Archives Catalogue

MS-5-16 Oversize Folder 3, Item 2
Item
2001

Part of Upstream Music Association fonds

Item contains excerpts from texts by the Scottish painter Alan Davie (1920-2014) selected by Barry Guy for use in Parts 3A and 5 of the composition. The excerpts are taken from opuses D. 2 (June 1994); D.4 (June 1994); D. 15 (September 1994); D. 16 (June 1996); D. 24a (June 1996); D. 29 (May 1996); and D. 107 (1990). Davie's artwork is also one of the sources of inspiration for the graphic notation in Guy's composition.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 5, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 3 : flute, oboe, clarinet, trumpet, and bassoon

MS-5-16, Oversize Folder 5, Item 3
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the wind quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured yellow for the wind quintet.

Guy, Barry

Nasca lines : part 3A : [full score]

MS-5-16, Oversize Folder 5, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 3A of Nasca Lines in graphic notation. A rectangle in the centre of the score features the same image as part 3, an aerial representation of an area of the Nazca Desert in Peru with the condor geoglyph in the middle. Radiating outward from the central rectangle are seven sections, each featuring a graphical representation of one of the Nazca Lines geoglyphs and phrases from Alan Davie's texts and/or a tone row. The geoglyphs included are the hands, pelican, spider, monkey, condor, and two unidentified glyphs. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score.

Guy, Barry

Nasca lines : part 4 : oboe

MS-5-16, Oversize Folder 5, Item 5
Item
2001

Part of Upstream Music Association fonds

Item contains the oboe part for part 4 of Nasca Lines in standard notation. The oboe part features extended techniques, including quarter tones and multiphonics, and has frequent meter changes.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 5, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (yellow for the wind quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 6 : oboe

MS-5-16, Oversize Folder 5, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is the oboe part for part 6 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 5, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 10, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 10, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 2 : [accompanying instruments]

MS-5-16, Oversize Folder 10, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the accompanying instruments (clarinet, bassoon, tenor sax, baritone sax, bass clarinet, electric bass, electric guitar, double bass, and synthesizer) for part 2 of Nasca Lines, in graphic notation.

Guy, Barry

Nasca lines : part 3 : piano

MS-5-16, Oversize Folder 10, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with basic instructions for the piano solo written in black marker.

Guy, Barry

Nasca lines : part 3A : piano and synthesizer

MS-5-16, Oversize Folder 10, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Piano/Synthesizer / Part 3A / Tacet" written in marker.

Guy, Barry

Nasca lines : part 4 : piano and synthesizer

MS-5-16, Oversize Folder 10, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the piano and synthesizer part for part 4 of Nasca Lines in standard notation on a grand staff.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 10, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (green for the rhythm section) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 6 : piano and synthesizer

MS-5-16, Oversize Folder 10, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Piano/Synthesizer / Part 6 / Tacet" written in marker.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 10, Item 9
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 11, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 11, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 2 : [full score]

MS-5-16, Oversize Folder 11, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the full score for part 2 of Nasca Lines, in mixed graphic and standard notation. The voice part is entirely improvised in this section, with some basic directives from the composer, e.g. "react to st[ring] qu[artet] articulations."

Guy, Barry

Nasca lines : part 3 : voice

MS-5-16, Oversize Folder 11, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Voice / Part 3 / Tacet" written in marker.

Guy, Barry

Nasca lines : part 4 : voice

MS-5-16, Oversize Folder 11, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Voice / Part 4 / Tacet" written in marker.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 11, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines, used by Janice Jackson for the premiere performance. The score is in graphic notation and includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (purple for voice) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 6 : voice

MS-5-16, Oversize Folder 11, Item 7
Item
2001

Part of Upstream Music Association fonds

Item contains the voice part for part 6 of Nasca Lines in graphic notation on a single staff. The vocalist's contribution to this part of the composition is improvised with some basic directives from the composer, e.g. "active" or "fragmented." The score is one page with four pages of Alan Davie texts.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 11, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines, used by Janice Jackson for the premiere performance. This section of the composition is in mixed graphic notation and standard notation and revisits material from parts 2, 4, and 6. The score includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 12, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 12, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 2 : [full score]

MS-5-16, Oversize Folder 12, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the first violinist, Mark Fewer, for part 2 of Nasca Lines, in mixed graphic and standard notation. Sections of notated music are interspersed with improvised moments, and the violinist employs extended techniques like circular bowing.

Guy, Barry

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

MS-5-16, Oversize Folder 12, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the string quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured blue for the string quintet.

Guy, Barry

Nasca lines : part 3A : violin 1

MS-5-16, Oversize Folder 12, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Violin 1 / Part 3A / Tacet" written in marker.

Guy, Barry

Nasca lines : part 4 : violin 1

MS-5-16, Oversize Folder 12, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the first violin part for part 4 of Nasca Lines in mixed standard and graphic notation.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 12, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (blue for the string quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 6 : violin 1

MS-5-16, Oversize Folder 12, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is the first violin part for part 6 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 12, Item 9
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles. Two sections from the string parts of part 2 of Nasca Lines have been taped over the score.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 13, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 13, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 2 : [full score]

MS-5-16, Oversize Folder 13, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the second violinist for part 2 of Nasca Lines, in mixed graphic and standard notation. Sections of notated music are interspersed with improvised moments, and the violinist employs extended techniques like circular bowing.

Guy, Barry

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

MS-5-16, Oversize Folder 13, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the string quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured blue for the string quintet.

Guy, Barry

Nasca lines : part 4 : violin 2

MS-5-16, Oversize Folder 13, Item 5
Item
2001

Part of Upstream Music Association fonds

Item contains the second violin part for part 4 of Nasca Lines in mixed standard and graphic notation. Item also includes a copy of the second last page of the score for part 4 in graphic notation.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 13, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (blue for the string quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 6 : violin 2

MS-5-16, Oversize Folder 13, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is the second violin part for part 6 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 13, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles. Two sections from the string parts of part 2 of Nasca Lines have been taped over the score and an extra copy of page 13 of part 2 is also included.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 14, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 14, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 2 : [full score]

MS-5-16, Oversize Folder 14, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the violist for part 2 of Nasca Lines, in mixed graphic and standard notation. Sections of notated music are interspersed with improvised moments, and the violist employs extended techniques like circular bowing. A section of the viola part from page 13 is taped to the top of page 14 and below the viola line on page 16.

Guy, Barry

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

MS-5-16, Oversize Folder 14, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the string quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured blue for the string quintet.

Guy, Barry

Nasca lines : part 3A : viola

MS-5-16, Oversize Folder 14, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Viola / Part 3A / Tacet" written in marker.

Guy, Barry

Nasca lines : part 4 : viola

MS-5-16, Oversize Folder 14, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the viola part for part 4 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 14, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (blue for the string quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 6 : viola

MS-5-16, Oversize Folder 14, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is the viola part for part 6 of Nasca Lines in standard notation.

Guy, Barry

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