File contains the script for the play by Frederick H. Thury, adapted from the children's book of the same name by Joyce Barkhouse and Margaret Atwood. The file also contains newspaper clippings and correspondence related to the play.
Series contains pamphlets, invitations, and newspaper clippings regarding campus events at the Nova Scotia Agricultural College between 1999-2007. It is arranged into: one file, Chorale and Theater Society; and five sub-series, Convocation, Autumn Assembly, Open House, Founder's Day, and Centennial Amphitheater.
Collection contains Nova Scotia Agricultural College archival reference materials including books, calendars, journals, magazines, DVD's, pamphlets, and newspaper clippings published between 1830-2015.
Accession consists of miscellaneous records relating to David Renton's acting and directing career, and includes publicity and performance photographs, correspondence, contracts, appointment calendars and diaries. There are also publicity photographs of Karine Renton's father announcing the CHNS radio program Now it Can Be Told.
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.
The fonds consists of records related to Richard Perkyns' research undertaken in writing The Neptune Story: Twenty-Five Years in the Life of a Leading Canadian Theatre and editing Major Plays of the Canadian Theatre 1934-1984 . The fonds also includes a copy of his doctoral thesis, The Impact of the Expressionists Movements on British and American Drama and Theatre Practice (1968) and records which pertain to his involvement with the Halifax Independent Theatre. Records include correspondence, minutes from meetings, research notes, drafts, newspaper clippings, reviews, manuscripts, photographs, and interviews recorded on audio cassettes. The fonds has been arranged in four series: The Neptune Story, Major Plays of the Canadian Theatre, Doctoral Thesis, and Halifax Independent Theatre.