Ryerson, Broad Minds Productions/Urban Curvz Theatre, letters of agreement for the Banff Playrights Colony, Downstage Performance Society, and Tant per Tant. File also includes agreements for Stratford Shakespeare Festival, Catalan Theatre Festival, the director's and actor's agreement for the Missy and Me workshop at Thorns and Roses Theatre, and rental agreements.
File contains a copy of Budge Wilson's short story "The Dandelion Garden : A Modern Fable for Elderly Children," as it appeared in the "Integrated Language Arts Anthology" (1995) for Grade 6 students, and two copies of the Permissions Request form from ScottForesman to Budge Wilson for the non-exclusive reprint rights to this short story (originally published in her anthology "The Dandelion Garden and Other Stories").
File contains a copy of a letter from Budge Wilson to Kathy Markou from CBC, including Wilson's agreement that gave CBC permission to adapt her short story "The Canoe Trip" for use on CBC radio.
File contains unsorted correspondence with different individuals, including James A. Gibson, Peter MacKinnon, Frank Iacobucci, James C. MacPherson, Allahyar Mouri, Stephen M. Schwebel, Maxwell Cohen, H.W.Arthurs, Emile K.M. Yakpo, Doug Kirkpatrick, Antonio Cassese, Madeleine Proulx, Rudolf Bernhardt, Mohamed Munavvar, Carl-august Fleischhauer, Suse Schwarzenberg, Anne McLellan, Douglas M. Johnston, John Godfrey, Ted McWhinney, Christian Dominice, Edwin A. Goodman, Bill Graham, Michael Oliver, James Otieno Odek, Hugh Paton, Bruce P. Archibald, Jessica Carroll, Juan Antonio Carrillo Salcedo, Ronald S. Wood, Doug McArthur, Charles B. Bournes, Edgar Gold, J.P. Gardner, and others, regarding a wide range of topics. File includes Lester B. Pearson College of the Pacific annual report of 1997, Lester B. Pearson College of the Pacific newsletter of January 1997, University of Toronto Law School Faculty Council meeting agendas and meeting minutes, World Academy of Art and Science newsletter of March 1993, the British Institute of International and Comparative Law newsletter of January 1991, the American Society of International Law newsletters, the Group of 78 newsletter of May 1993, the African Society of International and Comparative Law newsletter of January 1990, a Dalhousie University Faculty of Law full-time staff contact list of 1973, a photograph of Ronald St. John Macdonald with Maxwell Bruce and an unidentified man in 1999, a photograph of Ronald St. John Macdonald with James Otieno Odek in 1994, an agreement between Canada Live in trust with Doubleday Canada Limited regarding the book "Canada live: English Canada speaks out", newspaper clippings, handwritten notes, and other materials.
Series consists of Leslie E. Haley's materials regarding his involvement with the Summer Science Institute project. Series includes vouchers, a list of contracts, invoices, a list of candidates and research projects, reports, and other textual records. For an unknown reason, this project was referred to in the records by different names, including the Summer Science Institute, Emerging Technology Institute, Summer Science Institute for Teachers, Emerging Technology Summer Institute, and Emerging Technology Summer School.
Subseries contains documents relating to the operation of Morton House, a residence and hospice in Halifax operated by CARAS for persons living with HIV/AIDS. Morton House was established in 1988 and closed in the early 2000s.
Item consists of records related to proposals, agreements, and press releases for the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery in September 1989.
Item consists of a document containing phased scheduling for the installation of computer systems by Bryan McLennon at the Dalhousie Arts Centre in 1987, as well as related invoices.
Item consists of an April 1987 agreement contract between Bryan McLennon and the Dalhousie Arts Centre around establishing computer systems in the Arts Centre.
File contains outlines for five stories ("Brenton Street Stories") for Brenton Films; a treatment for one of the stories, "An Act of Charity"; notes and manuscript drafts of the screenplay; a contract and correspondence regarding the remittance; and two newspaper clippings.
File contains five annotated manuscript copies of Only the Old and Dying, a radio drama commissioned and broadcast by CBC Radio in 1988. File also contains a story outline, contract, and notes.
File contains outlines, treatments and multiple drafts of "Testing the Waters," a half-hour television drama for Border Films. File also includes research notes, editorial notes, a contract and expense claims.
File contains handwritten notes, annotated typescripts, correspondence, pamphlets, booklets, a copy of the agreement between Peking University International Law Institute and University Rotterdam GLODIS Institute of the Faculty of Law regarding a research and teaching program, a copy of the Canadian-Chinese programme in international and comparative law between Dalhousie University Faculty of Law and Peking University College of Law, a preliminary proposal for a joint research and education project on international law and human rights between Peking University International Law Institute and the University of Ottawa Human Rights Research and Education Centre, and other materials.
