Archives Catalogue

MS-5-16, Oversize Folder 24, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles. The score was used by the drummer in the premiere performance.

Guy, Barry

Nasca lines : part 6 : drums

MS-5-16, Oversize Folder 24, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is the drum part for part 6 of Nasca Lines used in the premiere performance. This part is entirely improvised with some basic directives from the composer, e.g. "more fragmented."

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 24, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation, used by the drummer in the premiere performance. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (green for the rhythm section) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 3 : percussion, drums, synthesizer or accordion, guitar, and electric bass

MS-5-16, Oversize Folder 24, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is the graphic notation score used by the rhythm section for part 3 of Nasca Lines. The score was used by the drummer for the premiere performance. As the drums are tacet for the first page, this page is not included.

Guy, Barry

Nasca lines : part 4 : drums

MS-5-16, Oversize Folder 24, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size piece of paper with "Drums / Part 4 / Tacet" written in black marker.

Guy, Barry

Nasca lines : parts 2 and 3 : drums

MS-5-16, Oversize Folder 24, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size piece of paper with "Drums / Part 2 - Tacet / Part 3/pg. 1 - Tacet" written in black marker.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 24, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 23, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles. This score was used by the electric bassist in the premiere performance.

Guy, Barry

Nasca lines : part 6 : electric bass

MS-5-16, Oversize Folder 23, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is the electric bass part for part 6 of Nasca Lines used in the premiere performance. This part is entirely improvised with some basic directives from the composer, e.g. "pitch free" and "more fragmented."

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 23, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation, used by the electric bassist in the premiere performance. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (green for the rhythm section) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : parts 3, 3A, and 4 : electric bass

MS-5-16, Oversize Folder 23, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size piece of paper with "Electric Bass / Part 3 - Tacet / Part 3A - Tacet / Part 4 - Tacet" written in black marker.

Guy, Barry

Nasca lines : part 2 : [accompanying instruments]

MS-5-16, Oversize Folder 23, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the accompanying instruments (clarinet, bassoon, tenor sax, baritone sax, bass clarinet, electric bass, electric guitar, double bass, and synthesizer) for part 2 of Nasca Lines, in graphic notation. This score was used by the electric bass player in the premiere performance.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 23, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 23, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 6 : bass clarinet in B-flat

MS-5-16, Oversize Folder 22, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is the bass clarinet part for part 6 of Nasca Lines in standard notation. This part combines composed sections with freely-improvised sections.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 22, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 22, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (red for the saxophone quartet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts. This score was used by Jeff Reilly for the premiere performance.

Guy, Barry

Nasca lines : part 4 : bass clarinet in B-flat

MS-5-16, Oversize Folder 22, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is the tenor saxophone part for part 4 of Nasca Lines in standard notation. Item includes a copy of the last two pages of the full score of part 4 in graphic notation.

Guy, Barry

Nasca lines : part 3 : [saxophone quartet]

MS-5-16, Oversize Folder 22, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the saxophone quartet (including the bass clarinet) for part 3 of Nasca Lines in graphic notation. The score lists the players by name, rather than instrument: Don Palmer [alto or soprano saxophone], Paul Cram [tenor saxophone], Dawn Hatfield [baritone saxophone], and Jeff Reilly [bass clarinet]. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured red for the saxophone quartet.

Guy, Barry

Nasca lines : part 2 : [accompanying instruments]

MS-5-16, Oversize Folder 22, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the accompanying instruments (clarinet, bassoon, tenor sax, baritone sax, bass clarinet, electric bass, electric guitar, double bass, and synthesizer) for part 2 of Nasca Lines, in graphic notation.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 22, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 22, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 6 : baritone saxophone in E-flat

MS-5-16, Oversize Folder 21, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is the tenor saxophone part for part 6 of Nasca Lines in standard notation. The majority of this part is improvised with basic directives from the composer, e.g. "more fragmented" or "pitch free."

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 21, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 21, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (red for the saxophone quartet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 4 : baritone saxophone in E-flat

MS-5-16, Oversize Folder 21, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is the tenor saxophone part for part 4 of Nasca Lines in standard notation. Item includes a copy of the last page of the full score of part 4, which has graphic notation.

