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Young people's concert

Item is a program for a concert for young people by the Boston Symphony Ensemble given under the auspices of the Director of Music, Alexander F. Cleary, and the Chelsea Teachers' Club.

The inauguration of Alexander E. Kerr as President of Dalhousie University : programme of ceremonies, The Gymnasium, Tuesday, November 13, 1945

Item consists of a programme of events celebrating the inauguration of Alexander Enoch Kerr as the new President of Dalhousie University, November 13, 1945. Includes the text of speeches by D.L. Sutherland (President of the Council of the Students), Dean Vincent C. MacDonald (University Senate), George J. Trueman (Chairmain for the Central Advisory Committee on Education in the Maritime Provinces and Newfoundland), Lieutenant-Colonel K.C. Laurie (Chairman of the Board of Governors), and Alexander Kerr's inaugural address. Also includes a list of delegates from other institutions.

Stage design

Item is a watercolour sketch of a set design for Dalhousie Theatre's 1989 production of little Mary Sunshine. The sketch shows the entire stage design, with a teepee, a cabin, several pine trees, and a sign reading "Colorado Inn."

Sketch of Sandy's bedroom : Act I, scene IV

Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for Sandy's bedroom in act I, scene IV. The sketch shows a bed with a heart-shaped headboard and a canopy. There are additional sketches and notes on the back of the sketch.

Sketch of Rydell High sign

Item is a set design sketch for Dalhousie Theatre's 1984 production of Grease. The design is for the Rydell High sign. The sign reads "Rydell High Welcomes Class of '59." The lettering on the sign is printed while the rest of the design is executed with pen and markers.

Sketch of outside the gym at Rydell High

Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for outside the gym at Rydell High in act I, scene II. The sketch shows a large door with steps in front of it and a sign that says "GYM." There are notes about the design on the front and back of the sketch.

Sketch of large Rydell High sign

Item is a marker sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for the Rydell High gym decor in Act I scene I. The sketch shows a large sign that says "Rydell High Welcomes Class of '59."

Sketch of Jan's basement

Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for Jan's basement in act II, scene IV. The sketch shows a large poster of a rock star with several seats and cushions in front of it. There are notes about the design on the front and back of the sketch.

Sketch of cafeteria : Act I, scene II

Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for the cafeteria in act I, scene II. The sketch shows a table with chairs around it. There are notes about the design on the front and back of the sketch.

Set design for The Taming of the Shrew

Item is a watercolour set design for Dalhousie Theatre's production of the Taming of the Shrew. The sketch shows on large illustration of the stage surrounded by four smaller illustrations of the stage, each with a different set.

Seoul Union Church, program

Item consists of a program collected by Florence Jessie Murray for the Seoul Union Church, Seoul, Korea, likely from 1967. Includes a brief history of the organization.

Scene 9 : The Philosophical Lieutenant

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 9, "The Philosophical Lieutenant and the Three Village Women." The sketch shows one male figure sitting in a chair with three women in black around him. One of the woman is threatening him with a knife behind him. There is also another male figure in the distance.

Scene 8 : The Unforseen Consequences

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 8, "The Unforeseen Consequences of a Patriotic Act." The sketch shows two figures in red-brown robes and one female figure in a white and gold robe with a parasol.

Scene 7 : She Sees the Argument, But

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 7, "She Sees the Argument - But..." The sketch shows three female figures in grey work uniforms standing together.

Scene 6 : The Dumb Woman's Ecstasy

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 6, "The Dumb Woman's Ecstasy." The sketch shows one female figure and two male figures standing together and wearing costumes. One of the male figures is holding a bag that says "La Coutlier de la Torture."

Scene 4 : Reasons for the Fall of Emperors

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 4, "Reasons for the Fall of Emperors." The sketch shows three male figures in different military uniforms. The figures are standing together with a desert and a tent in the background.

Scene 3 : Necessity

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 3, "Necessity for Prost. in Advanced Societies." The sketch shows one male figure and three female figures standing together.

Scene 2 : Kiss My Hands

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 2, "Kiss my Hands." The sketch shows six figures, three of whom are wearing military uniforms and holding weapons. The other three figures are wearing pajamas and appear to be a mother, father, and son. The father's hands are bound and he is being led away by one of the military people.

Scene 10 : Not Him

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "Not Him." The sketch shows two female figures and one male figure. The male figure is holding a bag of severed heads.

Scene 10 : Not Him

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "...Not Him." The sketch shows one male figure in an elaborate uniform standing beside two female figures wearing robes and veils over their faces.

Scene 1 : The Weaver's Ecstasy

Item is an oil pastel sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 1, "The Weaver's Ecstasy at the Discovery of a New Colour." The sketch shows three male figures and two female figures standing in a tent made of colourful materials. One male figure appears to be wearing a military uniform with his face covered by a scarf, and one of the female figures is wearing a veil over her face while putting her arms around the other three figures.