Fonds consists of records created by Symphony Nova Scotia in the course of its regular business activities. The majority of the records were created during the process of concert-planning, including special concerts, annual concerts, tours, and concert series. These records include artist contracts, marketing and development documents, internal memos, and correspondence with artists and sponsors.
Records also consist of internal management records, including personnel records, office management files, and the files of the Board of Directors, Executive Director, and Chief Executive Officer. The financial administration of the Symphony is documented though budgets, statements, ledgers, and tickets sales data.
The fonds also contains concert programs and promotional material such as posters, advertisements, flyers, newsletters, and other publications. The final section of the fonds consists of audiovisual and graphic material. There are audio recordings of performances and interviews of Symphony personnel as well as video recordings of advertisements and performances. The graphic material includes promotional photographs and photographs of the orchestra.
File contains correspondence and clippings from 1981 to 1986 related to Quing-nan Meng's studies at Dalhousie University, with correspondence between Ronald St. John Macdonald, Meng Qing-nan, Wang Fusun, Edgar Gold, Sachiko Kuwabara, Joseph C. Wheeler, Elisabeth Mann Borgese, John Vandermeulen, J.D. Kingham, David A. Golden, H.L. O'Brien, Peter Hoffman, S.P. Jagota, Michael Waldichuk, Sergio Gonzalez Galves, Kenneth Leffek, Danford Middlemiss, W.H. Charles, and W.A. Mackay.
Also includes the text of a memorandum agreement between Dalhousie Law School and the Institute of International Law at the University of Beijing and Procedures for the Approval of Institutional Cooperation Programmes between Canadian and Chinese Institutions.
File contains six manuscript copies of For Independence, broadcast by CBC Radio in 1982. File also contains a contract, correspondence and a chronology outlining the evolution of the script and its production.
File contains unsorted correspondence with different individuals, including Lyman R. Robinson, Bruce P. Archibald, K.V. Raman, Mark A. Roy, Manfred Lachs, Blair Seaborn, G.V. La Forest, Leon E. Trakman, Jules Deschenes, H. Scott Fairley, Luzius Wildhaber, Horace Krever, Margaret H. Ogilvie, A. Watts, Dawn A. Russell, D.H.N. Johnson, John King Gamble, Choon-ho Park, Lorenne M.G. Clark, John Willis, Gerald-A. Beaudoin, Bin Cheng, Finlay MacDonald, Roma Andrusiak, Irving Abella, Anne Bayefsky, Gerald K. Helleiner, Brian Mulroney, May Lui, Robert D. Watt, Joseph W. Samuels, Douglas Lambert, Eugene Forsey, R.J. Moores, B.S. Chimni, Jimmy Carter, Taslim O. Elias, Joseph Caron, Volodymyr Butkevych, Judith A. LaRocque, Bertha Wilson, Stewart McInnes, William R. Slomanson, Hector Gros Espiell, Rudolph Bernhardt, Timothy Wilson, Murray Fraser, Wang Tieya, Richard L. Evans, Julien S. Mackay, R.K. Dixit, Marie-Helene Boyle, Frank Iacobucci, Nicholas d'Ombrain, Hans Corell, Henry J. Bourguignon, Charles B. Bourne, Luo Haocai, Irene Courage, Frau Ulrike Dorr, Peter Weiss, K. Venkatta Raman, Detlev F. Vagts, Vladimir Semenov, Charlotte Ku, Donat Pharand, Keith B. Jobson, Gabriel Warren, W.Z. Estey, and others, regarding a wide range of topics. File includes the University of Victoria Faculty of Law newsletter vol. 3, 4, and 5 of February 1983, April 1984, and May 1985, the Canadian Council on International Law meeting minutes, Dalhousie University Faculty of Graduate Studies meeting minutes, Dalhousie University Senate meeting minutes, Dalhousie University Executive Committee meeting minutes, Dalhousie University Faculty Council meeting minutes, Dalhousie University Joint Committee on Faculty Salary Data Base report of March 1990, DFA Dialogue vol. III, no. 10, of April 1990, the Canadian Council on International Law bulletin vol. 11, no. 1, of September 1984, the African Society of International and Comparative Law newsletter no. 7 of June 1992, the American Society of International Law newsletter of January and February 2003, Foundation for International Human Rights by-laws, World Academy of Art and Science by-laws of February 1988, two photograph of Ronald St. John Macdonald - in which in one of them his sister Mairi Macdonald is present - in Ottawa during an unidentified ceremony in Ottawa, ON, a photograph of a newspaper article about C.P.R. Chief, the editor's agreement between Koninklijke Brill NV., Douglas M. Johnson, and Ronald St. John Macdonald regarding the book "towards world constitutionalism: issues in the legal ordering of the world community" of 2003, the publication agreement between Ronald St. John Macdonald, Columbia Journal of Transnational Law and Martinus Nijhoff Publisher regarding the work "derogations under the article 15 of the European Convention on Human Rights" of 1997, consulta contract between Ronald St. John Macdonald and the United Nations Educational, Scientific and Cultural Organization regarding the framework of the United Nations Development Program "strengthenin training and research in selected key universities in the People's Republic of China", annotated typescripts, handwritten notes, and other materials.