Guy, Barry

Nasca lines : part 2 : [accompanying instruments]

MS-5-16, Oversize Folder 21, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the accompanying instruments (clarinet, bassoon, tenor sax, baritone sax, bass clarinet, electric bass, electric guitar, double bass, and synthesizer) for part 2 of Nasca Lines, in graphic notation.

Guy, Barry

Nasca lines : part 3 : [saxophone quartet]

MS-5-16, Oversize Folder 21, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the saxophone quartet (including the bass clarinet) for part 3 of Nasca Lines in graphic notation. The score lists the players by name, rather than instrument: Don Palmer [alto or soprano saxophone], Paul Cram [tenor saxophone], Dawn Hatfield [baritone saxophone], and Jeff Reilly [bass clarinet]. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured red for the saxophone quartet.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 21, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 21, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 20, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : part 6 : tenor saxophone in B-flat

MS-5-16, Oversize Folder 20, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is the tenor saxophone part for part 6 of Nasca Lines in standard notation. The majority of this part is improvised with basic directives from the composer, e.g. "more fragmented" or "pitch free."

Guy, Barry

Nasca lines : part 4 : tenor saxophone in B-flat

MS-5-16, Oversize Folder 20, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is the tenor saxophone part for part 4 of Nasca Lines in standard notation. Item includes a copy of the last two pages of the full score of part 4 in graphic notation.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 20, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (red for the saxophone quartet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 3 : [saxophone quartet]

MS-5-16, Oversize Folder 20, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the saxophone quartet (including the bass clarinet) for part 3 of Nasca Lines in graphic notation. The score lists the players by name, rather than instrument: Don Palmer [alto or soprano saxophone], Paul Cram [tenor saxophone], Dawn Hatfield [baritone saxophone], and Jeff Reilly [bass clarinet]. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured red for the saxophone quartet.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 20, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 2 : [accompanying instruments]

MS-5-16, Oversize Folder 20, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the accompanying instruments (clarinet, bassoon, tenor sax, baritone sax, bass clarinet, electric bass, electric guitar, double bass, and synthesizer) for part 2 of Nasca Lines, in graphic notation.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 20, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines. The performance notes include instructions for each of the seven sections of the piece.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 19, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 19, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation used by Don Palmer for the premiere performance. Palmer played soprano saxophone in B-flat for this part. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (red for the saxophone quartet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 6 : soprano saxophone in B-flat

MS-5-16, Oversize Folder 19, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is the soprano saxophone part for part 6 of Nasca Lines in standard notation. The majority of this part is improvised with basic directives from the composer, e.g. "more fragmented" or "pitch free."

Guy, Barry

Nasca lines : part 4 : alto saxophone in E-flat

MS-5-16, Oversize Folder 19, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is the alto saxophone part for part 4 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 3 : [saxophone quartet]

MS-5-16, Oversize Folder 19, Item 3
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the saxophone quartet (including the bass clarinet) for part 3 of Nasca Lines in graphic notation. The score lists the players by name, rather than instrument: Don Palmer [alto or soprano saxophone], Paul Cram [tenor saxophone], Dawn Hatfield [baritone saxophone], and Jeff Reilly [bass clarinet]. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured red for the saxophone quartet.

Guy, Barry

Nasca lines : part 3A : [alto saxophone in E-flat and soprano saxophone in B-flat]

MS-5-16, Oversize Folder 19, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size lined piece of paper with "3A Tacet" written in pencil, likely by Don Palmer.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 19, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 19, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 18, Item 9
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles. The score was used by the guitarist for the premiere performance.

Guy, Barry

Nasca lines : part 6 : electric guitar

MS-5-16, Oversize Folder 18, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is the electric guitar part for part 6 of Nasca Lines in standard notation. This part mixes composed material and improvisation, with basic instructions from the composer for the latter, e.g. "pitch free" or "more fragmented."

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 18, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation used by the guitarist for the premiere performance. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (blue for the string quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 3A : [full score]

MS-5-16, Oversize Folder 18, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the full score for part 3A of Nasca Lines in graphic notation, with annotations by the guitarist for the premiere performance. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score.

Guy, Barry

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