Ronald St. John Macdonald's correspondence regarding Qing-nan Meng's studies at Dalhousie Law School

File contains correspondence and clippings from 1984 to 1986 related to Qing-nan Meng's studies at Dalhousie University, with correspondence between Ronald St. John Macdonald, Meng Qing-nan, Edgar Gold, N. Thompson, Bai Gui-mei, Patti Allen, Gerald FitzGerald, John Vandermeulen, Lun Wong, M.G. Parks, and H. Leslie O'Brien.

File also contains a copy of Qing-nan Men's Thesis Defence Notice program, and an external examiner's report from Gerald FitzGerald.

Ronald St. John Macdonald's correspondence regarding Qing-nan Meng's studies at Dalhousie Law School

File contains correspondence and clippings from 1981 to 1985 related to Quing-nan Meng's studies at Dalhousie University, with correspondence between Ronald St. John Macdonald, Meng Qing-nan, Kenneth Leffek, Paul Fauteux, Dominique Alheretiere, Tom Bick, Elisabeth Mann Borgese, H.L. O'Brien, Robert Strother, Harold Ridgway, Peter Heyward, Donna Scheeler, W.D. Courier, W.H. Charles, Elizabeth Christian, and W.A. Mackay. File also includes an example of a Ph.D examination programme.

Production poster for The Rover

File contains two copies of a production poster for Brock University's production of The Rover.

Dalhousie University. Faculty of Arts and Social Sciences. Department of Theatre

Photograph of Dalhousie Dramatic Club

Item is a photograph of the 1914 Dalhousie Dramatic Club. The photograph shows the principals in the cast of "The College Widow". The portrait incudes C. R. Hawkins (as Tommy Parsons); R. St. C. Jones (as President Witherspoon); Jack MacDonald (as Billy Bolton); G. R. Smith (as Jimmie Hooper); D. A. Guildford (as Frank McAllister); T. A. Lebetter (as Copernicus Talbot); Harry Britton (as Silent Murphy); W. B. Coulter (as Hon. Elam Hicks); D. L. Dwyer (as Bub Hicks); J. S. Fraser (as Hiram Bolton); W. R. Auld (as Jack Larrabee); M. M. Currie (as Mrs. Primley Dalzelle); Hattie Boak (as Bessie Tanner); J. F. O'Connell (Director); Gladys Billman (as Jane Witherspoon); Emma Gillies (as Flora Cameron); R. D. Graham (as Stubby Talmadge); C. K. Fuller (as Matty MacGowan); M. Fraser (as L. Chubbs); Georgene Faulkner (as Flora Wiggins); Louise Power (as Bertha Lyson); and Mary Ross (as Josephine Borkley). The cast members are sitting or standing in four rows and wearing their costumes.

Photocopy of costume designs for Wendla

Item is a photocopy of two costume designs for Dalhousie Theatre's production of Spring Awakening. The costumes are for a character named Wendla. The sketch shows two female figures wearing the costumes. Ribbon swatches are pinned to the photocopy.

Photocopy of costume design for Wendla

Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Wendla. The sketch shows a female figure wearing the costume.

Photocopy of costume design for Thea and Martha

Item is a photocopy of two costume designs for Dalhousie Theatre's production of Spring Awakening. The costumes are for characters named Thea and Martha. There are fabric swatches pinned to the photocopy.

Photocopy of costume design for Sea Captain

Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a sea captain. The photocopy has some of Doyle's notes about the costume written on it.

Photocopy of costume design for Olivia

Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Olivia. The sketch has some of Doyle's notes about the costume written on it, including sketches of its construction.

Photocopy of costume design for Mrs. Gabor

Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Mrs. Gabor. There are fabric swatches pinned to the photocopy.

Photocopy of costume design for Mrs. Bergman

Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Mrs. Bergman. There are two fabric swatches pinned to the photocopy.

Photocopy of costume design for Ilse

Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Ilse. There are three fabric swatches pinned to the photocopy.

Photocopy of costume design for Feste

Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Feste. The photocopy has Doyle's notes about the costume written on it in red.

Photocopy of costue design for Two Officers

Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for two officers. The photocopy has some of Doyle's notes about the costume written on it.

Only Some Can Take the Strain

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for a scene (probably scene 2 or 11), "Only Some Can Take the Strain." The sketch shows one figure with a feathered cap and clear visor, another male figure pulling a cart, and a third female figure with spiky hair.

Mask diagram

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The sketch is a diagram showing how the mask for Mr. Lin To, a carpenter, is constructed.

Diagram of masks

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The sketch shows show the masks are constructed for secondary characters.

Design for the restaurant

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch is of the inside of a restaurant.
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