File contains three manuscript drafts of The Waiting's Over, which was originally written as a stage play titled Ed & Molly, based on an idea conceived by Barry Stuart. The radio version was broadcast by CBC Radio in 1982. File also contains a manuscript copy of Ed & Molly, an outline for its adaptation to radio, a contract, correspondence and a chronology outlining the evolution of the script and its production.
File contains multiple drafts of a teleplay written by Chris Heide for CBC Television. File also includes correspondence, a contract, a production schedule and a chronology of events leading to the teleplay's creation and production.
File contains manuscript drafts of episodes 1-5 of Once Around, a radio drama series broadcast by CBC Radio in 1983. File also contains outlines, correspondence, notes and a chronology of events outlining the evolution of the project.
File contains five manuscript drafts of The Truth About Mrs Van Haiden, broadcast by CBC Radio in 1979. File also contains an outline, contract, correspondence and a chronology outlining the evolution of the script and its production.
Fonds comprises records that illustrate Jill Grant's work as a planning educator and scholar, including her teaching, research, publishing and professional activities. Types of records include lecture notes, presentations and images, teaching evaluations, research notes and data, publishing contracts, editorial correspondence and reviews, manuscripts, drafts and presentation copies of talks and published papers. There is also a series containing Jill Grant's records from the Joint Review Panel established to review a proposal from Bilcon of Nova Scotia Corporation for a basalt quarry at Whites Point, Digby County.
Files contain correspondence with the Department of External Affairs of Canada, a memorandum of agreement between Ronald St. John Macdonald and the Department of External Affairs of Canada, and other materials related to the subject.
Fonds contains records documenting the creation and management of Pottersfield Press from its inception in 1978. These include administrative documents such as grant and funding applications and author contracts; correspondence between the managing editor and authors, readers, contract editors and others; editorial records including manuscripts and page proofs; and publicity materials such as catalogues and book reviews.
File contains multiple drafts of a teleplay adapted by Chris Heide from the short story published in Canadian Fiction Magazine, as well as correspondence, a contract, and a chronology of events beginning with the submission to CBC Television Drama and ending with a cancelled contract with National Film Board.
File contains four drafts copies of The Sound of Sirens, broadcast three times by CBC Radio, the first time as "With Sirens Wailing." File also contains a contract, correspondence and a chronology outlining the evolution of the script and its production.
File contains an original manuscript draft of The One Hundred Year Old man, first produced for radio by CBC Halifax. File also contains a contract, correspondence and a chronology outlining the evolution of the script including various submissions, rejections, acceptances and prizes.
File contains three drafts copies of The Flood, broadcast by CBC Radio in 1977. File also contains a contract, correspondence and a chronology outlining the evolution of the script and its production.
Fonds contains materials documenting Catherine Banks' professional playwrighting career beginning with her first published play, Eula's Offer. Records include research notes and manuscripts (handwritten and typed), correspondence, contracts, production and publicity materials, a videocassette, a DVD, photographs, sketches, and a small selection of personal papers.
File consists of records related to the Chambers' Cartoons Exhibition, held at the Dalhousie Art Gallery in May 1973.
Records consist of newspaper clippings, invitation letters, lists of cartoons, a loan agreement from Art Gallery of Ontario, correspondence between Ernest Smith (Director, Dalhousie Art Gallery), Robert W. Chambers, and others.
File consists of records related to the Joe Plaskett and His Paris - A Search for Time Past Exhibition, held at the Dalhousie Art Gallery from February 15 to March 15, 1973.
Records consist of contractual documents between Dalhousie Art Gallery and the National Gallery of Canada, including agreement forms and sales policy.
File consists of records related to the Cozic and Delavale Exhibition, circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in January 1973.
Records consist of an exhibition loan agreement, a condition report, a newspaper clipping, a brief introduction of Yvon Cozic and Jean-Marie Delavale and their sculptures, and other documents. File additionally contains 6 photographic prints of Cozic's sculptures; 2 copies of Surfaces à toucher 1971, 2 copies of Surface to be Caressed, 2 copies of Wearable.
