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Drawings of the 1949 Dalhousie University mace

  • 2017-003, OS Folder 1
  • File
  • 1949

File contains 15 drawings of the ceremonial mace designed in 1949 by Chasteney Holbourne Saunders, former head of the Department of Anatomy. The mace was carved in oak, decorated with silver and enamel, and measured 1.4 metres in length. First used in the 1950 convocation, the mace was retired in 1919 when the university introduced the "New Dawn Staff of Place and Belonging" as its ceremonial object.

There is one full-scale drawing in ink and three reduced reproductions mounted on board. The remainder are rough sketches and detail drawings in pencil of the emblems and figures that Saunders employed to represent maritime traditions and the historical significance of Dalhousie’s service to the Atlantic provinces.

Arthur Lismer's Dalhousie sketches

  • 0000-091
  • Collection
  • [ca. 1919]

Collection includes 41 original pen and ink drawings by Arthur Lismer commissioned ca. 1919 by Dalhousie's Centenary Committee to illustrate its history of the university's first century: One Hundred Years of Dalhousie, 1818–1918, which was published in 1920. The collection includes the original and some unfinished and/or unpublished versions of all but one of the 26 illustrations used in the book, which features historic and contemporary Dalhousie figures and buildings. There are several portraits of President Arthur Stanley Mackenzie, which were rejected in favour of publishing a photographic image, as well as a rough sketch of Lismer's daughter, Marjorie. Also included in the collection are 22 reproductions, which are probably printer's proofs, given the poor quality of the paper.

Twelve of the Lismer images were also reproduced in the booklet titled simply Dalhousie University, which was produced by the Dalhousie Million Committee as part of the promotional literature supporting the university's 1920 Million Dollar Campaign and published shortly after the Centenary Committee's book.

There is little documentary evidence beyond these two publications regarding the precise date or other details of the Lismer commission; one of the drawings is marked "1 March 1920," and another "27 March 1920," on date-received stamps from the engraving department of Rous & Mann, the Toronto company that printed both publications. The existing archival correspondence between the university and the printer (UA-3, Box 621, Folder 6) is from the Million Committee file, and refers only peripherally to the Centenary Committee's book project. A letter dated 24 March 1920 from Rous & Mann advises that the cuts, or illustrations, proposed for use in the campaign booklet were "at present locked up for the printing of the other Book in course of preparation," while later correspondence indicates that the printing and delivery of the campaign booklet gained precedence over the commemorative history, and the first run of these booklets was shipped on 17 April. The history was printed shortly after that, although by 26 May it had already been reprinted, owing to the misspelling of George Stewart Campbell, whose middle name appears in the first printing as "Stuart." The existence of the misprinted copies is due to their purchase at a steep discount by the Million Committee, who wrote: "... if the price were attractive a way might be found to use them."

No correspondence or documents have been found in the Dalhousie University Archives regarding Lismer's actual commission: within the Million Committee's correspondence file exists a single telegram from President Mackenzie to Arthur Lismer, dated 3 April 1920, which expresses a need to rush the printing along with the instruction: "leave layout to your judgement," the sole reference to Lismer's role in either project.

Lismer, Arthur

The Right Honourable George Ramsay. Ninth Earl of Dalhousie. Founder of Dalhousie College : [drawing]

Item is a portrait of Lord Dalhousie copied from an earlier painting; the decorative border framing the drawing is partially rendered on paper and affixed to the illustration board. The drawing was commissioned for One Hundred Years of Dalhousie, 1818–1918 (1920), and reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938).

Newspaper cartoons regarding the LGBT community

File contains cartoon on LGBT subjects collected by Ross Boutilier. Materials include one photocopy of the article "For better or worse, we're on this planet together" by Joe Murray; cartoons from the series For Better or For Worse, Dilbert, and Doonsbury; and a political cartoon by Bruce MacKinnon for the Chronicle Herald.

Kenneth Leslie's sketchbook

File contains an undated No. 7191 "Monterery" drawing spiral sketch book, containing pencil drawings by Kenneth Leslie, with artwork created presumably in the late 1930s or early 1940s. The sketchbook is largely blank, however, there are pencil drawings on the first three pages. The first is a 45° side-on portrait of "R. Currie" signed by Leslie. The second is an untitled study of a woman's face as she leans forward. The third is also untitled, the beginnings of a rural scene with a cabin at the end of a roadway.

Print of the barque "Daylight"

Item is a print of a drawing of the barque Daylight. The writing on the back states that the ship was built in Port Glasgow, Scotland, in 1902 by Russell and Co. Imprinted on the front mount is "Wishing you a Merry Christmas and a happy New Year."

Print of the brig "Europa"

Item is a print of a drawing of the brig Europa. Writing on back reads: Brig "Europa" of Maitland, N.S. entering (port of) Leghorn 1858. Alexander MacDougall, master. The above Alex MacDougall was father of Captain Everett MacDougall.

History of Assakio village : [sketches]

File consists of a notebook of drawings created by James H. Morrison, and three maps of the Jos Plateau in Nigeria. One map was created in 1903 and is a visualization of the settlements on the Jos Plateau; one map is a visualization of Nigeria with a focus on Jos Plateau; one map is entitled "The Fulani Jihad and those Settlements on the Jos Plateau Affected by the Emirates and/or their Allies" and displays the attack strategy of Jemaa, Zaria, Ningi, and Bauchi groups. The notebook contains colour pencil crayon drawings of styles of dress in Assakio Village with descriptive titles.
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