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1958 : [part]

Item is an original handwritten concert part by Paul Cram.

6 of one : performance instructions

Item is the instructions for Norman Adams' improvisational composition, "6 of one," for performance by Adams (cello); Suzanne Lemieux (oboe); Jeff Reilly (bass clarinet and clarinet); and Paul Cram (tenor saxophone and clarinet). The composition has an approximate tonality of D and textual instructions regarding rhythm, entrances, intervallic relationships of parts, dynamics, range, and timbre.

Adams, Norman

A life of crime / Paul Cram

Item is Paul Cram's undated score for reeds 1, 2 & 3, guitar, synthesizer, piano, cello, bass and drums.

A Nocturne : [manuscript vocal score]

Item is a manuscript of Edith J. Archibald's song for solo voice and piano in F Major entitled "A Nocturne," including the score and a separate typed sheet with the poem in English and French, also written by Archibald.

Archibald, Edith Jessie

Achtamar

Item is a copy of a manuscript composition by Alan Hovhaness, inscribed to Ellen Ballon. The composition is based on an Armenian folktale and is comprised of two movements, each of which imitates Armenian instruments (tmpoog for the first movement and the kanoon and oud in the second movement).

Hovhaness, Alan

Aikata : [score]

Item is a copy of Sandy Moore's "Aikata," written for any combination of instruments for an indefinite length of time. The composition is based on 11 cluster chords and 11 melodic tone rows, which can be performed in retrograde, inversion, or retroinversion. The 11 chords are taken from the given chords for the Sho, a Japanese mouth organ.

Moore, Sandy

Ambulatory : [parts]

File contains a Bb part and three annotated concert parts for Paul Cram's "Ambulatory."

Après un rêve

Item is a copy of Après un rêve by Claude Debussy, transcribed for cello and piano by Pablo Casals, with pencil annotations and analysis by Anthony Pugh.

Archaeology : [score]

Item is a score for Paul Cram's concert work "Archaeology," which he composed in 1991 and debuted February 7, 1992 at the Dalhousie Arts Centre.

Archeology / Paul Cram

Item is a composer's score of Archeology for violin, bass clarinet, and piano.

Archeology / Paul Cram

Item is a composer's score of Archeology for violin, bass clarinet, and piano.

Barcarolle No. 5, op. 66

Item is a copy of Barcarolle No. 5 by Claude Debussy for solo piano, with pencil annotations and analysis by Anthony Pugh.

Beyond Benghazi

Item is the master of the score and parts for Beyond Benhazi, including: oboe, bassoon, piano, violin 1 & 2, viola, cello, bass, clarinet Bb, tenor Bb, trumpet, soprano/flute, timpani/marimba/vibes, harp/synth, guitar and drums.

Beyond Benghazi : [part]

Item is an original handwritten part for concert soloist for Paul Cram's "Beyond Benghazi."

Beyond Benghazi : [score]

Item is the 1996 score for "Beyond Benghazi" by Paul Cram, which was first copyright in 1979 and revised in 1996. The score is for flute, piccolo, 2 oboes, clarinet, bass clarinet, soprano saxophone, 2 trumpets, 2 French horns, violins 1 & 2, violas, cellos, string basses, timpani, percussion (vibes & marimba), synthesizer, guitar, piano, electric bass and drums.

Beyond Benghazi : [score]

Item is a photocopied score for Paul Cram's 1996 score of "Beyond Benghazi" performed by Upstream Ensemble.

Beyond Benghazi / by Paul Cram

Item is a conductor's score for Beyond Benghazi, copyright 1996. The title page includes an instrumentation list: flute, piccolo, 2 oboes, clarinet, bass clarinet, soprano saxophone, tenor saxophone, 2 trumpets, 2 french horns, violins 1 & 2, violas, cellos, string basses, timpani, percussion (vibes and marimba), synthesizer, guitar, piano, electric bass , drums.

Beyond Benghazi / Paul Cram

Item is a set of two master copies of the composer's score of Beyond Benghazi, one printed single-sided and the other printed double-sided.

Beyond Benghazi 93

Item is a conductor's score for Beyond Benghazi, copyright in 1987 and revised in 1993. The score, which is annotated, is for oboe, sop /flute, clarinet, trumpet, ten/clar, bassoon, violins 1 and 2, viola, cello, percuss/timpani, Sandy, guitar, piano, bass and drums.

Beyond Benghazi II

Item is conductor's score removed from its binding. The first page is handwritten (facsimile), indicating instrumentation with graphic notation.

Beyond Benghazi II : [score]

Item is the 1989 conductor's score for "Beyond Benghazi" by Paul Cram, for clarinet; trumpet; alto sax; tenor sax; trombone; baritone; bassoon; cello, timpani; guitar; piano x 2; bass; and drums. The title page contains handwritten musical directions.

B-flat restaurant : concert pitch part

Item is a copy of Paul Cram's composition, "B-flat Restaurant," dedicated to Don Palmer and composed for a SOCAN grant in 1993. The music is handwritten in common music notation and features long and frequent solo sections.

Cram, Paul

Bird gong game : [score]

Item is two excerpted pages from Barry Guy's score for the "Bird Gong Game," the first page with performance instructions and the first of four sections of the score. The score uses both common music notation and graphic notation. It was written for the Scottish artist and musician, Alan Davie, and based on Davie's painting Bird Gong No. 12. The score is written at concert pitch.

Guy, Barry

Blue moon : [score]

File contains a photocopy of Paul Cram's graphic notation composition "Blue Moon." File also contains two pages of untitled graphic notation.

Brother James' air

Item is a published copy of Gordon Jacob's arrangement of "Brother James' Air," for voice and piano, with pencil annotations and analysis by Anthony Pugh.

Caravan : [part]

Item is an original handwritten cello part by Paul Cram.

Caravan : [score]

Item is a score for soprano, alto and baritone saxophone arranged by Paul Cram.

Carmen

Item is an annotated copy of the score for Georges Bizet's opera "Carmen," used and annotated by Pugh in his activities as a researcher and writer of program notes. The annotations are his analysis of various parts from the opera.

CBX : [part]

Item is an original handwritten composition by Paul Cram.
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