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Guy, Barry With digital objects
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Nasca lines : Alan Davie texts

Item contains excerpts from texts by the Scottish painter Alan Davie (1920-2014) selected by Barry Guy for use in Parts 3A and 5 of the composition. The excerpts are taken from opuses D. 2 (June 1994); D.4 (June 1994); D. 15 (September 1994); D. 16 (June 1996); D. 24a (June 1996); D. 29 (May 1996); and D. 107 (1990). Davie's artwork is also one of the sources of inspiration for the graphic notation in Guy's composition.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1 : [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1: [full score]

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 1: [full score]

Item is a complete conductor's score for part 1 of Nasca Lines, in graphic notation. The conductor uses the score in conjunction with flashcards, including VETO A, B, and C. Other flashcards used in the performance of this part of the composition are lost, but the images of each flashcard and their meanings are captured on the score for part 1. Each image serves as the basis for improvisation.

Guy, Barry

Nasca lines : part 2 : [accompanying instruments]

Item is a copy of the score used by the accompanying instruments (clarinet, bassoon, tenor sax, baritone sax, bass clarinet, electric bass, electric guitar, double bass, and synthesizer) for part 2 of Nasca Lines, in graphic notation. This score was used by the electric bass player in the premiere performance.

Guy, Barry

Nasca lines : part 2 : [full score]

Item is a copy of the score used by the first violinist, Mark Fewer, for part 2 of Nasca Lines, in mixed graphic and standard notation. Sections of notated music are interspersed with improvised moments, and the violinist employs extended techniques like circular bowing.

Guy, Barry

Nasca lines : part 2 : [full score]

Item is a complete conductor's score for part 2 of Nasca Lines, featuring a string quartet and voice, with occasional contributions from the rest of the orchestra. Part 2 begins with approximated pitches and rhythms, where each instrument's part is written in relation to two outer staff lines and rhythmic values are relational (i.e. no clear metric structure). Some specific pitches are given starting on page 6 and five-line staves are used on pages 10 to 13 and 16. Sections of notated music are interspersed with improvised moments, and the string and wind instruments use extended techniques like circular bowing and multiphonics.

Guy, Barry

Nasca lines : part 2 : [full score]

Item is a copy of the full score for part 2 of Nasca Lines, in mixed graphic and standard notation. The voice part is entirely improvised in this section, with some basic directives from the composer, e.g. "react to st[ring] qu[artet] articulations."

Guy, Barry

Nasca lines : part 2 : [full score]

Item is a copy of the score used by the second violinist for part 2 of Nasca Lines, in mixed graphic and standard notation. Sections of notated music are interspersed with improvised moments, and the violinist employs extended techniques like circular bowing.

Guy, Barry

Nasca lines : part 2 : [full score]

Item is a copy of the score used by the violist for part 2 of Nasca Lines, in mixed graphic and standard notation. Sections of notated music are interspersed with improvised moments, and the violist employs extended techniques like circular bowing. A section of the viola part from page 13 is taped to the top of page 14 and below the viola line on page 16.

Guy, Barry

Nasca lines : part 2 : [full score]

Item is a copy of the score used by the cellist for part 2 of Nasca Lines, in mixed graphic and standard notation. Sections of notated music are interspersed with improvised moments, and the cellist employs extended techniques like circular bowing.

Guy, Barry

Nasca lines : part 3 : [full score]

Item is a complete conductor's score for part 3 of Nasca Lines, in graphic notation. The conductor uses the score in conjunction with coloured flashcards associated with each instrument group (string quintet; wind quintet; saxophone quartet; and percussion, synth, and guitar trio). These flashcards are lost and not part of the Music Score Library. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre. Some of the pages are in colour.

Guy, Barry

Nasca lines : part 3 : percussion, drums, synthesizer or accordion, guitar, and electric bass

Item contains a colour copy of the score used by the rhythm section for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured green for the rhythm section. This copy of the score was used by [Jim Faraday] for the premiere performance.

Guy, Barry

Nasca lines : part 3 : percussion, drums, synthesizer or accordion, guitar, and electric bass

Item contains a colour copy of the score used by the rhythm section for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured green for the rhythm section.

Guy, Barry

Nasca lines : part 3 : percussion, drums, synthesizer or accordion, guitar, and electric bass

Item contains a colour copy of the score used by the rhythm section for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured green for the rhythm section.

Guy, Barry

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