File consists of records related to an exhibition of work by Roy K. Kiyooka (Head of Painting Division, NSCAD University), titled 'StoneDGloves - Photographs, poems by Roy Kiyooka' circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in January 1972. Kiyooka presented a reading event on February 1, 1972 at the Dalhousie Art Gallery as a part of the exhibition.
Records consist of invitations to the February 1st reading event, an exhibition loan agreement, correspondence of the Dalhousie Art Gallery, an artist statement, and invoices.
File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.
Records consist mainly of correspondence between Caspar John, son of Augustus John and Ernest Smith (Director, Dalhousie Art Gallery) and between Ernest Smith and Ann Chudleigh (Assistant Director, National Gallery of Canada Extension Service). In addition, records include exhibition loan agreement letters and forms from the National Gallery of Canada, draft letters from Ernest Smith to Danielle Corbeil (Director of National Gallery of Canada Extension Services), lists of proposed works, and xerox copies of John's drawings.
File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.
Records consist of a copy of press clippings, attendance reports, loan agreement forms, catalogue orders, lists of artworks, and correspondence between Ernest Smith (Director, Dalhousie Are Gallery), Mark Holton (Curator, Dalhousie Are Gallery) and Ralph Allen (Director, Agnes Etherington Art Centre, Queen's University). In addition, records also include a photograph of a painting "On the Slopes of Arling Jack."
File consists of records related to the exhibition 'Lawren Phillips Harris Retrospective', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in December 1972.
Records consist mainly items of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and others. Including loan agreement forms, condition reports, insurance files, and others. Correspondents include: staff at the National Gallery of Canada, Lawren P. Harris, Christopher Gabriel-Lacki (Curator, Sir George Williams University Art Gallery) and other galleries. File additionally contains four photographs of paintings.
File consists of records related to the exhibition 'Vera Frenkel: Printmaking Plus', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in January 1972.
Records consist of exhibition loan agreement forms, a newsletter and announcement from the National Gallery of Canada, a box list, C.V. for Frenkel, condition report, and correspondence between Dalhousie Art Gallery and the National Gallery.
File includes correspondence regarding Ronald St. John Macdonald's book "Canadian perspectives on international law and organization" publishing. File includes an agreement between Ronald St. John Macdonald and the University of Toronto Press.
File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.
Records consist of exhibition loan agreement letters and forms from the loaners of John's portraits and drawings for the exhibition and correspondence between Karen Wilkin (Curator, Edmonton Art Gallery) and Ernest Smith (Director, Dalhousie Art Gallery). In addition, records include a photocopy of a paper titled 'Artists and eccentrics' from the book called 'Times thievish progress: Autobiography III' by Rothenstein, John (1970).
File consists of records relating to organization, planning, and preparation for the exhibition 'French Painting 1840-1924' organized and circulated by the National Gallery of Canada and presented at the Dalhousie Art Gallery in February and March of 1971.
Records consist of correspondence, condition reports from Dalhousie Art Gallery and others, accompanying texts for the exhibition including a bibliography, recommended film screenings, readings, and descriptive texts; an exhibition loan agreement, docent agreements, lists of artworks and biographical information, and a newspaper clipping.
File consists of records related to the planning of the exhibition 'André Biéler 50 years' organized by the Agnes Etherington Centre and presented at Dalhousie Art Gallery in March and April of 1971.
Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Agnes Etherington Centre, a newspaper clipping, exhibition loan agreements, list of artworks, artwork condition notes, handwritten condition notes, and a letter from Smith to Biéler regarding the purchase of one of his artworks.
File consists of records related to the exhibition 'ESP', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in June 1971.
Records consist of exhibition contract agreements, correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the artists, condition reports, a photocopy of a newspaper clipping regarding the exhibition, and a packing list.
File consists of records related to the planning of the exhibition ' The Photograph as Object', organized and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie from April 15 to May 14, 1971.
Records consist of packing and artwork lists, loan agreements, a newspaper clipping titled 'The Photograph as Object, next Killam exhibition', a condition report, handwritten condition notes written on index cards, and correspondence between Dalhousie Art Gallery and the National Gallery of Canada Extension Service.
File consists of records related to the exhibition 'Duncan: Gift from the Douglas M. Duncan Collection and the Milne-Duncan Bequest', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from August 1-15, 1971.
Records consist of artwork lists, a condition report, exhibition agreement contracts, insurance records, correspondence of the Dalhousie Art Gallery, descriptive exhibition text, and a newspaper clipping,
File consists of records relating to the exhibition 'Massey Medals for Architecture 1970', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from November 1-30, 1971.
Records consist of a condition report, exhibition agreement contract, descriptive exhibition text and packing lists, correspondence with the National Gallery, handwritten notes, and a press release from the Royal Architecture Institute of Canada (RAIC) regarding the finalists and winning entries for the Massey Medals Awards Competition.
