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Photographs

This sub-series contains 135 photographs and 3 paintings. Some of these photographs have attached newspaper clippings, pamphlets, postcard, or article. Graphic material depict sheep and lambs of various breeds, either showing in various farms, pastures, and exhibition events. Additionally, there are photographs of members of sheep related associations and businesses. These were taken between 1940-2002.

Self-portrait of Kenneth Leslie

File contains an undated and incomplete self-portrait, drawn and painted by Kenneth Leslie, likely from the late-1930s. Leslie's head has been fully painted while the rest of his body and the background remain unpainted, a penciled drawing. On the verso of the painting, Leslie has written the following: "This is a self-portrait of / myself when in misery from / the loss of my family. / Ken". It relates to the collapse of his first marriage, wherein his first wife, Elizabeth Moir, left Leslie, taking their children with her.

Media

This series contains, photographs, film reels, video tapes, film reels, cassette tapes, paintings, and other miscellaneous textual records regarding sheep between 1940-2002. This series is dividing into 3 sub-series, Photographs, Film/Video, and Sound Recordings.

Landscape painting

File contains a watercolour painted and signed by Kenneth Leslie, presumably in the late-1930s. The painting depicts a rural setting -- quite likely of somewhere in Pictou County -- with a brown fence in the fore-ground, a narrow peninsula stretching into a river, with low hills in the distance.

Henry Orenstein's drawings

File contains drawings—including one identified as "Jessie Dillard"—created with different mediums, including pencil, watercolour, oil, and pen & ink.

Henry Orenstein's records

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.

Orenstein, Henry

Joan and Henry Orenstein fonds

  • MS-2-774
  • Fonds
  • [194-?] - [before 2011]
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.

Orenstein, Henry

Photographs and audio visual materials of the Nova Scotia Agricultural College from 1892 to 2009

Series contains graphic materials of the students, staff, and faculty of the Nova Scotia Agricultural College. There are also photographs of the campus landscape and buildings and also the School of Agriculture or the College of Agriculture as it was originally known. Subseries' include aerial views, animals, buildings, campus events, students, staff, faculty and principals of the Nova Scotia Agricultural College between 1892-2009.